Analysis of Queen Mab: Part I.

Percy Bysshe Shelley 1792 (Horsham) – 1822 (Lerici)



HOW wonderful is Death,
Death, and his brother Sleep!
One, pale as yonder waning moon
With lips of lurid blue;
The other, rosy as the morn
When throned on ocean's wave
It blushes o'er the world;
Yet both so passing wonderful!

Hath then the gloomy Power
Whose reign is in the tainted sepulchres
Seized on her sinless soul?
Must then that peerless form
Which love and admiration cannot view
Without a beating heart, those azure veins
Which steal like streams along a field of snow,
That lovely outline which is fair
As breathing marble, perish?
Must putrefaction's breath
Leave nothing of this heavenly sight
But loathsomeness and ruin?
Spare nothing but a gloomy theme,
On which the lightest heart might moralize?
Or is it only a sweet slumber
Stealing o'er sensation,
Which the breath of roseate morning
Chaseth into darkness?
Will Ianthe wake again,
And give that faithful bosom joy
Whose sleepless spirit waits to catch
Light, life and rapture, from her smile?

Yes! she will wake again,
Although her glowing limbs are motionless,
And silent those sweet lips,
Once breathing eloquence
That might have soothed a tiger's rage
Or thawed the cold heart of a conqueror.
Her dewy eyes are closed,
And on their lids, whose texture fine
Scarce hides the dark blue orbs beneath,
The baby Sleep is pillowed;
Her golden tresses shade
The bosom's stainless pride,
Curling like tendrils of the parasite
Around a marble column.

Hark! whence that rushing sound?
'T is like the wondrous strain
That round a lonely ruin swells,
Which, wandering on the echoing shore,
The enthusiast hears at evening;
'T is softer than the west wind's sigh;
'T is wilder than the unmeasured notes
Of that strange lyre whose strings
The genii of the breezes sweep;
Those lines of rainbow light
Are like the moonbeams when they fall
Through some cathedral window, but the tints
Are such as may not find
Comparison on earth.

Behold the chariot of the Fairy Queen!
Celestial coursers paw the unyielding air;
Their filmy pennons at her word they furl,
And stop obedient to the reins of light;
These the Queen of Spells drew in;
She spread a charm around the spot,
And, leaning graceful from the ethereal car,
Long did she gaze, and silently,
Upon the slumbering maid.

Oh! not the visioned poet in his dreams,
When silvery clouds float through the wildered brain,
When every sight of lovely, wild and grand
Astonishes, enraptures, elevates,
When fancy at a glance combines
The wondrous and the beautiful,--
So bright, so fair, so wild a shape
Hath ever yet beheld,
As that which reined the coursers of the air
And poured the magic of her gaze
Upon the maiden's sleep.

The broad and yellow moon
Shone dimly through her form--
That form of faultless symmetry;
The pearly and pellucid car
Moved not the moonlight's line.
'T was not an earthly pageant.
Those, who had looked upon the sight
Passing all human glory,
Saw not the yellow moon,
Saw not the mortal scene,
Heard not the night-wind's rush,
Heard not an earthly sound,
Saw but the fairy pageant,
Heard but the heavenly strains
That filled the lonely dwelling.

The Fairy's frame was slight--yon fibrous cloud,
That catches but the palest tinge of even,
And which the straining eye can hardly seize
When melting into eastern twilight's shadow,
Were scarce so thin, so slight; but the fair star
That gems the glittering coronet of morn,
Sheds not a light so mild, so powerful,
As that which, bursting from the Fairy's form,
Spread a purpureal halo round the scene,
Yet with an undulating motion,
Swayed to her outline gracefully.

From her celestial car
The Fairy Queen descended,
And thrice she waved her wand
Circled with wreaths of amaranth;
Her thin and misty form
Moved with the moving air,
And the clear silver tones,
As thus she spoke, were such
As are unheard by all but gifted ear.

FAIRY
'Stars! your balmiest influence shed!
Elements! your wrath suspend!
Sleep, Ocean, in the rocky bounds
That circle thy domain!
Let not a breath be seen to stir
Around yon grass-grown ruin's height!
Let even the restless gossamer
Sleep on the moveless air!
Soul of Ianthe! thou,
Judged alone worthy of the envied boon
That waits the good and the sincere; that waits
Those who have struggled, and with resolute will
Vanquished earth's pride and meanness, burst the chains,
The icy chains of custom, an


Scheme ABCDEXFG HIXJDIKLXAMNXIHNOIPXXX PIIIXHXQXFRXMX STIXOXIIBMXIXX ULDMVXWXR ITXIIGXFLIB CJXWQYMXCUXSYIO XVIKWEGJUNX WXXXJLIXX XXXITHMHLXCIXIX
Poetic Form
Metre 110011 101101 11110101 111101 01010101 111101 1101001 11110100 1101010 11100101 11011 111101 110010101 0101011101 1111010111 1101111 1101010 111 110111001 11010 11010101 110101110 111100110 1010010 101110010 10110 1010101 01110101 11010111 11010101 111101 101011100 010111 110100 11110101 1101110100 010111 01111101 11011101 010111 010101 01101 10111010 0101010 111101 1110101 11010101 1100101001 00101110 111010111 11101011 111111 0110101 11111 1101111 1101010101 111111 010011 01010010101 0101100101 11110111 01010010111 1011110 11010101 010101001001 11110100 0101001 110110011 1100111011 11001110101 1110 11010101 01000100 11111101 11011 111101101 01010101 01011 010101 110101 1111100 010011 11011 11111010 11110101 1011010 110101 110101 110111 111101 1101010 1101001 1101010 011111101 11010101110 0101011101 110011011 0111111011 11010010111 1101111100 111101011 10110101 11110010 1101100 100101 0101010 011101 1011110 010101 110101 001101 111101 1101111101 10 1111001 1001101 11000101 110101 11011111 0111111 110010100 11011 110101 1011010101 1101000111 1111001101 1011010101 01011101
Closest metre Iambic tetrameter
Characters 4,184
Words 742
Sentences 32
Stanzas 10
Stanza Lengths 8, 22, 14, 14, 9, 11, 15, 11, 9, 15
Lines Amount 128
Letters per line (avg) 27
Words per line (avg) 6
Letters per stanza (avg) 343
Words per stanza (avg) 74
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Submitted on May 13, 2011

Modified on April 25, 2023

3:47 min read
199

Percy Bysshe Shelley

Percy Bysshe Shelley was one of the major English Romantic poets and is regarded by critics as among the finest lyric poets in the English language. more…

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