Analysis of Mates

Ada Cambridge 1844 (St Germans, Norfolk) – 1926 (Melbourne)



It boots not to retrace the path
To ages dim and hoar,
When Man, at the domestic hearth,
First learned the art of war,
And - since in battle one must fall -
Held his defeated spouse in thrall,
That she should fight no more;
And thereby doomed to sleep and sloth
Strength that in action strengthened both.

It boots not when the better day
First showed a glint of morn,
Nor whose the eye that, in its ray,
Saw Woman's chains outworn;
Nor which was first and which was last
When savage rivalry was past
And chivalry was born;
Enough for us that, free or pent,
Her primal treasure was misspent.

The waxing noontide sees them now
Joint sovereigns of the land,
No trace upon the gentler brow
Of the old helot brand.
Consenting that the right is right,
They walk as comrades - or they might -
For ever hand in hand.
Yet still a stronger leads and drags,
And still a weaker leans and lags.

Because we reap what we have sown,
And are as we were bred;
Because one passion, overgrown,
Since so long overfed,
Still works confusion to the scheme
Whereof both man and woman dream.
'T'is the unnumbered dead
That laid it on him for a curse,
And her, its immemorial nurse.

But, with these tyrants in the dust,
Why should their ghosts hold sway?
Cut the long entail of their lust,
Heirs of a cleaner day!
Lift the dead hand from living mind,
Break the old spells that bind and blind,
O Woman, far astray!
And march with Man the open road
Without a fetter or a load.

Our pioneer brothers can discern
The sunlit heights around;
We, that should likewise look and learn,
Keep eyes upon the ground;
And drug our feebleness with sweets
When needing tonic of strong meats;
And all our ways surround
With tangling trifles, gaud and toy,
That mock us with the name of joy.

What brains these fragile webs enmesh!
What soaring thought they tie!
What energies of soul and flesh
They still or stultify!
What wasted riches of the mind,
What wealth of genius, dumb and blind,
In shop and workroom lie,
While the great realms of life are stored
With such vast mystery unexplored!

Where were the sciences and arts
When men went plumed and curled?
Where were the brains, the hands, the hearts,
That now subdue the world -
The March of Progress, straight and true -
When men wore coats of every hue?
In childish swaddlings furled,
Their strength lay latent and unknown,
As ineffectual as our own.
Freed from this complicated coil
By mere vainglory spun,
Uprooted from this fruitless soil,
Unfed by rain or sun,
Where sleep the germs of noble deeds
In still unfructifying seeds,
Or leafage scarce begun -
This ash-heap of the poor and small
That chokes the greatness in us all -

Uplifted to the light - the place
Where Man his manhood found
When tyranny of silk and lace
No longer held him bound;
With eyes, from Fashion's witchcraft clear,
For Beauty, simple and sincere,
And, unbeguiled by sound
Of siren wooings, quiet ears
For the high message that he hears:

The swelling call to loftier life
That, like a distant bell,
Chimes through the traffic and the strife
Of those who buy and sell;
Through camp and temple, field and street,
The market where we game and cheat,
The home wherein we dwell: -
Here should we stand, as strong, as free,
For splendid enterprise as he.

To him no flowering parasite
That only sucks and clings
To drain and enervate and blight,
But impulse to his wings;
His mate in passion, mate in power,
His soul's wife, that for marriage dower
Exhaustless treasure brings -
The daily bread, the daily spur,
The day's reward for him - and her.

Like woodland creatures, that have willed
To pair by Nature's plan,
A woman finished and fulfilled
And a completed man;
To run together and abreast,
And side by side to fight or rest,
As when the world began;
Each bound to other, yet both free . . . .
It is not, but it ought to be.


Scheme Text too long
Poetic Form
Metre 11110101 110101 11100101 110111 01010111 11010101 111111 01111101 11010101 11110101 110111 11011011 11011 11110111 11010011 010011 01111111 01010101 0101111 110101 11010101 101101 01010111 1111111 110101 11010101 01010101 01111111 011101 0111001 11101 11010101 1110101 11011 11111101 00101001 11110001 111111 10101111 110101 10111101 10111101 110101 01110101 01010101 100110101 01101 1111101 110101 0110111 11010111 0110101 11010101 11110111 11110101 110111 11001101 11110 11010101 11110101 01011 10111111 11110001 10010001 111101 10010101 110101 0111101 111111001 01011 11110001 101001101 1111001 1111 01011101 11111 11011101 0111 11101 11110101 11010011 10010101 11111 11001101 110111 1111011 11010001 0111 1101101 10110111 010111001 110101 11010001 111101 11010101 01011101 010111 11111111 1101011 11110010 110101 110101 110111 110101010 11111101 1101 01010101 01011100 1110111 111101 01010001 000101 11010001 01111111 110101 11110111 11111111
Closest metre Iambic tetrameter
Characters 3,703
Words 700
Sentences 27
Stanzas 12
Stanza Lengths 9, 9, 9, 9, 9, 9, 9, 18, 9, 9, 9, 9
Lines Amount 117
Letters per line (avg) 25
Words per line (avg) 6
Letters per stanza (avg) 248
Words per stanza (avg) 59
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Submitted on May 13, 2011

Modified on March 05, 2023

3:32 min read
85

Ada Cambridge

Ada Cambridge, later known as Ada Cross, was an English-born Australian writer. She wrote more than 25 works of fiction, three volumes of poetry and two autobiographical works. Many of her novels were serialised in Australian newspapers but never published in book form. While she was known to friends and family by her married name, Ada Cross, her newspaper readers knew her as A. C.. She later reverted to her maiden name, Ada Cambridge, and that is how she is known today.  more…

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