Analysis of Natalie Grant, Gospel Artist
Douglas Blair 1951 (London)
She holds her Concert.
Large crowd quiet
For such a number of seats.
Orchestra will be major help.
The Blonde walks out
To loving applause.
Black blouse and slacks.
Tattoo at the inside wrist.
First song, almost
Sweetly whispered.
You are Always There.
(Psalm 139.)
Folks standing in respect.
Bodies weaving
Arms stretched up.
Eyes closed.
Perhaps even singing
Softly along.
Mother holding young child.
Husband’s arm over her shoulder.
Agreement in the place.
Wonder, thanksgiving.
God.
Not silly emotion…
God.
Such is Worship.
Scheme | abcdefghijklmnopnqrstnUvUo |
---|---|
Poetic Form | |
Metre | 11010 1110 1101011 10011101 0111 11001 1101 0110011 111 1010 1111 1 110001 1010 111 11 011010 1001 101011 10110010 010001 1010 1 110010 1 1110 |
Closest metre | Iambic dimeter |
Characters | 531 |
Words | 103 |
Sentences | 20 |
Stanzas | 1 |
Stanza Lengths | 26 |
Lines Amount | 26 |
Letters per line (avg) | 16 |
Words per line (avg) | 3 |
Letters per stanza (avg) | 418 |
Words per stanza (avg) | 84 |
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Written on February 03, 2023
Submitted by dougb.72572 on February 03, 2023
Modified by dougb.72572 on February 03, 2023
- 30 sec read
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"Natalie Grant, Gospel Artist" Poetry.com. STANDS4 LLC, 2024. Web. 17 Jun 2024. <https://www.poetry.com/poem-analysis/149835/natalie-grant%2C-gospel-artist>.
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