Analysis of My Head’s In A Fog



Electrodes attached.
I am in a deep coma.
Medically drugged.

They have me wired.
Electrical impulses.
My scalp excited!

My head’s in a fog.
Like a vapory night mist.
Brain waves on fire!

Brain waves firing.
They have a life of their own.
My mind wandering…

Time has disappeared.
I am dead — and yet alive.
Everything so weird!

After several days.
In the recovery room.
Stretched on a gurney.

Doctors examine me.
“Breathing on his own,” they say.
My brain waves light up!

Doctors seem amazed.
A bright light shines in my eyes.
Time returns renewed!


Scheme XXX XXX XXX AXA BXB XXC CXX XXX
Poetic Form
Metre 01001 1100110 1001 11110 0100100 11010 11001 10111 11110 1110 1101111 11100 1101 1110101 1011 10101 000101 11010 100101 1011111 11111 10101 0111011 10101
Closest metre Iambic trimeter
Characters 564
Words 127
Sentences 23
Stanzas 8
Stanza Lengths 3, 3, 3, 3, 3, 3, 3, 3
Lines Amount 24
Letters per line (avg) 18
Words per line (avg) 4
Letters per stanza (avg) 53
Words per stanza (avg) 12

About this poem

I have been reading and reciting, and I digesting, and listening to Li-Young Lee recite his in metaphysical poem, “Big Clock,” originally published in Poem-a-Day, on December 8, 2021, by the Academy of American Poets. One line of Li-Young Lee’s “Big Clock” poem that stands out so strikingly (pun not intended) and meaningfully to me, is that which reads, “Crossing thresholds: sleep to waking and back.” His use of the metaphor of “Big Clock” is suggestive that somewhere in our collective consciousness experience, resides the archetypal image of a “Little Clock” that we humanly relate to quite intimately, and even personally, but which, in reality, is merely a physical prototype of the archetypal “Big Clock” time that defies human imagination and understanding of the relativity of time. This poem, “My Head’s In A Fog,” examines the illusive concept of time from the perspective of a recovering comatose patient. It is written in a three-line haiku stanza format, but expanded into verses to highlight and amplify the poem ‘s message of relativistic time that changed dramatically the traditionally Newtonian conceptualization of absolute time and space to the current notion of a dramatically curved space-time, articulated in Einstein’s theory of general relativity. 

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Written on December 10, 2021

Submitted by karlcfolkes on December 10, 2021

Modified on March 05, 2023

38 sec read
131

Karl Constantine FOLKES

Retired educator of Jamaican ancestry with a lifelong interest in composing poetry dealing particularly with the metaphysics of self-reflection; completed a dissertation in Children’s Literature in 1991 at New York University entitled: An Analysis of Wilhelm Grimm’s “Dear Mili” Employing Von Franzian Methodological Processes of Analytical Psychology. The subject of the dissertation concerned the process of Individuation. more…

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