Analysis of The Indian Girl



She sat alone beside her hearth—
    For many nights alone;
She slept not on the pleasant couch
    Where fragrant herbs were strewn.

At first she bound her raven hair
    With feather and with shell;
But then she hoped; at length, like night,
    Around her neck it fell.

They saw her wandering mid the woods,
    Lone, with the cheerless dawn,
And then they said, "Can this be her
    We called ‘The Startled Fawn’?"

Her heart was in her large sad eyes,
    Half sunshine and half shade;
And love, as love first springs to life,
    Of every thing afraid.

The red leaf far more heavily
    Fell down to autumn earth,
Than her light feet, which seemed to move
    To music and to mirth.

With the light feet of early youth,
    What hopes and joys depart!
Ah! nothing like the heavy step
    Betrays the heavy heart.

It is a usual history
    That Indian girl could tell;
Fate sets apart one common doom
    For all who love too well.

The proud—the shy—the sensitive,—
    Life has not many such;
They dearly buy their happiness,
    By feeling it too much.

A stranger to her forest home,
    That fair young stranger came;
They raised for him the funeral song—
    For him the funeral flame.

Love sprang from pity,—and her arms
    Around his arms she threw;
She told her father, "If he dies,
    Your daughter dieth too."

For her sweet sake they set him free—
    He lingered at her side;
And many a native song yet tells
    Of that pale stranger’s bride.

Two years have passed—how much two years
    Have taken in their flight!
They’ve taken from the lip its smile,
    And from the eye its light.

Poor child! she was a child in years—
    So timid and so young;
With what a fond and earnest faith
    To desperate hope she clung!

His eyes grew cold—his voice grew strange—
    They only grew more dear.
She served him meekly, anxiously,
    With love—half faith—half fear.

And can a fond and faithful heart
    Be worthless in those eyes
For which it beats?—Ah! wo to those
    Who such a heart despise.

Poor child! what lonely days she pass’d,
    With nothing to recall
But bitter taunts, and careless words,
    And looks more cold than all.

Alas! for love, that sits at home,
    Forsaken, and yet fond;
The grief that sits beside the hearth,
    Life has no grief beyond.

He left her, but she followed him—
    She thought he could not bear
When she had left her home for him,
    To look on her despair.

Adown the strange and mighty stream
    She took her lonely way;
The stars at night her pilots were,
    As was the sun by day.

Yet mournfully—how mournfully!—
    The Indian look’d behind,
When the last sound of voice or step
    Died on the midnight wind.

Yet still adown the gloomy stream
    She plied her weary oar;
Her husband—he had left their home,
    And it was home no more.

She found him—but she found in vain—
    He spurned her from his side;
He said, her brow was all too dark,
    For her to be his bride.

She grasped his hands,—her own were cold,—
    And silent turned away,
As she had not a tear to shed,
    And not a word to say.

And pale as death she reached her boat,
    And guided it along;
With broken voice she strove to raise
    A melancholy song.

None watched the lonely Indian girl,—
    She passed unmark'd of all,
Until they saw her slight canoe
    Approach the mighty Fall!

Upright, within that slender boat
    They saw the pale girl stand,
Her dark hair streaming far behind—
    Uprais’d her desperate hand.

The air is filled with shriek and shout—
    They call, but call in vain;
The boat amid the waters dash'd—
    ’Twas never seen again!


Scheme AXXX BCDC XEFE GHXH IJXJ XKLK ICXC XMXM NOPO XQGQ IRXR SDXD STXT XUIU KGXG DVXV NWAW XBXB YZFZ C1 L1 Y2 N2 3 RXR XZXZ 4 PXP XVQV 4 5 1 5 X3 XX
Poetic Form Quatrain  (93%)
Metre 11010101 110101 11110101 110101 11110101 110011 11111111 010111 110100101 11011 01111110 110101 01100111 11011 01111111 1100101 01111100 111101 10111111 110011 10111101 110101 11010101 010101 110100100 1100111 11011101 111111 01010100 111101 11011100 110111 01010101 111101 111101001 1101001 11110001 011111 11010111 11011 10111111 110101 010010111 111101 11111111 110011 11010111 010111 11110101 110011 11010101 110111 11111111 110111 11110100 111111 01010101 110011 11111111 110101 11110111 11011 11010101 011111 01111111 010011 01110101 111101 11011101 111111 11110111 111001 1010101 110101 01110100 110111 1111 0100101 10111111 11011 1110101 110101 01011111 011111 11111101 110111 11011111 101111 11110101 010101 11110111 010111 01111101 010101 11011111 01001 110101001 110111 01110101 010101 01011101 110111 01110101 10101 01111101 111101 01010101 110101
Closest metre Iambic tetrameter
Characters 3,577
Words 639
Sentences 37
Stanzas 27
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4
Lines Amount 108
Letters per line (avg) 24
Words per line (avg) 6
Letters per stanza (avg) 97
Words per stanza (avg) 23
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Submitted by Madeleine Quinn on February 19, 2020

Modified on March 05, 2023

3:12 min read
19

Letitia Elizabeth Landon

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

All Letitia Elizabeth Landon poems | Letitia Elizabeth Landon Books

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