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Stephen Dobyns has published over a dozen volumes of poetry, including Concurring Beasts (1972), The Balthus Poems (1982), Cemetery Nights (1987), Velocities: New and Selected Poems (1994), Pallbearers Envying the One Who Rides (1999), and The Day's Last Light Reddens the Leaves of the Copper Beech (2016). Of the governing style of his work over time, Dobyns noted in an interview, “If there’s a consistency in any of the books, it’s the fact that I like a long line ... [and] use the linebreak to affect the rhythm of the lines, to affect the rhythm of the poem.” The terms “masculine,” “witty,” and “humane” are frequently used to describe Dobyns’s poetry. His narrative and sometimes absurdist work contains “the juxtaposition of the profane and the exalted,” noted the Alsop Review. A New York Times review of Body Traffic (1990) remarked on the poet’s humor: “Life can be pretty grisly in Mr. Dobyns’s poems. But life isn’t a tragedy in which we are fatally mired. Instead, it is a farce we view from a certain remove.”

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