Analysis of The Flower By The Path

Augusta Davies Webster 1837 (Poole, Dorset) – 1894



A FLOWER was growing alone,
Then alone and for ever alone:
Some one came by,
Saw the flower how fair it had grown,
Chose it, plucked it to die.

And what is a flower alone,
Then alone and for ever alone,
Come no one by?
Why should a flower be fair for its own?
Choose it, pluck it to die.


Scheme aAbab aAbab
Poetic Form Tetractys  (30%)
Etheree  (30%)
Metre 01011001 101011001 1111 101011111 111111 01101001 101011001 1111 1101011111 111111
Closest metre Iambic tetrameter
Characters 289
Words 62
Sentences 5
Stanzas 2
Stanza Lengths 5, 5
Lines Amount 10
Letters per line (avg) 22
Words per line (avg) 6
Letters per stanza (avg) 108
Words per stanza (avg) 30
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Submitted on May 13, 2011

Modified on March 05, 2023

18 sec read
110

Augusta Davies Webster

Augusta Webster born in Poole, Dorset as Julia Augusta Davies, was an English poet, dramatist, essayist, and translator. The daughter of Vice-admiral George Davies and Julia Hume, she spent her younger years on board the ship he was stationed, the Griper. She studied Greek at home, taking a particular interest in Greek drama, and went on to study at the Cambridge School of Art. She published her first volume of poetry in 1860 under the pen name Cecil Homes. In 1863, she married Thomas Webster, a fellow at Trinity College, Cambridge. They had a daughter, Augusta Georgiana, who married Reverend George Theobald Bourke, a younger son of the Joseph Bourke, 3rd Earl of Mayo. Much of Webster's writing explored the condition of women, and she was a strong advocate of women's right to vote, working for the London branch of the National Committee for Women's Suffrage. She was the first female writer to hold elective office, having been elected to the London School Board in 1879 and 1885. In 1885 she travelled to Italy in an attempt to improve her failing health. She died on 5 September 1894, aged 57. During her lifetime her writing was acclaimed and she was considered by some the successor to Elizabeth Barrett Browning. After her death, however, her reputation quickly declined. Since the mid-1990s she has gained increasing critical attention from scholars such as Isobel Armstrong, Angela Leighton, and Christine Sutphin. Her best-known poems include three long dramatic monologues spoken by women: A Castaway, Circe, and The Happiest Girl In The World, as well as a posthumously published sonnet-sequence, "Mother and Daughter". more…

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