Analysis of Awake Me, O Matsuo Basho



I dreamt I was a journeyman
On The Narrow Road to the Deep North,
In Honshu Island, north of Shikoku.

Across the Inland Sea,
I came across a sacred place,
Lofty Mount Fuji.

In Shiga Prefecture, there by Lake Biwa,
There by the rippling water,
There on a stone, I rested.

And in my restful meditation,
You appeared to me
In dream, mysteriously dressed.

Dressed as a Shingon Buddhist monk,
A master monk you were,
In flowing black robes adorned.

Kneeling seiza-style, you sat,
On your golden padded cushion,
Reciting Haiku poetry.

And from this meditative pose,
Hands clasped in a prayer,
You paused.

And even as you paused,
Your silent saffron Buddhist monks
Expressed their Yugen joy.

They, seeking enlightenment,
Carried obediently their rice bowls
Of daily food ration.

In penitence they walked,
In penitence they bowed,
Summoned to prayer.

And as you kneeled,
Your legs were folded,
Neatly tucked underneath.

In meditation pose,
On golden padded cushion,
I saw you strike three times.

A metal gong,  a Buddhist temple bell,
You began to brush —
Brushing it three times.

Three times in ritual you brushed.
And from this brush emerged
A sound.

A calming temple sound I heard,
Resounding everywhere,
Resounding in my ears.

With this resounding, calming sound,
In Takasago Shrine,
The morning prayer began.

And as I lay quite fast asleep,
In restful sleep,  by Lake Biwa,
I dreamed.

Once again, after a prayer,
You began your recitation,
A simple Haiku poem.

And with this poem,
Your saffron Buddhist monks
Bowed once more their heads.

All this I dreamed,
Resting on a stone,
By Lake Biwa asleep.

There, in Honshu Island,
North of Shinkoku, it was,
Across the Inland sea.

I took that pilgrim’s  journey,
The journey of my life,
Traveling the Narrow Road.

The Narrow Road,
To That Deep North,
There shall I rest.

Everyday henceforth for me,
Shall be a pilgrim’s journey —
A journey unto itself.

I’m on a journey of the road,
Of the road that is less traveled;
The road not frequently taken.

Awake me, O Matsuo Basho!
Awake me to be ever brave,
To take the Narrow Road.


Scheme abc Dxd efg hdi cfx xhd jkl lmx xxh xxk ggx jhn xon xxp xkx pxa qer khs smx rxq xxD dxt tbi ddx txh oxt
Poetic Form
Metre 1111010 101011011 01010111 01011 11010101 10110 01101111 11010010 1101110 00110010 10111 0110001 1101101 010110 0101101 101111 11101010 01010100 0111001 11001 11 010111 11010101 01111 1100100 1001000111 110110 0111 0111 1011 0111 11010 10101 00101 1101010 111111 0101010101 10111 10111 11010011 011101 01 01010111 01010 010011 11010101 00101 010101 01111101 0101111 11 1011001 1011010 0101010 01110 110101 11111 1111 10101 11101 101010 11111 01011 1111010 010111 1000101 0101 1111 1111 1011111 1101010 0101001 11010101 10111110 01110010 01110101 01111101 110101
Closest metre Iambic trimeter
Characters 2,108
Words 459
Sentences 29
Stanzas 26
Stanza Lengths 3, 3, 3, 3, 3, 3, 3, 3, 3, 3, 3, 3, 3, 3, 3, 3, 3, 3, 3, 3, 3, 3, 3, 3, 3, 3
Lines Amount 78
Letters per line (avg) 21
Words per line (avg) 5
Letters per stanza (avg) 62
Words per stanza (avg) 14

About this poem

The title of this poem , and its composition (“Awake Me, O Matsuo Basho”), came to me after I had attended a morning service and listened to a sermon entitled “The Law of Meditation and Confession” based primarily on an exegetical reading of Joshua 8:1. This sermon suggested to me , as a poet, that when poets turn inwardly to compose, they enter a realm of divine energy and discernment, a precinct, a sanctuary, a temple of meditation. There, if they are sufficiently inspired, if they have ears to hear, they become pliable disciples of those who are teachers of wisdom and learning, It is in such a realm that Haiku Master Poet, Matsuo Basho, appeared to me and gave me council.  

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Written on November 21, 2021

Submitted by karlcfolkes on November 21, 2021

Modified on May 03, 2023

2:17 min read
860

Karl Constantine FOLKES

Retired educator of Jamaican ancestry with a lifelong interest in composing poetry dealing particularly with the metaphysics of self-reflection; completed a dissertation in Children’s Literature in 1991 at New York University entitled: An Analysis of Wilhelm Grimm’s “Dear Mili” Employing Von Franzian Methodological Processes of Analytical Psychology. The subject of the dissertation concerned the process of Individuation. more…

All Karl Constantine FOLKES poems | Karl Constantine FOLKES Books

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