Analysis of The Lady Of La Garaye - Prologue

Caroline Elizabeth Sarah Norton 1808 (Caroline Elizabeth Sarah Sheridan London) – 1877 (London)



RUINS! A charm is in the word:
It makes us smile, it makes us sigh,
'Tis like the note of some spring bird
Recalling other Springs gone by,
And other wood-notes which we heard
With some sweet face in some green lane,
And never can so hear again!
Ruins! They were not desolate
To us,--the ruins we remember:
Early we came and lingered late,

Through bright July, or rich September;
With young companions wild with glee,
We feasted 'neath some spreading tree--
And looked into their laughing eyes,
And mocked the echo for replies.
Oh! eyes--and smiles--and days of yore,
Can nothing your delight restore?
Return!
Return? In vain we listen;
Those voices have been lost to earth!
Our hearts may throb--our eyes may glisten,
They'll call no more in love or mirth.
For, like a child sent out to play,
Our youth hath had its holiday,
And silence deepens where we stand
Lone as in some foreign land,
Where our language is not spoken,
And none know our hearts are broken.

Ruins! How we loved them then!
How we loved the haunted glen
Which grey towers overlook,
Mirrored in the glassy brook.
How we dreamed,--and how we guessed,
Looking up, with earnest glances,
Where the black crow built its nest,
And we built our wild romances;
Tracing in the crumbled dwelling
Bygone tales of no one's telling!

This was the Chapel: that the stair:
Here, where all lies damp and bare,
The fragrant thurible was swung,
The silver lamp in beauty hung,
And in that mass of ivied shade
The pale nuns sang--the abbot prayed.

This was the Kitchen. Cold and blank
The huge hearth yawns; and wide and high
The chimney shows the open sky;
There daylight peeps through many a crank
Where birds immund find shelter dank,
And when the moonlight shineth through,
Echoes the wild tu-whit tu-whoo
Of mournful owls, whose languid flight
Scarce stirs the silence of the night.

This is the Courtyard,--damp and drear!
The men-at-arms were mustered here;
Here would the fretted war-horse bound,
Starting to hear the trumpet sound;
And Captains, then of warlike fame,
Clanked and glittered as they came.
Forgotten names! forgotten wars!
Forgotten gallantry and scars!
How is your little busy day
Perished and crushed and swept away!

Here is the Lady's Chamber, whence
With looks of lovely innocence
Some heroine our fancy dresses
In golden locks or raven tresses,
And pearl embroidered silks and stuffs,
And quaintly quilted sleeves and ruffs,
Looked forth to see retainers go,
Or trembled at the assaulting foe.

This was the Dungeon; deep and dark!
Where the starved prisoner moaned in vain
Until Death left him, stiff and stark,
Unconscious of the galling chain
By which the thin bleached bones were bound
When chance revealed them under ground.

Oh, Time! oh, ever conquering Time!
These men had once their prime:
But now, succeeding generations hear
Beneath the shadow of each crumbling arch
The music low and drear,
The muffled music of thy onward march,
Made up of piping winds and rustling leaves
And plashing rain-drops falling from slant eaves,
And all mysterious unconnected sounds
With which the place abounds.
Time doth efface
Each day some lingering trace
Of human government and human care:

The things of air
And earth, usurp the walls to be their own;
Creatures that dwell alone,
Occupy boldly: every mouldering nook
Wherein we peer and look,
Seems with wild denizens so swarming rife,
We know the healthy stir of human life
Must be for ever gone!
The walls where hung the warriors' shining casques
Are green with moss and mould;
The blindworm coils where Queens have slept, nor asks
For shelter from the cold.
The swallow,--he is master all the day,
And the great owl is ruler through the night;
The little bat wheels on his circling way
With restless flittering flight;

And that small black bat, and the creeping things,
At will they come and go,
And the soft white owl with velvet wings
And a shriek of human woe!
The brambles let no footstep pass
By that rent in the broken stair,
Where the pale tufts of the windle-strae grass
Hang like locks of dry dead hair;
But there the keen wind ever weeps and moans,
Working a passage through the mouldering stones.

Oh, Time! oh, conquering Time!
I know that wild wind's chime
Which, like a passing bell,


Scheme Text too long
Poetic Form
Metre 10011001 11111111 11011111 01010111 01011111 11110111 01011101 10101100 110101010 10110101 11111010 11010111 11011101 01011101 01010101 11010111 11010101 01 0101110 11011111 10111101110 11110111 11011111 10111110 01010111 1101101 110101110 011101110 1011111 1110101 111010 1000101 1110111 10111010 1011111 011101010 10001010 1111110 11010101 1111101 010111 01010101 0011111 01110101 11010101 01110101 01010101 11111001 1111101 010111 10011111 11011101 11010101 1101101 01110101 11010111 10110101 0101111 1010111 01010101 01010001 11110101 10010101 11010101 11110100 1100101010 010111010 01010101 01010101 11110101 110100101 11010101 101100101 01111101 1010101 11011101 11011101 111101001 111111 110100101 0101111001 010101 0101011101 1111010101 011110111 0101000101 110101 1101 1111001 1101000101 0111 011011111 101101 101010011 011101 1111001101 1101011101 111101 01110100101 111101 011111111 110101 0101110101 0011110101 01011111001 11011 0111100101 111101 001111101 0011101 0101111 11100101 1011101011 1111111 1101110101 100101011 1111001 111111 110101
Closest metre Iambic tetrameter
Characters 4,220
Words 736
Sentences 37
Stanzas 12
Stanza Lengths 10, 18, 10, 6, 9, 10, 8, 6, 13, 16, 10, 3
Lines Amount 119
Letters per line (avg) 28
Words per line (avg) 6
Letters per stanza (avg) 278
Words per stanza (avg) 61
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Submitted on May 13, 2011

Modified on April 02, 2023

3:42 min read
80

Caroline Elizabeth Sarah Norton

Caroline Elizabeth Sarah Norton was an English feminist, social reformer, and author of the early and mid-nineteenth century. more…

All Caroline Elizabeth Sarah Norton poems | Caroline Elizabeth Sarah Norton Books

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