Analysis of Andante Con Moto



Forth from the dust and din,
The crush, the heat, the many-spotted glare,
The odour and sense of life and lust aflare,
The wrangle and jangle of unrests,
Let us take horse, Dear Heart, take horse and win -
As from swart August to the green lap of May -
To quietness and the fresh and fragrant breasts
Of the still, delicious night, not yet aware
In any of her innumerable nests
Of that first sudden plash of dawn,
Clear, sapphirine, luminous, large,
Which tells that soon the flowing springs of day
In deep and ever deeper eddies drawn
Forward and up, in wider and wider way,
Shall float the sands, and brim the shores,
On this our lith of the World, as round it roars
And spins into the outlook of the Sun
(The Lord's first gift, the Lord's especial charge),
With light, with living light, from marge to marge
Until the course He set and staked be run.

Through street and square, through square and street,
Each with his home-grown quality of dark
And violated silence, loud and fleet,
Waylaid by a merry ghost at every lamp,
The hansom wheels and plunges. Hark, O, hark,
Sweet, how the old mare's bit and chain
Ring back a rough refrain
Upon the marked and cheerful tramp
Of her four shoes! Here is the Park,
And O, the languid midsummer wafts adust,
The tired midsummer blooms!
O, the mysterious distances, the glooms
Romantic, the august
And solemn shapes! At night this City of Trees
Turns to a tryst of vague and strange
And monstrous Majesties,
Let loose from some dim underworld to range
These terrene vistas till their twilight sets:
When, dispossessed of wonderfulness, they stand
Beggared and common, plain to all the land
For stooks of leaves! And lo! the Wizard Hour,
His silent, shining sorcery winged with power!
Still, still the streets, between their carcanets
Of linking gold, are avenues of sleep.
But see how gable ends and parapets
In gradual beauty and significance
Emerge! And did you hear
That little twitter-and-cheep,
Breaking inordinately loud and clear
On this still, spectral, exquisite atmosphere?
'Tis a first nest at matins! And behold
A rakehell cat--how furtive and acold!
A spent witch homing from some infamous dance -
Obscene, quick-trotting, see her tip and fade
Through shadowy railings into a pit of shade!
And now! a little wind and shy,
The smell of ships (that earnest of romance),
A sense of space and water, and thereby
A lamplit bridge ouching the troubled sky,
And look, O, look! a tangle of silver gleams
And dusky lights, our River and all his dreams,
His dreams that never save in our deaths can die.

What miracle is happening in the air,
Charging the very texture of the gray
With something luminous and rare?
The night goes out like an ill-parcelled fire,
And, as one lights a candle, it is day.
The extinguisher, that perks it like a spire
On the little formal church, is not yet green
Across the water: but the house-tops nigher,
The corner-lines, the chimneys--look how clean,
How new, how naked! See the batch of boats,
Here at the stairs, washed in the fresh-sprung beam!
And those are barges that were goblin floats,
Black, hag-steered, fraught with devilry and dream!
And in the piles the water frolics clear,
The ripples into loose rings wander and flee,
And we--we can behold that could but hear
The ancient River singing as he goes,
New-mailed in morning, to the ancient Sea.
The gas burns lank and jaded in its glass:
The old Ruffian soon shall yawn himself awake,
And light his pipe, and shoulder his tools, and take
His hobnailed way to work!

Let us too pass -
Pass ere the sun leaps and your shadow shows -
Through these long, blindfold rows
Of casements staring blind to right and left,
Each with his gaze turned inward on some piece
Of life in death's own likeness--Life bereft
Of living looks as by the Great Release -
Pass to an exquisite night's more exquisite close!

Reach upon reach of burial--so they feel,
These colonies of dreams! And as we steal
Homeward together, but for the buxom breeze,
Fitfully frolicking to heel
With news of dawn-drenched woods and tumbling seas,
We might--thus awed, thus lonely that we are -
Be wandering some dispeopled star,
Some world of memories and unbroken graves,
So broods the abounding Silence near and far:
Till even your footfall craves
Forgiveness of the majesty it braves.


Scheme ABBCADCBCEFDEDCCGFFG HIHJIKKJIHCCXCLCLCMMNNCXCCOJPPXHCQQRCRRCCR BDBNDXSBSCTCTPXOCCCUUX CCCVCVCC WWCWCXXCXCC
Poetic Form
Metre 110101 0101010101 010111011 01001011 1111111101 11110101111 11000010101 10101011101 01010010001 11110111 111001 1111010111 0101010101 10010100101 11010101 111011011111 010101101 0111010101 1111011111 0101110111 11011101 1111110011 0100010101 11010111001 0101010111 11011101 110101 01010101 10111101 0101011011 0101101 10010010001 010010 01011111011 11011101 0101 111111011 11101111 1011100011 101011101 11110101010 110101001110 11010111 110111011 11110101 01001000100 010111 1101001 1001000101 111110010 101111001 01111001 01110111001 0111010101 110010010111 01010101 0111110101 0111010011 01110101 01110101101 01110100111 111101010111 11001100001 1001010101 11010001 0111111110 0111010111 00100111101 10101011111 0101010111 0101010111 1111010111 1101100111 0111010101 11111101 000101011 01001111001 0111011111 0101010111 1101010101 0111010011 0111110101 01110101101 11111 1111 110110111 11111 111011101 1111110111 1101110101 1101110101 111100111001 10111100111 1100110111 10010110101 10010011 11111101001 1111110111 1100111 11110000101 11001010101 110111 0101010011
Closest metre Iambic pentameter
Characters 4,194
Words 756
Sentences 28
Stanzas 5
Stanza Lengths 20, 42, 22, 8, 11
Lines Amount 103
Letters per line (avg) 33
Words per line (avg) 7
Letters per stanza (avg) 674
Words per stanza (avg) 151
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Submitted on May 13, 2011

Modified on April 15, 2023

3:48 min read
107

William Ernest Henley

William Ernest Henley was an English poet, critic and editor, best remembered for his 1875 poem "Invictus". more…

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