Analysis of The Mountain

Robert Frost 1874 (San Francisco) – 1963 (Boston)



The mountain held the town as in a shadow
I saw so much before I slept there once:
I noticed that I missed stars in the west,
Where its black body cut into the sky.
Near me it seemed: I felt it like a wall
Behind which I was sheltered from a wind.
And yet between the town and it I found,
When I walked forth at dawn to see new things,
Were fields, a river, and beyond, more fields.
The river at the time was fallen away,
And made a widespread brawl on cobble-stones;
But the signs showed what it had done in spring;
Good grass-land gullied out, and in the grass
Ridges of sand, and driftwood stripped of bark.
I crossed the river and swung round the mountain.
And there I met a man who moved so slow
With white-faced oxen in a heavy cart,
It seemed no hand to stop him altogether.
'What town is this?' I asked.
'This? Lunenburg.'
Then I was wrong: the town of my sojourn,
Beyond the bridge, was not that of the mountain,
But only felt at night its shadowy presence.
'Where is your village? Very far from here?'
'There is no village-only scattered farms.
We were but sixty voters last election.
We can't in nature grow to many more:
That thing takes all the room!' He moved his goad.
The mountain stood there to be pointed at.
Pasture ran up the side a little way,
And then there was a wall of trees with trunks:
After that only tops of trees, and cliffs
Imperfectly concealed among the leaves.
A dry ravine emerged from under boughs
Into the pasture.
'That looks like a path.
Is that the way to reach the top from here?-
Not for this morning, but some other time:
I must be getting back to breakfast now.'
'I don't advise your trying from this side.
There is no proper path, but those that have
Been up, I understand, have climbed from Ladd's.
That's five miles back. You can't mistake the place:
They logged it there last winter some way up.
I'd take you, but I'm bound the other way.'
'You've never climbed it?'
'I've been on the sides
Deer-hunting and trout-fishing. There's a brook
That starts up on it somewhere-I've heard say
Right on the top, tip-top-a curious thing.
But what would interest you about the brook,
It's always cold in summer, warm in winter.
One of the great sights going is to see
It steam in winter like an ox's breath,
Until the bushes all along its banks
Are inch-deep with the frosty spines and bristles-
You know the kind. Then let the sun shine on it!'
'There ought to be a view around the world
From such a mountain-if it isn't wooded
Clear to the top.' I saw through leafy screens
Great granite terraces in sun and shadow,
Shelves one could rest a knee on getting up-
With depths behind him sheer a hundred feet;
Or turn and sit on and look out and down,
With little ferns in crevices at his elbow.
'As to that I can't say. But there's the spring,
Right on the summit, almost like a fountain.
That ought to be worth seeing.'
'If it's there.
You never saw it?'
'I guess there's no doubt
About its being there. I never saw it.
It may not be right on the very top:
It wouldn't have to be a long way down
To have some head of water from above,
And a good distance down might not be noticed
By anyone who'd come a long way up.
One time I asked a fellow climbing it
To look and tell me later how it was.'
'What did he say?'
'He said there was a lake
Somewhere in Ireland on a mountain top.'
'But a lake's different. What about the spring?'
'He never got up high enough to see.
That's why I don't advise your trying this side.
He tried this side. I've always meant to go
And look myself, but you know how it is:
It doesn't seem so much to climb a mountain
You've worked around the foot of all your life.
What would I do? Go in my overalls,
With a big stick, the same as when the cows
Haven't come down to the bars at milking time?
Or with a shotgun for a stray black bear?
'Twouldn't seem real to climb for climbing it.'
'I shouldn't climb it if I didn't want to-
Not for the sake of climbing. What's its name?'
'We call it Hor: I don't know if that's right.'
'Can one walk around it? Would it be too far?'
'You can drive round and keep in Lunenburg,
But it's as much as ever you can do,
The boundary lines keep in so close to it.
Hor is the township, and the township's Hor-
And a few houses sprinkled round the foot,
Like boulders broken off the upper cliff,
Rolled out a little farther than the rest.'
'Warm in December, cold in June, you say?'
'I don't suppose the water's changed at all.
You and I know enough to know it's warm
Co


Scheme Text too long
Poetic Form
Metre 0101011001 1111011111 1101111001 1111010101 1111111101 0111110101 0101010111 1111111111 0101000111 01010111001 0101111101 1011111101 111110001 101101111 11010011010 0111011111 1111000101 1111111010 111111 11 1111011110 01011111010 110111110010 1111010111 1111010101 10110101010 1101011101 1111011111 0101111101 1011010101 0111011111 1011011101 0100010101 0101011101 01010 11101 1101110111 1111011101 1111011101 1101110111 1111011111 111011111 1111110101 1111110111 1111110101 11011 11101 1100110101 111111111 11011101001 1111010101 1110101010 1101110111 110101111 0101010111 11110101010 11011101111 1111010101 11010111010 1101111101 1101000101 1111011101 1101110101 1101101101 11010100111 1111111101 1101011010 1111110 111 11011 11111 01110111011 1111110101 1101110111 1111110101 00110111110 110110111 1111010101 1101110111 1111 111101 1010010101 10110010101 1101110111 11110111011 111111111 011111111 11011111010 1101011111 111110110 1011011101 10111011101 110110111 111111101 11011111011 1101110111 1111111111 11101111111 11110101 1111110111 01001101111 110100011 0011010101 1101010101 1101010101 1001010111 1101010111 1011011111 1
Closest metre Iambic pentameter
Characters 4,352
Words 885
Sentences 67
Stanzas 1
Stanza Lengths 109
Lines Amount 109
Letters per line (avg) 31
Words per line (avg) 8
Letters per stanza (avg) 3,382
Words per stanza (avg) 863
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Submitted on May 13, 2011

Modified on May 04, 2023

4:30 min read
341

Robert Frost

Robert Lee Frost was an American poet. His work was initially published in England before it was published in America. He is highly regarded for his realistic depictions of rural life and his command of American colloquial speech. more…

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