Analysis of The Victories Of Love. Book I

Coventry Patmore 1823 (Woodford, London) – 1896 (Lymington)



I
From Frederick Graham

Mother, I smile at your alarms!
I own, indeed, my Cousin's charms,
But, like all nursery maladies,
Love is not badly taken twice.
Have you forgotten Charlotte Hayes,
My playmate in the pleasant days
At Knatchley, and her sister, Anne,
The twins, so made on the same plan,
That one wore blue, the other white,
To mark them to their father's sight;
And how, at Knatchley harvesting,
You bade me kiss her in the ring,
Like Anne and all the others? You,
That never of my sickness knew,
Will laugh, yet had I the disease,
And gravely, if the signs are these:

As, ere the Spring has any power,
The almond branch all turns to flower,
Though not a leaf is out, so she
The bloom of life provoked in me;
And, hard till then and selfish, I
Was thenceforth nought but sanctity
And service: life was mere delight
In being wholly good and right,
As she was; just, without a slur;
Honouring myself no less than her;
Obeying, in the loneliest place,
Ev'n to the slightest gesture, grace
Assured that one so fair, so true,
He only served that was so too.
For me, hence weak towards the weak,
No more the unnested blackbird's shriek
Startled the light-leaved wood; on high
Wander'd the gadding butterfly,
Unscared by my flung cap; the bee,
Rifling the hollyhock in glee,
Was no more trapp'd with his own flower,
And for his honey slain. Her power,
From great things even to the grass
Through which the unfenced footways pass,
Was law, and that which keeps the law,
Cherubic gaiety and awe;
Day was her doing, and the lark
Had reason for his song; the dark
In anagram innumerous spelt
Her name with stars that throbb'd and felt;
'Twas the sad summit of delight
To wake and weep for her at night;
She turn'd to triumph or to shame
The strife of every childish game;
The heart would come into my throat
At rosebuds; howsoe'er remote,
In opposition or consent,
Each thing, or person, or event,
Or seeming neutral howsoe'er,
All, in the live, electric air,
Awoke, took aspect, and confess'd
In her a centre of unrest,
Yea, stocks and stones within me bred
Anxieties of joy and dread.

O, bright apocalyptic sky
O'erarching childhood! Far and nigh
Mystery and obscuration none,
Yet nowhere any moon or sun!
What reason for these sighs? What hope,
Daunting with its audacious scope
The disconcerted heart, affects
These ceremonies and respects?
Why stratagems in everything?
Why, why not kiss her in the ring?
'Tis nothing strange that warriors bold,
Whose fierce, forecasting eyes behold
The city they desire to sack,
Humbly begin their proud attack
By delving ditches two miles off,
Aware how the fair place would scoff
At hasty wooing; but, O child,
Why thus approach thy playmate mild?

One morning, when it flush'd my thought
That, what in me such wonder wrought
Was call'd, in men and women, love,
And, sick with vanity thereof,
I, saying loud, ‘I love her,’ told
My secret to myself, behold
A crisis in my mystery!
For, suddenly, I seem'd to be
Whirl'd round, and bound with showers of threads
As when the furious spider sheds
Captivity upon the fly
To still his buzzing till he die;
Only, with me, the bonds that flew,
Enfolding, thrill'd me through and through
With bliss beyond aught heaven can have
And pride to dream myself her slave.

A long, green slip of wilder'd land,
With Knatchley Wood on either hand,
Sunder'd our home from hers. This day
Glad was I as I went her way.
I stretch'd my arms to the sky, and sprang
O'er the elastic sod, and sang
‘I love her, love her!’ to an air
Which with the words came then and there;
And even now, when I would know
All was not always dull and low,
I mind me awhile of the sweet strain
Love taught me in that lonely lane.

Such glories fade, with no more mark
Than when the sunset dies to dark.
They pass, the rapture and the grace
Ineffable, their only trace
A heart which, having felt no less
Than pure and perfect happiness,
Is duly dainty of delight;
A patient, poignant appetite
For pleasures that exceed so much
The poor things which the world calls such,
That, when these lure it, then you may
The lion with a wisp of hay.

That Charlotte, whom we scarcely knew
From Anne but by her ribbons blue,
Was loved, Anne less than look'd at, shows
That liking still by favour goes!
This Love is a Divinity,
And holds his high election free
Of human merit; or let's say,
A


Scheme Text too long
Poetic Form
Metre 1 11010 10111101 11011101 111100100 11110101 11010101 1100101 1100101 01111011 11110101 11111101 0111100 11110001 11010101 11011101 11111001 01010111 110111010 010111110 11011111 01110101 01110101 1111100 01011101 01010101 11110101 111110 0100011 111010101 01111111 11011111 11110101 110111 10011111 1001010 1111101 1001001 111111110 011101010 11110101 1100111 11011101 010101 11010001 11011101 01011 01111101 10110101 11011011 11110111 011100101 01110111 11101 0010101 11110101 110101 10010101 0111001 00010101 11010111 01001101 1100101 11101 100011 1110111 11011111 10110101 01101 1100001 1100010 11110001 110111001 1110101 010101011 10011101 11010111 01101111 11010111 1101111 11011111 11011101 11010101 0111001 11011101 1101101 01001100 11001111 110111011 110100101 01000101 11110111 10110111 111101 110111011 0111101 0111111 1111101 11011011 11111101 111110101 100010101 11010111 11011101 01011111 1111101 111011011 11101101 11011111 1101111 11010001 01001101 01110111 11001100 11010101 0101010 11010111 01110111 11111111 01010111 11011101 11110101 11111111 1101111 11100100 01110101 11010111 0
Closest metre Iambic tetrameter
Characters 4,204
Words 788
Sentences 23
Stanzas 8
Stanza Lengths 2, 16, 44, 18, 16, 12, 12, 8
Lines Amount 128
Letters per line (avg) 26
Words per line (avg) 6
Letters per stanza (avg) 419
Words per stanza (avg) 98
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Submitted on May 13, 2011

Modified on March 05, 2023

4:03 min read
109

Coventry Patmore

Coventry Kersey Dighton Patmore was an English poet and critic best known for The Angel in the House, his narrative poem about an ideal happy marriage. more…

All Coventry Patmore poems | Coventry Patmore Books

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