Rate this poem:(0.00 / 0 votes)

The Giaour

George Gordon Lord Byron 1788 (London) – 1824 (Missolonghi, Aetolia)



A Fragment of a Turkish Tale

The tale which these disjointed fragments present, is founded upon circumstances now less common in the East than formerly; either because the ladies are more circumspect than in the 'olden time', or because the Christians have better fortune, or less enterprise. The story, when entire, contained the adventures of a female slave, who was thrown, in the Mussulman manner, into the sea for infidelity, and avenged by a young Venetian, her lover, at the time the Seven Islands were possessed by the Republic of Venice, and soon after the Arnauts were beaten back from the Morea, which they had ravaged for some time subsequent to the Russian invasion. The desertion of the Mainotes on being refused the plunder of Misitra, led to the abandonment of that enterprise, and to the desolation of the Morea,during which the cruelty exercised on all sides was unparalleled even in the annals of the faithful.

No breath of air to break the wave
That rolls below the Athenian's grave,
That tomb which, gleaming o'er the cliff
First greets the homeward-veering skiff
High o'er the land he saved in vain;
When shall such Hero live again?

 Fair clime! where every season smiles
Benignant o'er those blesséd isles,
Which, seen from far Colonna's height,
Make glad the heart that hails the sight,
And lend to lonliness delight.
There mildly dimpling, Ocean's cheek
Reflects the tints of many a peak
Caught by the laughing tides that lave
These Edens of the Eastern wave:
And if at times a transient breeze
Break the blue crystal of the seas,
Or sweep one blossom from the trees,
How welcome is each gentle air
That waves and wafts the odours there!
For there the Rose, o'er crag or vale,
Sultana of the Nightingale,

 The maid for whom his melody,
 His thousand songs are heard on high,
Blooms blushing to her lover's tale:
His queen, the garden queen, his Rose,
Unbent by winds, unchilled by snows,
Far from winters of the west,
By every breeze and season blest,
Returns the sweets by Nature given
In soft incense back to Heaven;
And gratefu yields that smiling sky
Her fairest hue and fragrant sigh.
And many a summer flower is there,
And many a shade that Love might share,
And many a grotto, meant by rest,
That holds the pirate for a guest;
Whose bark in sheltering cove below
Lurks for the pasiing peaceful prow,
Till the gay mariner's guitar
Is heard, and seen the Evening Star;
Then stealing with the muffled oar,
Far shaded by the rocky shore,
Rush the night-prowlers on the prey,
And turns to groan his roudelay.
Strande--that where Nature loved to trace,
As if for Gods, a dwelling place,
And every charm and grace hath mixed
Within the Paradise she fixed,
There man, enarmoured of distress,
Shoul mar it into wilderness,
And trample, brute-like, o'er each flower
That tasks not one labourious hour;
Nor claims the culture of his hand
To blood along the fairy land,
But springs as to preclude his care,
And sweetly woos him--but to spare!
Strange--that where all is Peace beside,
There Passion riots in her pride,
And Lust and Rapine wildly reign
To darken o'er the fair domain.
It is as though the Fiends prevailed
Against the Seraphs they assailed,
And, fixed on heavenly thrones, should dwell
The freed inheritors of Hell;
So soft the scene, so formed for joy,
So curst the tyrants that destroy!

 He who hath bent him o'er the dead
Ere the first day of Death is fled,
The first dark day of Nothingness,
The last of Danger and Distress,
(Before Decay's effacing fingers
Have swept the lines where Beauty lingers,)
And marked the mild angelic air,
The rapture of Repose that's there,
The fixed yet tender thraits that streak
The languor of the placid cheek,
And--but for that sad shrouded eye,
 That fires not, wins not, weeps not, now,
 And but for that chill, changeless brow,

Where cold Obstruction's apathy
Appals the gazing mourner's heart,
As if to him it could impart
 The doom he dreads, yet dwells upon;
 Yes, but for these and these alone,
 Some moments, aye, one treacherous hour,
 He still might doubt the Tyrant's power;
 So fair, so calm, so softly sealed,
 The first, last look by Death revealed!
 Such is the aspect of his shore;
 'T is Greece, but living Greece no more!
 So coldly sweet, so deadly fair,
 We start, for Soul is wanting there.
 Hers is the loveliness in death,
 That parts not quite with parting breath;
 But beauty with that fearful bloom,
 That hue which haunts it to the tomb,
 Expression's last reced
Font size:
 

Submitted on May 13, 2011

3:59 min read
44 Views

George Gordon Lord Byron

George Gordon Byron, 6th Baron Byron, known simply as Lord Byron, was an English poet, peer and politician who became a revolutionary in the Greek War of Independence, and is considered one of the leading figures of the Romantic movement. He is regarded as one of the greatest English poets and remains widely read and influential. Among his best-known works are the lengthy narrative poems Don Juan and Childe Harold's Pilgrimage; many of his shorter lyrics in Hebrew Melodies also became popular. He travelled extensively across Europe, especially in Italy, where he lived for seven years in the cities of Venice, Ravenna, and Pisa. During his stay in Italy he frequently visited his friend and fellow poet Percy Bysshe Shelley. Later in life Byron joined the Greek War of Independence fighting the Ottoman Empire and died of disease leading a campaign during that war, for which Greeks revere him as a national hero. He died in 1824 at the age of 36 from a fever contracted after the First and Second Siege of Missolonghi. His only legitimate child, Ada Lovelace, is regarded as a foundational figure in the field of computer programming based on her notes for Charles Babbage's Analytical Engine. Byron's illegitimate children include Allegra Byron, who died in childhood, and possibly Elizabeth Medora Leigh.  more…

All George Gordon Lord Byron poems | George Gordon Lord Byron Books

FAVORITE (2 fans)

Discuss this George Gordon Lord Byron poem with the community:

0 Comments

    Translation

    Find a translation for this poem in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this poem to your bibliography:

    Style:MLAChicagoAPA

    "The Giaour" Poetry.com. STANDS4 LLC, 2021. Web. 15 Oct. 2021. <https://www.poetry.com/poem/15230/the-giaour>.

    Become a member!

    Join our community of poets and poetry lovers to share your work and offer feedback and encouragement to writers all over the world!

    Browse Poetry.com

    Quiz

    Are you a poetry master?

    »
    A poem that has no rhyme is called ________.
    • A. a ballad
    • B. free verse
    • C. a limerick
    • D. a song

    Our favorite collection of

    Famous Poets

    »