Analysis of The Angel In The House. Book I. Canto VIII.

Coventry Patmore 1823 (Woodford, London) – 1896 (Lymington)



I Life of Life
What's that, which, ere I spake, was gone:
So joyful and intense a spark
That, whilst o'erhead the wonder shone,
The day, before but dull, grew dark?
I do not know; but this I know,
That, had the splendour lived a year,
The truth that I some heavenly show
Did see, could not be now more clear.
This know I too: might mortal breath
Express the passion then inspired,
Evil would die a natural death,
And nothing transient be desired;
And error from the soul would pass,
And leave the senses pure and strong
As sunbeams. But the best, alas,
Has neither memory nor tongue.

II The Revelation
An idle poet, here and there,
Looks round him; but, for all the rest,
The world, unfathomably fair,
Is duller than a witling's jest.
Love wakes men, once a lifetime each;
They lift their heavy lids, and look;
And, lo, what one sweet page can teach,
They read with joy, then shut the book.
And some give thanks, and some blaspheme
And most forget; but, either way,
That and the Child's unheeded dream
Is all the light of all their day.

III The Spirit's Epochs
Not in the crises of events,
Of compass'd hopes, or fears fulfill'd,
Or acts of gravest consequence,
Are life's delight and depth reveal'd.
The day of days was not the day;
That went before, or was postponed;
The night Death took our lamp away
Was not the night on which we groan'd.
I drew my bride, beneath the moon,
Across my threshold; happy hour!
But, ah, the walk that afternoon
We saw the water-flags in flower!

IV The Prototype
Lo, there, whence love, life, light are pour'd,
Veil'd with impenetrable rays,
Amidst the presence of the Lord
Co-equal Wisdom laughs and plays.
Female and male God made the man;
His image is the whole, not half;
And in our love we dimly scan
The love which is between Himself.

V The Praise of Love
Spirit of Knowledge, grant me this:
A simple heart and subtle wit
To praise the thing whose praise it is
That all which can be praised is it.

I
Breakfast enjoy'd, 'mid hush of boughs
And perfumes thro' the windows blown;
Brief worship done, which still endows
The day with beauty not its own;
With intervening pause, that paints
Each act with honour, life with calm
(As old processions of the Saints
At every step have wands of palm),
We rose; the ladies went to dress,
And soon return'd with smiles; and then,
Plans fix'd, to which the Dean said ‘Yes,’
Once more we drove to Salisbury Plain.
We past my house (observed with praise
By Mildred, Mary acquiesced),
And left the old and lazy grays
Below the hill, and walk'd the rest.

II
The moods of love are like the wind,
And none knows whence or why they rise:
I ne'er before felt heart and mind
So much affected through mine eyes.
How cognate with the flatter'd air,
How form'd for earth's familiar zone,
She moved; how feeling and how fair
For others' pleasure and her own!
And, ah, the heaven of her face!
How, when she laugh'd, I seem'd to see
The gladness of the primal grace,
And how, when grave, its dignity!
Of all she was, the least not less
Delighted the devoted eye;
No fold or fashion of her dress
Her fairness did not sanctify.
I could not else than grieve. What cause?
Was I not blest? Was she not there?
Likely my own? Ah, that it was:
How like seem'd ‘likely’ to despair!

III
And yet to see her so benign,
So honourable and womanly,
In every maiden kindness mine,
And full of gayest courtesy,
Was pleasure so without alloy,
Such unreproved, sufficient bliss,
I almost wish'd, the while, that joy
Might never further go than this.
So much it was as now to walk,
And humbly by her gentle side
Observe her smile and hear her talk,
Could it be more to call her Bride?
I feign'd her won; the mind finite,
Puzzled and fagg'd by stress and strain
To comprehend the whole delight,
Made bliss more hard to bear than pain.
All good, save heart to hold, so summ'd
And grasp'd, the thought smote, like a knife,
How laps'd mortality had numb'd
The feelings to the feast of life;
How passing good breathes sweetest breath;
And love itself at highest reveals
More black than bright, commending death
By teaching how much life conceals.

IV
But happier passions these subdued,
When from the close and sultry lane,
With eyes made bright by what they view'd,
We emerged upon the mounded Plain.
As to the breeze a fl


Scheme Text too long
Poetic Form
Metre 1111 11111111 11000101 1110101 01011111 11111111 1101101 011111001 11111111 11111101 010101010 101101001 010101010 01010111 01010101 1110101 11010011 10010 11010101 11111101 0111 1101011 1111011 11110101 01111111 11111101 0111011 01011101 10010101 11011111 101010 10010101 1111101 11110100 11010101 01111101 11011101 011110101 11011111 11110101 01111010 1101101 110101010 1010 11111111 11010001 01010101 11010101 1011101 11010111 001011101 01110101 10111 10110111 01010101 11011111 11111111 1 10011111 00110101 11011101 01110111 1010111 1111111 11010101 110011111 11010111 01011101 11110111 111111001 11110111 1101001 01010101 01010101 1 01111101 01111111 11011101 11010111 1110101 11110101 11110011 11010001 01010101 11111111 0110101 01111100 11110111 01000101 11110101 01011100 11111111 11111111 10111111 11110101 1 01110101 1101 010010101 0111100 1101011 110101 1110111 11010111 11111111 01010101 01010101 11111101 1101011 10011101 1010101 11111111 11111111 01011101 11010011 01010111 11011101 010111001 11110101 11011101 1 110010101 11010101 11111111 10101011 110101
Closest metre Iambic tetrameter
Characters 4,168
Words 788
Sentences 35
Stanzas 9
Stanza Lengths 17, 13, 13, 9, 5, 17, 21, 25, 6
Lines Amount 126
Letters per line (avg) 26
Words per line (avg) 6
Letters per stanza (avg) 364
Words per stanza (avg) 87
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Submitted on May 13, 2011

Modified on May 02, 2023

4:05 min read
220

Coventry Patmore

Coventry Kersey Dighton Patmore was an English poet and critic best known for The Angel in the House, his narrative poem about an ideal happy marriage. more…

All Coventry Patmore poems | Coventry Patmore Books

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