A Dream In Early Spring



Now when I sleep the thrush breaks through my dreams
With sharp reminders of the coming day:
After his call, one minute I remain
Unwaked, and on the darkness which is Me
There springs the image of a daffodil,
Growing upon a grassy bank alone,
And seeming with great joy his bell to fill
With drops of golden dew, which on the lawn
He shakes again, where they lie bright and chill.
  
His head is drooped; the shrouded winds that sing
Bend him which way they will: never on earth
Was there before so beautiful a ghost.
Alas! he had a less than flower-birth,
And like a ghost indeed must shortly glide
From all but the sad cells of memory,
Where he will linger, an imprisoned beam,
Or fallen shadow of the golden world,
Long after this and many another dream.
  
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Submitted on August 03, 2020

Modified on March 05, 2023

42 sec read
23

Quick analysis:

Scheme XXXABXBXB XCXCXADXD
Closest metre Iambic pentameter
Characters 742
Words 142
Stanzas 2
Stanza Lengths 9, 9

Fredegond Shove

Fredegond Shove was an English poet. Fredegond was the daughter of the legal historian Frederic William Maitland and his wife Florence Henrietta Fisher. She married the economist Gerald Shove. Her work was included in the 1918–19 Georgian poetry volume. She was the first of only two women to be included in that series, the second being Vita Sackville-West. Socially Fredegond was on the fringe of the Bloomsbury group, but mostly resident in Cambridge. Her poems "Motion and Stillness", "Four Nights", "The New Ghost", and "The Water Mill" were set to music by Ralph Vaughan Williams in Four Poems by Fredegond Shove for baritone and piano. Vaughan Williams' wife Adeline Fisher was Fredegond's aunt. She continued to write poetry throughout her life. After her death, her sister Ermengard had a small book privately issued, Fredegond and Gerald Shove containing the poet's brief memoirs of her early years and married life. The introduction to this volume quoted several of the author's poems, which led to a small selection being issued by Cambridge University Press in 1956. Her sister Ermengard, in the foreword to the 1956 selection, suggests "one can trace the putting off of Bloomsbury, the putting on of Catholicism, the growing ardour of her love for animals, her deepening fears". more…

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