Analysis of The Young Rat And His Dam, The Cock And The Cat



No Cautions of a Matron, Old and Sage,
Young Rattlehead to Prudence cou'd engage;
But forth the Offspring of her Bed wou'd go,
Nor reason gave, but that he wou'd do so.
Much Counsel was, at parting, thrown away,
Ev'n all, that Mother-Rat to Son cou'd say;
Who follow'd him with utmost reach of Sight,
Then, lost in Tears, and in abandon'd Plight,
Turn'd to her mournful Cell, and bid the World Good-Night.

But Fortune, kinder than her boding Thought,
In little time the Vagrant homewards brought,
Rais'd in his Mind, and mended in his Dress,
Who the Bel-air did every way confess,
Had learnt to flow'r his Wigg, nor brusht away
The falling Meal, that on his Shoulders lay;
And from a Nutshell, wimbl'd by a Worm,
Took Snuff, and cou'd the Government reform.

The Mother, weeping from Maternal Love,
To see him thus prodigiously improve,
Expected mighty Changes too, within,
And Wisdom to avoid the Cat, and Gin.
Whom did you chiefly note, Sweetheart, quoth she,
Of all the Strangers you abroad did see?
Who grac'd you most, or did your Fancy take?
The younger Rat than curs'd a noisy Rake,
That barr'd the best Acquaintance he cou'd make;
And fear'd him so, he trembl'd ev'ry Part;
Nor to describe him, scarce cou'd have the Heart.

High on his Feet (quoth he) himself he bore,
And terribly, in his own Language, swore;
A feather'd Arm came out from either Side,
Which loud he clapp'd, and Combatants defy'd,
And to each Leg a Bayonette was ty'd:
And certainly his Head with Wounds was sore;
For That, and both his Cheeks a Sanguine Colour wore.

Near Him there lay the Creature I admir'd,
And for a Friend by Sympathy desir'd:
His Make, like Ours, as far as Tail and Feet,
With Coat of Furr in parallel do meet;
Yet seeming of a more exalted Race,
Tho' humble Meekness beautify'd his Face:
A purring Sound compos'd his gentle Mind,
Whilst frequent Slumbers did his Eye-lids bind;
Whose soft, contracted Paw lay calmly still,
As if unus'd to prejudice, or kill.

I paus'd a while, to meditate a Speech,
And now was stepping just within his reach;
When that rude Clown began his hect'ring Cry,
And made me for my Life, and from th' Attempt to fly.
Indeed 'twas Time, the shiv'ring Beldam said,
To scour the Plain, and be of Life afraid.

Thou base, degen'rate Seed of injur'd Rats,
Thou veriest Fool (she cry'd) of all my Brats;
Would'st thou have shaken Hands with hostile Cats,
And dost not yet thine Own, and Country's Foe,
At this expence of Time, and Travel know?

Alas! that swearing, staring, bullying Thing,
That tore his Throat, and blustered with his Wing,
Was but some paltry, Dunghill, Craven Cock,
Who serves the early Household for a Clock.

And We his Oats, and Barley often steal,
Nor fear, he shou'd revenge the pilfer'd Meal:
Whilst that demure, and seeming harmless Puss
Herself, and mewing Chits regales with Us.

If then, of useful Sense thou'st gain'd no more,
Than ere thou'dst past the Threshold of my Door;
Be here, my Son, content to Dress and Dine,
Steeping the List of Beauties in thy Wine,
And neighb'ring Vermin with false Gloss outshine.

Amongst Mankind a Thousand Fops we see,
Who in their Rambles learn no more than Thee;
Cross o'er the Alpes, and make the Tour of France,
To learn a paltry Song, or antick Dance;
Bringing their Noddles, and Valizes pack'd
With Mysteries, from Shops and Taylors wreck'd:
But what may prejudice their Native Land;
Whose Troops are raising, or whose Fleet is mann'd,
Ne'er moves their Thoughts, nor do they understand.
Thou, my dear Rattlehead, and such as These
Might keep at home, and brood on Sloth and Ease:
Whilst Others, more adapted to the Age,
May vig'rously in Warlike Feats engage,
And live on foreign Spoils, or dying thin the Stage.


Scheme AABBCCDDD EEFFCCXX XXGGHHIIIJJ KKXDDKK LLMMNNOOPP QQRRXX SSSBB TTUU VVXX KKWWW HHXXXXYYYZZAAA
Poetic Form
Metre 1101010101 11110101 110110111 1101111111 1101110101 11111011111 110111111 1101000101 110101010111 110101011 010101011 1011010011 10111100101 11111111101 0101111101 01011101 1101010001 0101010101 1111010001 0101010101 0101010101 111101111 1101010111 1111111101 0101110101 1101010111 011111011 1101111101 1111110111 0100011101 0101111101 111100101 01110111 0100111111 11011101011 11110101010 01011100010 11110111101 111101011 1101010101 1101111 0101011101 110111111 1110011101 1101110011 110111001 0111010111 111101111 01111101110111 01110111 11001011101 1110111101 111111111 11111011101 0111110101 111110101 01110101001 111101111 111101101 110101101 0111010101 1111010101 1101010101 010110111 11110111111 111101111 1111101101 101110011 01101111 0111010111 101111111 11001010111 110101111 1011011 1100110101 1111001101 1111011111 111111101 11110111 1111011101 1101010101 1101101 011101110101
Closest metre Iambic pentameter
Characters 3,704
Words 658
Sentences 19
Stanzas 11
Stanza Lengths 9, 8, 11, 7, 10, 6, 5, 4, 4, 5, 14
Lines Amount 83
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 259
Words per stanza (avg) 60
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Submitted on May 13, 2011

Modified on March 05, 2023

3:32 min read
108

Anne Kingsmill Finch

Anne Finch, Countess of Winchilsea (née Kingsmill), was an English poet and courtier. Finch's works often express a desire for respect as a female poet, lamenting her difficult position as a woman in the literary establishment and the court, while writing of "political ideology, religious orientation, and aesthetic sensibility". Her works also allude to other female authors of the time, such as Aphra Behn and Katherine Phillips. Through her commentary on the mental and spiritual equality of the genders and the importance of women fulfilling their potential as a moral duty to themselves and to society, she is regarded as one of the integral female poets of the Restoration Era. Finch died in Westminster in 1720 and was buried at her home at Eastwell, Kent.  more…

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