In a Row



The mailman handing me a letter,
he paid a little. My daughter’s

third grade teacher, the electrician
putting a light over my back door:

they paid as well. The woman at the bank
who cashes my check. She paid a part of it.

The typist in my office, the janitor
sweeping the floor—they paid some too.

The movie star paid for it. The nurse,
the nun, the saint, they all paid for it—

a photograph from Central America,
six children lying neatly in a row.

One day I was teaching or I sold
a book review or I gave a lecture

and some of the money came to me
and some rolled off into the world,

but it was still my money, the result
of my labor, each coin still had my name

printed across it, and I went on living,
passing my days in a box with a tight lid.

But elsewhere, skulking through tall grass,
a dozen men approached a village. It was hot;

the men made no noise. See that one’s cap,
see the button on that other man’s shirt,

* * *

hear the click of the cartridge as it slides
into its chamber, see the handkerchief

which that man uses to wipe his brow—
I paid for that one, that one belongs to me.
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Written on 1994

Submitted by Drone232 on April 23, 2022

Modified on March 05, 2023

1:14 min read
122

Quick analysis:

Scheme AX XX XB AX XB XX XA CX XX XX XX XX XX XC
Closest metre Iambic pentameter
Characters 1,122
Words 247
Stanzas 15
Stanza Lengths 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 1, 2, 2

STEPHEN DOBYNS

Stephen Dobyns has published over a dozen volumes of poetry, including Concurring Beasts (1972), The Balthus Poems (1982), Cemetery Nights (1987), Velocities: New and Selected Poems (1994), Pallbearers Envying the One Who Rides (1999), and The Day's Last Light Reddens the Leaves of the Copper Beech (2016). Of the governing style of his work over time, Dobyns noted in an interview, “If there’s a consistency in any of the books, it’s the fact that I like a long line ... [and] use the linebreak to affect the rhythm of the lines, to affect the rhythm of the poem.” The terms “masculine,” “witty,” and “humane” are frequently used to describe Dobyns’s poetry. His narrative and sometimes absurdist work contains “the juxtaposition of the profane and the exalted,” noted the Alsop Review. A New York Times review of Body Traffic (1990) remarked on the poet’s humor: “Life can be pretty grisly in Mr. Dobyns’s poems. But life isn’t a tragedy in which we are fatally mired. Instead, it is a farce we view from a certain remove.” more…

All STEPHEN DOBYNS poems | STEPHEN DOBYNS Books

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