Analysis of The March



In early, prehistoric days, before the reign of Man,
When neolithic Nature fashioned things upon a plan
That was large as it was rugged, and, in truth, a trifle crude,
There arose a dusky human who was positively rude.

Now, this was in the days when lived the monster kangaroo;
When the mammoth bunyip gambolled in the hills of Beetaloo;
They'd owned the land for centuries, and reckoned it their own;
For might was right, and such a thing as 'law' was quite unknown.

But this dusky old reformer in the ages long ago,
One morning in the Eocene discovered how to 'throw';
He studied well and practised hard until he learned the art;
Then, having planned his Great Campaign, went forth to make a start.

'See here,' he said - and hurled a piece of tertiary rock,
That struck a Tory bunyip with a most unpleasant shock -
'See here, my name is Progress, and your methods are too slow,
This land that you are fooling with must be cut up.  Now go!'

They gazed at him in wonder, then they slowly backed away;
For 'throwing' things was novel in that neolithic day;
'Twas the prehistoric 'argument,' the first faint gleam of 'art.'
Yet those mammoths seemed to take it in exceedingly bad part.  

Then a hoary, agéd bunyip rose, and spluttered loud and long;
He said the balck man's arguments were very, very wrong;
'You forget,' he said, indignantly 'the land is ours by right,
And to seek to wrest it from us would be - well, most impolite.'

But the savage shook his woolly head and smiled a savage smile,
And went on hurling prehistoric missiles all the while,
Till the bunyip and the others couldn't bear the argument,
And they said, 'You are a Socialist.' But, all the same - they went.

Some centuries - or, maybe, it was aeons - later on,
When the bunyip and the mammoth kangaroo had passed and gone;
While the black man slowly profited by what his fathers saw,
While he learned to fashion weapons and establish tribal law.

There came a band of pale-faced men in ships, from oversea,
Who viewed the land, then shook their heads and sadly said, 'Dear me!'
Then they landed with some rum and Bibles and a gun or two,
And started out to 'civilize,' as whites are apt to do.

They interviewed the black man and remarked, 'It's very sad,
But the use you make of this great land is postively bad;
Why, you haven't got a sheep or cow about the blessed place!
Considering the price of wool, it's simply a disgrace!'

Then they started with the Bibles and the rum - also the guns;
And some began to look for gold and others 'took up runs,'
For, they said, 'This land must be cut up it's simply useless so:
Our name is Progress, and you're out of date, so you must go!'

But the black was most indignant, and he said it was a shame;
For he'd been full and satisfied before the white man came,
And he used that awful word, 'Bowowgong,' in his argument,
Which is native for 'A blanky Socialist.' And yet - he went.

It's the same old 'march unceasing.'  We are getting down the list,
And yesterday's 'Reformer' is tomorrow's 'Monopolist,'
For Hist'ry will repeat itself in this annoying way:
Who stood for 'Progress' yesterday is 'Retrograde' to-day.

To-day we view the land, as did those men for oversea,
And, like them, slowly shake our heads and sadly say, 'Dear me!
This land will have to be cut up; your methods are too slow;
Our name is Progress; you are out of date, so you must go.'

They mutter Tory Platitudes, and call the land their land;
For, like the bunyip and the black, they do not understand.
Like bunyip and like black they hark to days of long ago;
And, like them, murmur 'Socialist!'  But, all the same - they'll go.


Scheme AABB CDEE FFGG HHDF IIGG JJKK DDLM XXXD NNCC OOPP QQFF RRLM XXII NNDF SSFF
Poetic Form Quatrain  (67%)
Metre 0100101010111 11101010101 111111100010101 10101101110001 1110011101001 10101100111 11011100010111 11110101111101 11110100010101 1100010010111 1101011011101 11011101111101 1111010111001 1101011010101 1111110110111 11111101111111 11110101110101 11011100111 10010100011111 111011110010011 1010111101101 11011100010101 1011101000111011 01111111111100 101011101010101 0111001010101 10100101010100 011110100110111 1100110111101 1010010011101 101110100111101 111110100010101 1101111101101 11011111010111 111011101000111 0101110111111 1100110011101 101111111111 11101011101011 01000111110001 111010100011001 01011111010111 111111111110101 10111011111111 101110100111101 1111010010111 0111101101100 11101011000111 101110101110101 0100101010100 1110101010101 11111011011 1111011111101 011101101010111 11111111110111 10111111111111 1101010010111 110100111101 1101111111101 01110100110111
Closest metre Iambic heptameter
Characters 3,566
Words 686
Sentences 26
Stanzas 15
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4
Lines Amount 60
Letters per line (avg) 46
Words per line (avg) 11
Letters per stanza (avg) 184
Words per stanza (avg) 45
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Submitted on May 13, 2011

Modified on March 05, 2023

3:24 min read
28

Clarence Michael James Stanislaus Dennis

Clarence Michael James Stanislaus Dennis, better known as C. J. Dennis, was an Australian poet known for his humorous poems, especially "The Songs of a Sentimental Bloke", published in the early 20th century. Though Dennis's work is less well known today, his 1915 publication of The Sentimental Bloke sold 65,000 copies in its first year, and by 1917 he was the most prosperous poet in Australian history. Together with Banjo Paterson and Henry Lawson, both of whom he had collaborated with, he is often considered among Australia's three most famous poets. While attributed to Lawson by 1911, Dennis later claimed he himself was the 'laureate of the larrikin'. When he died at the age of 61, the Prime Minister of Australia Joseph Lyons suggested he was destined to be remembered as the 'Australian Robert Burns'. more…

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