Analysis of Queen Mab: Part II.

Percy Bysshe Shelley 1792 (Horsham) – 1822 (Lerici)



If solitude hath ever led thy steps
To the wild ocean's echoing shore,
And thou hast lingered there,
Until the sun's broad orb
Seemed resting on the burnished wave,
Thou must have marked the lines
Of purple gold that motionless
Hung o'er the sinking sphere;
Thou must have marked the billowy clouds,
Edged with intolerable radiancy,
Towering like rocks of jet
Crowned with a diamond wreath;
And yet there is a moment,
When the sun's highest point
Peeps like a star o'er ocean's western edge,
When those far clouds of feathery gold,
Shaded with deepest purple, gleam
Like islands on a dark blue sea;
Then has thy fancy soared above the earth
And furled its wearied wing
Within the Fairy's fane.

Yet not the golden islands
Gleaming in yon flood of light,
Nor the feathery curtains
Stretching o'er the sun's bright couch,
Nor the burnished ocean-waves
Paving that gorgeous dome,
So fair, so wonderful a sight
As Mab's ethereal palace could afford.
Yet likest evening's vault, that faëry Hall!
As Heaven, low resting on the wave, it spread
Its floors of flashing light,
Its vast and azure dome,
Its fertile golden islands
Floating on a silver sea;
Whilst suns their mingling beamings darted
Through clouds of circumambient darkness,
And pearly battlements around
Looked o'er the immense of Heaven.

The magic car no longer moved.
The Fairy and the Spirit
Entered the Hall of Spells.
Those golden clouds
That rolled in glittering billows
Beneath the azure canopy,
With the ethereal footsteps trembled not;
The light and crimson mists,
Floating to strains of thrilling melody
Through that unearthly dwelling,
Yielded to every movement of the will;
Upon their passive swell the Spirit leaned,
And, for the varied bliss that pressed around,
Used not the glorious privilege
Of virtue and of wisdom.

'Spirit!' the Fairy said,
And pointed to the gorgeous dome,
'This is a wondrous sight
And mocks all human grandeur;
But, were it virtue's only meed to dwell
In a celestial palace, all resigned
To pleasurable impulses, immured
Within the prison of itself, the will
Of changeless Nature would be unfulfilled.
Learn to make others happy. Spirit, come!
This is thine high reward:-the past shall rise;
Thou shalt behold the present; I will teach
The secrets of the future.'

The Fairy and the Spirit
Approached the overhanging battlement.
Below lay stretched the universe!
There, far as the remotest line
That bounds imagination's flight,
Countless and unending orbs
In mazy motion intermingled,
Yet still fulfilled immutably
Eternal Nature's law.
Above, below, around,
The circling systems formed
A wilderness of harmony;
Each with undeviating aim,
In eloquent silence, through the depths of space
Pursued its wondrous way.

There was a little light
That twinkled in the misty distance.
None but a spirit's eye
Might ken that rolling orb.
None but a spirit's eye,
And in no other place
But that celestial dwelling, might behold
Each action of this earth's inhabitants.
But matter, space, and time,
In those aërial mansions cease to act;
And all-prevailing wisdom, when it reaps
The harvest of its excellence, o'erbounds
Those obstacles of which an earthly soul
Fears to attempt the conquest.

The Fairy pointed to the earth.
The Spirit's intellectual eye
Its kindred beings recognized.
The thronging thousands, to a passing view,
Seemed like an ant-hill's citizens.
How wonderful! that even
The passions, prejudices, interests,
That sway the meanest being-the weak touch
That moves the finest nerve
And in one human brain
Causes the faintest thought, becomes a link
In the great chain of Nature!

'Behold,' the Fairy cried,
'Palmyra's ruined palaces!
Behold where grandeur frowned!
Behold where pleasure smiled!
What now remains?-the memory
Of senselessness and shame.
What is immortal there?
Nothing-it stands to tell
A melancholy tale, to give
An awful warning; soon
Oblivion will steal silently
The remnant of its fame.
Monarchs and conquerors there
Proud o'er prostrate millions trod-
The earthquakes of the human race;
Like them, forgotten when the ruin
That marks their shock is past.

'Beside the eternal Nile
The Pyramids have risen.
Nile shall pursue his changeless way;
Those Pyramids shall fall.
Yea! not a stone shall stand to tell
The spot whereon they stood;
Their very site shall be forgotten,


Scheme axbcxxdxeafxgxxhxijkl mnoxxpnxqrnpmixdst xUxexixxikvxsxw rpnxxxfvxwxxy Ugxxnaxqxsxiz1 2 Nx3 c3 1 hxxxxaxx j3 xxoxxxxlxy xxsxizbxxxizbx1 tx xt2 qxxt
Poetic Form
Metre 110110111 101101001 011101 010111 11010101 111101 11011100 1100101 1111011 11010001 1001111 110101 0111010 101101 11011010101 111111001 10110101 11010111 1111010101 011101 01011 1101010 1001111 1010010 10100111 1010101 101101 11110001 11010010101 111011111 11011010111 111101 110101 1101010 1010101 111100110 111110 01010001 110001110 01011101 0100010 100111 1101 11010010 01010100 1001001101 010101 1011110100 1101010 10110010101 0111010101 0101011101 11010010 1100110 100101 01010101 110101 0111001 101110111 0001010101 110001001 0101010101 11101101 1111010101 1111010111 1101010111 0101010 0100010 010100100 0111010 11100101 1111 1000101 0110010 11011 010101 010101 0100101 01001100 1111 01001010111 011101 110101 110001010 110101 111101 110101 001101 1101010101 1101110100 110101 0101010111 0101010111 010111001 1100111101 1101010 01010101 01001001 1101010 011010101 11111100 1100110 010100010 1101010011 110101 001101 1001010101 0011110 010101 110100 011011 011101 11010100 1101 110101 101111 0100111 110101 010011100 010111 101001 11010101 0110101 110101010 111111 0100101 0100110 1101111 110011 11011111 01111 110111010
Closest metre Iambic tetrameter
Characters 4,164
Words 705
Sentences 37
Stanzas 9
Stanza Lengths 21, 18, 15, 13, 15, 14, 12, 17, 7
Lines Amount 132
Letters per line (avg) 26
Words per line (avg) 5
Letters per stanza (avg) 382
Words per stanza (avg) 78
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Submitted on May 13, 2011

Modified on March 05, 2023

3:37 min read
97

Percy Bysshe Shelley

Percy Bysshe Shelley was one of the major English Romantic poets and is regarded by critics as among the finest lyric poets in the English language. more…

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