Analysis of Nineteen Hundred And Nineteen



MANY ingenious lovely things are gone
That seemed sheer miracle to the multitude,
protected from the circle of the moon
That pitches common things about.  There stood
Amid the ornamental bronze and stone
An ancient image made of olive wood --
And gone are phidias' famous ivories
And all the golden grasshoppers and bees.
We too had many pretty toys when young:
A law indifferent to blame or praise,
To bribe or threat; habits that made old wrong
Melt down, as it were wax in the sun's rays;
Public opinion ripening for so long
We thought it would outlive all future days.
O what fine thought we had because we thought
That the worst rogues and rascals had died out.
All teeth were drawn, all ancient tricks unlearned,
And a great army but a showy thing;
What matter that no cannon had been turned
Into a ploughshare? Parliament and king
Thought that unless a little powder burned
The trumpeters might burst with trumpeting
And yet it lack all glory; and perchance
The guardsmen's drowsy chargers would not prance.
Now days are dragon-ridden, the nightmare
Rides upon sleep:  a drunken soldiery
Can leave the mother, murdered at her door,
To crawl in her own blood, and go scot-free;
The night can sweat with terror as before
We pieced our thoughts into philosophy,
And planned to bring the world under a rule,
Who are but weasels fighting in a hole.
He who can read the signs nor sink unmanned
Into the half-deceit of some intoxicant
From shallow wits; who knows no work can stand,
Whether health, wealth or peace of mind were spent
On master-work of intellect or hand,
No honour leave its mighty monument,
Has but one comfort left:  all triumph would
But break upon his ghostly solitude.
But is there any comfort to be found?
Man is in love and loves what vanishes,
What more is there to say? That country round
None dared admit, if Such a thought were his,
Incendiary or bigot could be found
To burn that stump on the Acropolis,
Or break in bits the famous ivories
Or traffic in the grasshoppers or bees.
When Loie Fuller's Chinese dancers enwound
A shining web, a floating ribbon of cloth,
It seemed that a dragon of air
Had fallen among dancers, had whirled them round
Or hurried them off on its own furious path;
So the platonic Year
Whirls out new right and wrong,
Whirls in the old instead;
All men are dancers and their tread
Goes to the barbarous clangour of a gong.
III
Some moralist or mythological poet
Compares the solitary soul to a swan;
I am satisfied with that,
Satisfied if a troubled mirror show it,
Before that brief gleam of its life be gone,
An image of its state;
The wings half spread for flight,
The breast thrust out in pride
Whether to play, or to ride
Those winds that clamour of approaching night.
A man in his own secret meditation
Is lost amid the labyrinth that he has made
In art or politics;
Some platonist affirms that in the station
Where we should cast off body and trade
The ancient habit sticks,
And that if our works could
But vanish with our breath
That were a lucky death,
For triumph can but mar our solitude.
The swan has leaped into the desolate heaven:
That image can bring wildness, bring a rage
To end all things, to end
What my laborious life imagined, even
The half-imagined, the half-written page;
O but we dreamed to mend
Whatever mischief seemed
To afflict mankind, but now
That winds of winter blow
Learn that we were crack-pated when we dreamed.
We, who seven yeats ago
Talked of honour and of truth,
Shriek with pleasure if we show
The weasel's twist, the weasel's tooth.
Come let us mock at the great
That had such burdens on the mind
And toiled so hard and late
To leave some monument behind,
Nor thought of the levelling wind.
Come let us mock at the wise;
With all those calendars whereon
They fixed old aching eyes,
They never saw how seasons run,
And now but gape at the sun.
Come let us mock at the good
That fancied goodness might be gay,
And sick of solitude
Might proclaim a holiday:
Wind shrieked -- and where are they?
Mock mockers after that
That would not lift a hand maybe
To help good, wise or great
To bar that foul storm out, for we
Traffic in mockery.
Violence upon the roads:  violence of horses;
Some few have handsome riders, are garlanded
On delicate sensitive ear or tossing mane,
But wearied running round and round in their courses
All break and vanish, and evil gathers head:
Herodias' daughters have returned again,
A su


Scheme Text too long
Poetic Form
Metre 1001010111 1111001010 0101010101 1101010111 010010101 1101011101 0111101 010101001 1111010111 010101111 1111101111 1111010011 10010100111 111111101 1111110111 1011010111 110111011 0011010101 1101110111 0101010001 1101010101 01111100 0111110001 011010111 111101001 10110101 1101010101 1100110111 0111110101 11101010100 0111011001 1111010001 1111011101 010101111 1101111111 1011111101 110111011 111110100 1111011101 110111010 1111010111 1101011100 1111111101 1101110101 01000110111 1111100100 11010101 110001011 111001101 01010101011 11101011 11001101111 110111111001 100101 111101 100101 11110011 1101001101 1 11001010010 0101001101 111011 1010101011 0111111111 110111 011111 011101 1011111 111110101 0101110010 11010101111 01110 11000110010 111111001 010101 0111011 1101101 100101 1101111010 011101010010 1101110101 111111 110100101010 0101001101 111111 10101 1011111 111101 111011111 1110101 111011 1110111 011011 1111101 11110101 011101 11110001 111011 1111101 1111001 111101 11011101 0111101 1111101 11010111 01110 101010 110111 11101 11110110 111111 11111111 100100 1000101100110 111101011 110010011101 110101010110 11010010101 11010101 01
Closest metre Iambic pentameter
Characters 4,286
Words 797
Sentences 21
Stanzas 1
Stanza Lengths 120
Lines Amount 120
Letters per line (avg) 29
Words per line (avg) 7
Letters per stanza (avg) 3,498
Words per stanza (avg) 801
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Submitted on May 13, 2011

Modified on May 02, 2023

4:00 min read
358

William Butler Yeats

William Butler Yeats was an Irish poet and one of the foremost figures of 20th century literature. more…

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