Dear Father

Amir Khusro 1253 (1253 Patiyali) – 1325 (Delhi)



Why did you part me from yourself, dear father, why?
You've given houses with two stories to my brothers,
And to me, a foreign land? Why dear father, why?
We (daughters)  are just cows tied to your peg,
Will move on to where ever you drive us to, dear father.
We are just flower-buds of your garden,
And are asked for, in every household, dear father.
We are just birds from your cage,
Will fly off when its dawn again, dear father.
I've left at home, alcoves full of dolls;
And parted from my buddies too, dear father.
When my palanquin passed beneath the terrace,
My brother fainted and fell, dear father.
As I remove the curtain from the palanquin,
I see we've reached the beloved's house, dear father.
Why did you part me from yourself, dear father, why?

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Submitted on May 13, 2011

Modified on March 05, 2023

43 sec read
70

Quick analysis:

Scheme AbacdedfdgdhdedA
Closest metre Iambic hexameter
Characters 754
Words 141
Stanzas 1
Stanza Lengths 16

Amir Khusro

Abu'l Hasan Yamīn ud-Dīn Khusrau (Urdu: ابو الحسن یمین الدین خسرو‎) (1253–1325), better known as Amīr Khusrau Dehlavī (Also known as 'Amir Khusro امیر خسرو') was a Sufi singer, poet and scholar from India. He was an iconic figure in the cultural history of the Indian subcontinent. He was a mystic and a spiritual disciple of Nizamuddin Auliya of Delhi, India. He wrote poetry primarily in Persian, but also in Hindavi. A vocabulary in verse, the Ḳhāliq Bārī, containing Arabic, Persian, and Hindavi terms is often attributed to him. Khusrau is sometimes referred to as the "voice of India" or "Parrot of India" (Tuti-e-Hind), and has been called the "father of Urdu literature."Khusrau is regarded as the "father of qawwali" (a devotional form of singing of the Sufis in the Indian subcontinent), and introduced the ghazal style of song into India, both of which still exist widely in India and Pakistan. Khusrau was an expert in many styles of Persian poetry which were developed in medieval Persia, from Khāqānī's qasidas to Nizami's khamsa. He used 11 metrical schemes with 35 distinct divisions. He wrote in many verse forms including ghazal, masnavi, qata, rubai, do-baiti and tarkib-band. His contribution to the development of the ghazal was significant.  more…

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