Analysis of Celebrate Spring Today

Amir Khusro 1253 (1253 Patiyali) – 1325 (Delhi)



Rejoice, my love, rejoice,
Its spring here, rejoice.
Bring out your lotions and toiletries,
And decorate your long hair.
Oh, you're still enjoying your sleep, wake-up.
Even your destiny has woken up,
Its spring here, rejoice.
You snobbish lady with arrogant looks,
The King Amir is here to see you;
Let your eyes meet his,
Oh my love, rejoice;
Its spring here again.

[Translated from 'Aaj Basant Manaalay']


Scheme aAxxbbAxxxax x
Poetic Form
Metre 011101 11101 111100100 010111 1110101111 1011001101 11101 1101011001 010111111 11111 11101 11101 0101111
Closest metre Iambic tetrameter
Characters 404
Words 70
Sentences 6
Stanzas 2
Stanza Lengths 12, 1
Lines Amount 13
Letters per line (avg) 24
Words per line (avg) 5
Letters per stanza (avg) 158
Words per stanza (avg) 34
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Submitted on May 13, 2011

Modified on March 05, 2023

21 sec read
106

Amir Khusro

Abu'l Hasan Yamīn ud-Dīn Khusrau (Urdu: ابو الحسن یمین الدین خسرو‎) (1253–1325), better known as Amīr Khusrau Dehlavī (Also known as 'Amir Khusro امیر خسرو') was a Sufi singer, poet and scholar from India. He was an iconic figure in the cultural history of the Indian subcontinent. He was a mystic and a spiritual disciple of Nizamuddin Auliya of Delhi, India. He wrote poetry primarily in Persian, but also in Hindavi. A vocabulary in verse, the Ḳhāliq Bārī, containing Arabic, Persian, and Hindavi terms is often attributed to him. Khusrau is sometimes referred to as the "voice of India" or "Parrot of India" (Tuti-e-Hind), and has been called the "father of Urdu literature."Khusrau is regarded as the "father of qawwali" (a devotional form of singing of the Sufis in the Indian subcontinent), and introduced the ghazal style of song into India, both of which still exist widely in India and Pakistan. Khusrau was an expert in many styles of Persian poetry which were developed in medieval Persia, from Khāqānī's qasidas to Nizami's khamsa. He used 11 metrical schemes with 35 distinct divisions. He wrote in many verse forms including ghazal, masnavi, qata, rubai, do-baiti and tarkib-band. His contribution to the development of the ghazal was significant.  more…

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