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Story II. The Oilman and his Parrot

Jalal al-Din Rumi 1207 (Balkh ) – 1273 (Konya )



An oilman possessed a parrot which used to amuse him with its agreeable prattle, and to watch his shop when he went out. One day, when the parrot was alone in the shop, a cat upset one of the oil-jars. When the oilman returned home he thought that the parrot had done this mischief, and in his anger he smote the parrot such a blow on the head as made all its feathers drop off, and so stunned it that it lost the power of speech for several days. But one day the parrot saw a bald-headed man passing the shop, and recovering its speech, it cried out, "Pray, whose oil-jar did you upset?" The passers-by smiled at the parrot's mistake in confounding baldness with age with the loss of its own feathers due to a blow.

Confusion of saints with hypocrites.
Worldly senses are the ladder of earth,
Spiritual sense are the ladder of heaven.
The health of the former is sought of the leech,
The health of the latter from "The Friend."
The health of the former arises from tending the body,
That of the latter from mortifying the flesh.
The kingly soul lays waste the body,
And after its destruction he builds it anew.
Happy the soul who for love of God
Has lavished family, wealth, and goods!
Has destroyed its house to find the hidden treasure,
And with that treasure has rebuilt it in fairer sort;
Has dammed up the stream and cleansed the channel,
And then turned a fresh stream into the channel;
Has cut its flesh to extract a spear-head,
Causing a fresh skin to grow again over the wound;
Has razed the fort to oust the infidel in possession,
And then rebuilt it with a hundred towers and bulwark
Who can describe the unique work of Grace?
I have been forced to illustrate it by these similes.
Sometimes it presents one appearance, sometimes another.
Yea, the affair of religion is only bewilderment.
Not, such as occurs when one turns one's back on God,
But such as when one is drowned and absorbed in Him.
The latter has his face ever turned to God,
The former's face shows his undisciplined self-will.
Watch the face of each one, regard it well,
It may be by serving thou wilt recognize Truth's face.
As there are many demons with men's faces,
It is wrong to join hands with every one.
When the fowler sounds his decoy whistle,
That the birds may be beguiled by that snare,
The birds hear that call simulating a bird's call,
And, descending from the air, find net and knife.
So vile hypocrites steal the language of Darveshes,
In order to beguile the simple with their trickery.
The works of the righteous are light and heat,
The works of the evil treachery and shamelessness.
They make stuffed lions to scare the simple,
They give the title of Muhammad to false Musailima.
But Musailima retained the name of "Liar,"
And Mohammad that of "Sublimest of beings."
That wine of God (the righteous) yields a perfume of musk;
Other wine (the evil) is reserved for penalties and pains.
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Submitted by naama on July 15, 2020

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Jalal al-Din Rumi

Jalāl ad-Dīn Muhammad Rūmī (Persian: جلال‌الدین محمد رومی‎), also known as Jalāl ad-Dīn Muhammad Balkhī (جلال‌الدین محمد بلخى), Mevlânâ/Mawlānā (مولانا, "our master"), Mevlevî/Mawlawī (مولوی, "my master"), and more popularly simply as Rumi (30 September 1207 – 17 December 1273), was a 13th-century Persian poet, faqih, Islamic scholar, theologian, and Sufi mystic originally from Greater Khorasan in Greater Iran. Rumi's influence transcends national borders and ethnic divisions: Iranians, Tajiks, Turks, Greeks, Pashtuns, other Central Asian Muslims, and the Muslims of the Indian subcontinent have greatly appreciated his spiritual legacy for the past seven centuries. His poems have been widely translated into many of the world's languages and transposed into various formats. Rumi has been described as the "most popular poet" and the "best selling poet" in the United States. Rumi's works are written mostly in Persian, but occasionally he also used Turkish, Arabic, and Greek in his verse. His Masnavi (Mathnawi), composed in Konya, is considered one of the greatest poems of the Persian language. His works are widely read today in their original language across Greater Iran and the Persian-speaking world. Translations of his works are very popular, most notably in Turkey, Azerbaijan, the United States, and South Asia. His poetry has influenced not only Persian literature, but also the literary traditions of the Ottoman Turkish, Chagatai, Urdu and Pashto languages.  more…

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