Analysis of Monodies

Charles Harpur 1813 (Windsor) – 1868 (Australia)



I.
I stand in thought beside my father’s grave:
The grave of one who, in his old age, died
Too late perhaps, since he endured so much
Of corporal anguish, sweating bloody sweat;
But not an hour too soon—no, not an hour!
Even if through all his many years, he ne’er
Had known another ailment than decay,
Or felt one bodily pang. For his bruised heart
And wounded goodwill, wounded through its once
Samsonian vigour and too credulous trust
In that great Delilah, the harlot world,
Had done with fortune;—nay, his very tastes,
Even the lowliest, had by blast on blast
Of sorrow and mischance, been blown like leaves
Deciduous, when the year is withering out,
From every living hold on what we here
Call nature; he but followed in their wake.
Nor was there in the lives of those he loved,
Even had he been susceptible of cheer,
Enough of fortune to warm into peace
A little longer ere he passed away
The remnant of his chilled humanity.
Wet are mine eyes, and my heart aches, to think
How much of evil ridged his course of time
And earthly pilgrimage. Alas! Enough
(However bravely struggled with throughout,
Or passively accepted) to have slain
In almost any other human heart,
All comforting reliance on the sure
Though still reserved supremecy of good!
For few are they, who, on this stormy ball,
Can live a long life full of loss and pain,
And yet through doubts, dull clouds, uplooking, see
In that wide dome which roofs the apparent whole
Without or seam or flaw, a visible type
Of heaven’s intact infinitude of love.
Yet died he a believer in the truth
And fatherhood of the Holy One—a God
Help-mighty, nor unmindful of mankind;
Yea, in the heavenward reaching light of faith
His soul went forth, as in a sunbeam’s track
Some close-caged bird, from a long bondage freed,
Goes winging up—up through the open sky,
Rejoicing in the widening glow that paths
The final victory of its native wings!
And whether all was triumph as it went
Piercing eternity, or whether clouds
Of penal terror gathered in the way,
Not less must death the great inductor be
To much that far transcends time’s highest lore,
Must be at worst a grimly grateful thing,
If only through deliverance from doubt,
The clinging curse of mortals. In the flesh
What own we but the present, with its scant
Assurance of a secular permanence
Even in the fact of being? While all that lies
Beyond it, lies or in the casual drifts
Of embryon needs that, lurking dark, project
To-morrow’s world,—or worse, at the wild will
Of a demoniac fortune! But the dead
Have this immunity at least—a lot
Final and fixed, as evermore within
The gates of the Eternal! For the past
Is wholly God s, and therefore, like himself,
Knows no reverse, no change,—but lies for eye
Stretched in the sabbath of its vast repose.

II.
My dear, dear Charley! Can it be that thou
Art gone from us for ever! Whilst I sit
Amid these forest shadows that now fall
In sombre masses mixed with sunny gleams
Upon thy early grave, and think of all
The household love that was our mutual lot
So late, and during all thy little life—
Thy thirteen years of sonhood,—it is hard
(So dreamlike wild it seems) to realize
The shuddering certainty, that thou art now
In the eternal world, and reft away
In one dread moment from thy father’s heart!
Thy young intelligence from his lonely side
So reft for ever, leaving him, alas!
Thus sitting here forlorn—here by thy grave
New-made and bare, as upon life’s bleak brink,
To stare out deathward through his blinding tears.
And they, thy brothers and thy sisters, Charley,
They miss their vanished playmate so beloved,
And so endeared by years of happy help,
And many a pleasant old-faced memory!
I see them often when thy name is breathed
Look away askingly out into space,
As if they thought thy spirit might be there,
Still yearning towards them with a saddened love
Like that in their own hearts. And an! To him
Who at thy side, when death came swift upon thee,
Sent out through the wild forest such a shriek
As never until then might break the peace
That nestles in its lairs—ah! When to him
Shall the drear haggard memory of that day
Be other than a horror—such as, clothed
In terrible mystery, for ever keeps
Stalking beside us in some ghastly dream.
But most I pity her who bore thee, Charley,
Whose m


Scheme ABCXXXDEFGXXXHXIXXJDKELMXXINFXXONLXXPXXXXXXAXXXXELXXIXXGQXXXXRXHXAX ASXOXORXXQSEFCXBMXLJXLXXXPTLXKTEXXXLX
Poetic Form
Metre 1 1101011101 0111101111 1101110111 11001010101 111101111110 10111110111 1101010101 11110011111 0101110111 11011001 0110100101 1111011101 100111111 110011111 10010111001 11001011111 1101110011 1110011111 10111010011 0111011011 0101011101 0101110100 1111011111 1111011111 0101000101 101010101 1100010111 011010101 1100010101 1101111 1111111101 1101111101 01111111 01111100101 01111101001 11001111 1110010001 0101010101 11011111 100110111 111110011 1111101101 1101110101 01000100111 01010011101 0101110111 1001001101 1101010001 1111010101 1111011101 1111010101 1101010011 0101110001 1111010111 01010100100 100011101111 01111001001 111110110 111111011 10110101 1101001101 100111001 0110010101 1101101101 1101111111 1001011101 1 1111011111 1111110111 011101111 011011101 0111010111 01111101001 1101011101 111111111 11111110 01001001111 0001010101 0111011101 11010011101 1111010101 1101011111 1101101111 111111101 01110011010 111101101 0101111101 01001011100 1111011111 10111011 1111110111 11001110101 1101110111 11111111011 1110110101 1100111101 1100111111 10110100111 1101010111 01001001101 1001101101 11110011110 11
Closest metre Iambic pentameter
Characters 4,392
Words 774
Sentences 27
Stanzas 2
Stanza Lengths 67, 37
Lines Amount 104
Letters per line (avg) 32
Words per line (avg) 7
Letters per stanza (avg) 1,684
Words per stanza (avg) 384
Font size:
 

Submitted on May 13, 2011

Modified on March 05, 2023

3:52 min read
116

Charles Harpur

Charles Harpur was an Australian poet. more…

All Charles Harpur poems | Charles Harpur Books

0 fans

Discuss this Charles Harpur poem analysis with the community:

0 Comments

    Citation

    Use the citation below to add this poem analysis to your bibliography:

    Style:MLAChicagoAPA

    "Monodies" Poetry.com. STANDS4 LLC, 2024. Web. 27 Apr. 2024. <https://www.poetry.com/poem-analysis/5160/monodies>.

    Become a member!

    Join our community of poets and poetry lovers to share your work and offer feedback and encouragement to writers all over the world!

    April 2024

    Poetry Contest

    Join our monthly contest for an opportunity to win cash prizes and attain global acclaim for your talent.
    3
    days
    4
    hours
    0
    minutes

    Special Program

    Earn Rewards!

    Unlock exciting rewards such as a free mug and free contest pass by commenting on fellow members' poems today!

    Browse Poetry.com

    Quiz

    Are you a poetry master?

    »
    Published in 1954, "Fighting Terms" was the first collection of poems by which poet?
    A Sylvia Plath
    B Thom Gunn
    C Philip Larkin
    D Ted Hughes