Glitter in My Wounds



 first and most important
                             dream our missing friends forward
                             burn their reflections into empty chairs
             we are less bound by time than the clockmaker fears
this morning all I want is to follow where the stone angels point
                      birdsong lashing me to tears
                              heterosexuals need to see our suffering
                   the violent deaths of our friends and lovers
       to know glitter on a queer is not to dazzle but to
  unsettle the foundation of this murderous culture
         defiant weeds smashing up through cement
                      you think Oscar Wilde was funny
                     well Darling I think he was busy
                             distracting straight people
so they would not kill him
if you knew how many times I
have been told you’re not like my
gay best friend who tells me
jokes and makes me laugh
no I sure as f*ck am not
I have no room in my life to
audition for your pansy mascot
you people can’t kill me and
think you can kill me again
I met a tree in Amsterdam and
stood barefoot beside it for twenty
minutes then left completely restored
     yet another poem not written by a poet
                    sometimes we need one muscle to
                                     relax so the others follow
                                 my friend Mandy calls after a
                               long shift at the strip club to say
                             while standing in line for death I am
                        fanning my hot pussy with your new book
                   will you sign it next week my fearless faggot sister
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Written on 2018

Submitted by Drone232 on May 19, 2022

Modified on April 27, 2023

1:11 min read
143

Quick analysis:

Scheme ABCDECFGHIJKKLMNNKOPHQRSRKTQHUVWXYI
Closest metre Iambic pentameter
Characters 1,689
Words 239
Stanzas 1
Stanza Lengths 35

CAConrad

Poet CAConrad grew up in Pennsylvania, where they helped to support their single mother during Conrad's difficult youth. Influenced by Eileen Myles, Audre Lorde, Alice Notley, and Emily Dickinson, Conrad writes poems in which stark images of sex, violence, and defiance build a bridge between fable and confession. In a 2010 interview with Luke Degnan for BOMB Magazine’s BOMBlog, Conrad discussed their approach to poetry, which focuses on process and on engaging the permeability of the border between self and other. “Ultimately, I want my (Soma)tic poetry and poetics to help us realize at least two things. That everything around us has a creative viability with the potential to spur new thinking and imaginative output and that the most necessary ingredient to bringing the sustainable, humane changes we need and want for our world requires creativity in all lives, every single day.” In a 2010 review of The Book of Frank for Jacket Magazine, poet Eileen Myles observes, “In Conrad’s world the parameters are deliberately unknowable because that is the nature of our time. In piecing together, configuring and releasing [their] extreme miniatures—agonized fables, poems about America. CAConrad includes us all in the enormous outside of [their] heart. Which is the world in all its possibility.” more…

All CAConrad poems | CAConrad Books

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