Analysis of The Last Walk In Autumn



I.
O'er the bare woods, whose outstretched hands
Plead with the leaden heavens in vain,
I see, beyond the valley lands,
The sea's long level dim with rain.
Around me all things, stark and dumb,
Seem praying for the snows to come,
And, for the summer bloom and greenness gone,
With winter's sunset lights and dazzling morn atone.

II.
Along the river's summer walk,
The withered tufts of asters nod;
And trembles on its arid stalk
The boar plume of the golden-rod.
And on a ground of sombre fir,
And azure-studded juniper,
The silver birch its buds of purple shows,
And scarlet berries tell where bloomed the sweet wild-rose!

III.
With mingled sound of horns and bells,
A far-heard clang, the wild geese fly,
Storm-sent, from Arctic moors and fells,
Like a great arrow through the sky,
Two dusky lines converged in one,
Chasing the southward-flying sun;
While the brave snow-bird and the hardy jay
Call to them from the pines, as if to bid them stay.

IV.
I passed this way a year ago
The wind blew south; the noon of day
Was warm as June's; and save that snow
Flecked the low mountains far away,
And that the vernal-seeming breeze
Mocked faded grass and leafless trees,
I might have dreamed of summer as I lay,
Watching the fallen leaves with the soft wind at play.

V.
Since then, the winter blasts have piled
The white pagodas of the snow
On these rough slopes, and, strong and wild,
Yon river, in its overflow
Of spring-time rain and sun, set free,
Crashed with its ices to the sea;
And over these gray fields, then green and gold,
The summer corn has waved, the thunder's organ rolled.

VI.
Rich gift of God! A year of time
What pomp of rise and shut of day,
What hues wherewith our Northern clime
Makes autumn's dropping woodlands gay,
What airs outblown from ferny dells,
And clover-bloom and sweetbrier smells,
What songs of brooks and birds, what fruits and flowers,
Green woods and moonlit snows, have in its round been ours!

VII.
I know not how, in other lands,
The changing seasons come and go;
What splendors fall on Syrian sands,
What purple lights on Alpine snow!
Nor how the pomp of sunrise waits
On Venice at her watery gates;
A dream alone to me is Arno's vale,
And the Alhambra's halls are but a traveller's tale.

VIII.
Yet, on life's current, he who drifts
Is one with him who rows or sails
And he who wanders widest lifts
No more of beauty's jealous veils
Than he who from his doorway sees
The miracle of flowers and trees,
Feels the warm Orient in the noonday air,
And from cloud minarets hears the sunset call to prayer!

IX.
The eye may well be glad that looks
Where Pharpar's fountains rise and fall;
But he who sees his native brooks
Laugh in the sun, has seen them all.
The marble palaces of Ind
Rise round him in the snow and wind;
From his lone sweetbrier Persian Hafiz smiles,
And Rome's cathedral awe is in his woodland aisles.

X.
And thus it is my fancy blends
The near at hand and far and rare;
And while the same horizon bends
Above the silver-sprinkled hair
Which flashed the light of morning skies
On childhood's wonder-lifted eyes,
Within its round of sea and sky and field,
Earth wheels with all her zones, the Kosmos stands revealed.

XI.
And thus the sick man on his bed,
The toiler to his task-work bound,
Behold their prison-walls outspread,
Their clipped horizon widen round!
While freedom-giving fancy waits,
Like Peter's angel at the gates,
The power is theirs to baffle care and pain,
To bring the lost world back, and make it theirs again!

XII.
What lack of goodly company,
When masters of the ancient lyre
Obey my call, and trace for me
Their words of mingled tears and fire!
I talk with Bacon, grave and wise,
I read the world with Pascal's eyes;
And priest and sage, with solemn brows austere,
And poets, garland-bound, the Lords of Thought, draw near.

XIII.
Methinks, O friend, I hear thee say,
'In vain the human heart we mock;
Bring living guests who love the day,
Not ghosts who fly at crow of cock!
The herbs we share with flesh and blood
Are better than ambrosial food
With laurelled shades.' I grant it, nothing loath,
But doubly blest is he who can partake of both.

XIV.
He who might Plato's banquet grace,
Have I not seen before me sit,
And watched his puritanic face,
With more than Eastern wisdom lit?
Shrewd mystic! who, upon the back
Of his Poor Richa


Scheme ABCBCDDXX AEFEFGGHH AIAIAJJKK LMKMKNNKK LOMOMPPQQ AXKDKBIRR LBMBMSSTT LUVUVNNWW BXYXYFXZZ X1 W1 W2 2 3 3 PX4 F4 SSCX BPXPG2 2 5 5 BK6 K6 XX7 7 L8 9 8 9 XX
Poetic Form
Metre 1 100111011 110101001 11010101 01110111 01111101 11010111 0101010101 110110100101 1 01010101 01011101 0111101 01110101 0101111 01010100 0101111101 010101110111 1 11011101 01110111 11110101 10110101 1110101 10010101 1011100101 111101111111 1 11110101 01110111 11110111 10110101 01010101 11010101 1111110111 100101101111 1 11010111 01010101 11110101 1100110 11110111 11110101 0101111101 01011101101 1 11110111 11110111 11110101 1101011 111111 0101011 11110111010 110111011110 1 11110101 01010101 11111001 1101111 1101111 110101001 010111111 001111011 1 11110111 11111111 01110101 1111101 1111111 010011001 101100011 01101101111 1 01111111 1110101 11111101 10011111 01010011 11100101 11111011 01010110111 1 01111101 01110101 01010101 01010101 11011101 1110101 0111110101 11110101101 1 01011111 0111111 0111011 11010101 11010101 11010101 01011110101 110111011101 1 11110100 11010101 01110111 111101010 11110101 1101111 0101110101 010101011111 1 1111111 01010111 11011101 11111111 01111101 11010101 111111101 110111110111 1 11110101 11110111 01111 11110101 11010101 11110
Closest metre Iambic tetrameter
Characters 4,184
Words 784
Sentences 39
Stanzas 14
Stanza Lengths 9, 9, 9, 9, 9, 9, 9, 9, 9, 9, 9, 9, 9, 7
Lines Amount 124
Letters per line (avg) 27
Words per line (avg) 6
Letters per stanza (avg) 240
Words per stanza (avg) 56
Font size:
 

Submitted on May 13, 2011

Modified on March 05, 2023

4:00 min read
99

John Greenleaf Whittier

John Greenleaf Whittier was an influential American Quaker poet and ardent advocate of the abolition of slavery in the United States. more…

All John Greenleaf Whittier poems | John Greenleaf Whittier Books

5 fans

Discuss this John Greenleaf Whittier poem analysis with the community:

0 Comments

    Citation

    Use the citation below to add this poem analysis to your bibliography:

    Style:MLAChicagoAPA

    "The Last Walk In Autumn" Poetry.com. STANDS4 LLC, 2024. Web. 29 Apr. 2024. <https://www.poetry.com/poem-analysis/23131/the-last-walk-in-autumn>.

    Become a member!

    Join our community of poets and poetry lovers to share your work and offer feedback and encouragement to writers all over the world!

    April 2024

    Poetry Contest

    Join our monthly contest for an opportunity to win cash prizes and attain global acclaim for your talent.
    1
    day
    14
    hours
    17
    minutes

    Special Program

    Earn Rewards!

    Unlock exciting rewards such as a free mug and free contest pass by commenting on fellow members' poems today!

    Browse Poetry.com

    Quiz

    Are you a poetry master?

    »
    Which of these poets did not use capital letters in his works?
    A Robert Frost
    B Robert Browning
    C Sylvia Plath
    D E.E. Cummings