Analysis of The Two Peacocks of Bedfont



Alas! That breathing Vanity should go
Where Pride is buried,—like its very ghost,
Uprisen from the naked bones below,
In novel flesh, clad in the silent boast
Of gaudy silk that flutters to and fro,
Shedding its chilling superstition most
On young and ignorant natures—as it wont
To haunt the peaceful churchyard of Bedfont!

Each Sabbath morning, at the hour of prayer,
Behold two maidens, up the quiet green
Shining, far distant, in the summer air
That flaunts their dewy robes and breathes between
Their downy plumes,—sailing as if they were
Two far-off ships,—until they brush between
The churchyard's humble walls, and watch and wait
On either side of the wide open'd gate,

And there they stand—with haughty necks before
God's holy house, that points towards the skies—
Frowning reluctant duty from the poor,
And tempting homage from unthoughtful eyes:
And Youth looks lingering from the temple door,
Breathing its wishes in unfruitful sighs,
With pouting lips,—forgetful of the grace,
Of health, and smiles, on the heart-conscious face;—

Because that Wealth, which has no bliss beside,
May wear the happiness of rich attire;
And those two sisters, in their silly pride,
May change the soul's warm glances for the fire
Of lifeless diamonds;—and for health denied,—
With art, that blushes at itself, inspire
Their languid cheeks—and flourish in a glory
That has no life in life, nor after-story.

The aged priest goes shaking his gray hair
In meekest censuring, and turns his eye
Earthward in grief, and heavenward in pray'r,
And sighs, and clasps his hands, and passes by,
Good-hearted man! what sullen soul would wear
Thy sorrow for a garb, and constantly
Put on thy censure, that might win the praise
Of one so gray in goodness and in days?

Also the solemn clerk partakes the shame
Of this ungodly shine of human pride,
And sadly blends his reverence and blame
In one grave bow, and passes with a stride
Impatient:—many a red-hooded dame
Turns her pain'd head, but not her glance, aside
From wanton dress, and marvels o'er again,
That heaven hath no wet judgments for the vain.

'I have a lily in the bloom at home,'
Quoth one, 'and by the blessed Sabbath day
I'll pluck my lily in its pride, and come
And read a lesson upon vain array;—
And when stiff silks are rustling up, and some
Give place, I'll shake it in proud eyes and say—
Making my reverence,—'Ladies, an you please,
King Solomon's not half so fine as these,''

Then her meek partner, who has nearly run
His earthly course,—'Nay, Goody, let your text
Grow in the garden.—We have only one—
Who knows that these dim eyes may see the next?
Summer will come again, and summer sun,
And lilies too,—but I were sorely vext
To mar my garden, and cut short the blow
Of the last lily I may live to grow,'

'The last!' quoth she, 'and though the last it were—
Lo! those two wantons, where they stand so proud
With waving plumes, and jewels in their hair,
And painted cheeks, like Dagons to be bow'd
And curtsey'd to!—last Sabbath after pray'r,
I heard the little Tomkins ask aloud
If they were angels—but I made him know
God's bright ones better, with a bitter blow!'

So speaking, they pursue the pebbly walk
That leads to the white porch the Sunday throng,
Hand-coupled urchins in restrainëd talk,
And anxious pedagogue that chastens wrong,
And posied churchwarden with solemn stalk,
And gold-bedizen'd beadle flames along,
And gentle peasant clad in buff and green,
Like a meek cowslip in the spring serene;

And blushing maiden—modestly array'd
In spotless white,—still conscious of the glass;
And she, the lonely widow, that hath made
A sable covenant with grief,—alas!
She veils her tears under the deep, deep shade,
While the poor kindly-hearted, as they pass,
Bend to unclouded childhood, and caress
Her boy,—so rosy!—and so fatherless!

Thus, as good Christians ought, they all draw near
The fair white temple, to the timely call
Of pleasant bells that tremble in the ear.—
Now the last frock, and scarlet hood, and shawl
Fade into dusk, in the dim atmosphere
Of the low porch, and heav'n has won them all,
—Saying those two, that turn aside and pass,
In velvet blossom, wh


Scheme ABABABXB CDCDEDFF GHXHGHII JEJEJXKK CLMLCKNN OJOJOJXX XPQPQPRR STSTSBAA EUCUMUAA VWVWVWDD XYXYXYXX Z1 X1 Z1 YX
Poetic Form
Metre 0111010011 1111011101 11010101 0101100101 1101110101 101100101 11010010111 11010111 11010101011 0111010101 1011000101 1111010101 1101101110 1111011101 011010101 1101101101 0111110101 1101110101 1001010101 01010111 01110010101 10110011 1101010101 1101101101 0111111101 11010011010 0111001101 11011101010 1101001101 1111010101 11010100010 11110111010 011110111 0110111 10101011 0101110101 1101110111 1101010100 1111011101 1111010001 100101101 1101011101 0101110001 0111010101 0101001101 1011110101 11010101001 11011110101 1101000111 110101101 1111001101 0101001101 0111110101 1111101101 1011001111 1100111111 1011011101 1101110111 1001011101 1111111101 1011010101 0101110101 1111001101 1011011111 0111010110 111111111 1101010011 010111111 0111101011 1101010101 1101011111 1111010101 110101011 111011011 1101000111 0101111 0111101 01110101 0101010101 1011000101 0101010001 0101110101 0101010111 0101001101 1101100111 1011010111 1111001 0111001100 1111011111 0111010101 1101110001 1011010101 101100110 1011011111 1011110101 010101
Closest metre Iambic pentameter
Characters 4,213
Words 748
Sentences 18
Stanzas 12
Stanza Lengths 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8
Lines Amount 96
Letters per line (avg) 34
Words per line (avg) 7
Letters per stanza (avg) 269
Words per stanza (avg) 59
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Submitted on May 13, 2011

Modified on March 05, 2023

3:48 min read
163

Thomas Hood

Thomas Hood was a British humorist and poet. His son, Tom Hood, became a well known playwright and editor. more…

All Thomas Hood poems | Thomas Hood Books

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