Analysis of From The First Act Of The Aminta Of Tasso



Daphne's Answer to Sylvia, declaring she
                                       should esteem all as Enemies,
                                      who should talk to her of LOVE.

THEN, to the snowy Ewe, in thy esteem,
The Father of the Flock a Foe must seem,
The faithful Turtles to their yielding Mates.
The cheerful Spring, which Love and Joy creates,
That reconciles the World by soft Desires,
And tender Thoughts in ev'ry Breast inspires,
To you a hateful Season must appear,
Whilst Love prevails, and all are Lovers here.
Observe the gentle Murmurs of that Dove,
And see, how billing she confirms her Love!
For this, the Nightingale displays her Throat,
And Love, Love, Love, is all her Ev'ning Note.
The very Tygers have their tender Hours,
And prouder Lyons bow beneath Love's Pow'rs.
Thou, prouder yet than that imperious Beast,
Alone deny'st him Shelter in thy Breast.
But why should I the Creatures only name
That Sense partake, as Owners of this Flame?
Love farther goes, nor stops his Course at these:
The Plants he moves, and gently bends the Trees.
See how those Willows mix their am'rous Boughs;
And, how that Vine clasps her supporting Spouse!
The silver Firr dotes on the stately Pine;
By Love those Elms, by Love those Beeches join.

But view that Oak; behold his rugged Side:
Yet that rough Bark the melting Flame do's hide.
All, by their trembling Leaves, in Sighs declare
And tell their Passions to the gath'ring Air.
Which, had but Love o'er Thee the least Command,
Thou, by their Motions, too might'st understand.

AMINTOR, being ask'd by THIRSIS
                                        Who is the Object of his Love?
                                                speaks as follows.

Amint. THIRSIS! to Thee I mean that Name to show,
Which, only yet our Groves, and Fountains know:
That, when my Death shall through the Plains be told,
Thou with the wretched Cause may'st that unfold
To every-one, who shall my Story find
Carv'd by thy Hand, in some fair Beeches rind;
Beneath whose Shade the bleeding Body lay:
That, when by chance she shall be led that way,
O'er my sad Grave the haughty Nymph may go,
And the proud Triumph of her Beauty shew
To all the Swains, to Strangers as they pass;
And yet at length she may (but Oh! alas!
I fear, too high my flatt'ring Hopes do soar)
Yet she at length may my sad Fate deplore;
May weep me Dead, may o'er my Tomb recline,
And sighing, wish were he alive and Mine!
But mark me to the End–
 Thir. Go on; for well I do thy Speech attend,
Perhaps to better Ends, than yet thou know'st.
 Amint. Being now a Child, or but a Youth at most,
When scarce to reach the blushing Fruit I knew,
Which on the lowest bending Branches grew;
Still with the dearest, sweetest, kindest Maid
Young as myself, at childish Sports I play'd.
The Fairest, sure, of all that Lovely Kind,
Who spread their golden Tresses to the Wind;
Cydippe's Daughter, and Montano's Heir,
Whose Flocks and Herds so num'rous do appear;
The beauteous Sylvia; She, 'tis She I love,
Warmth of all Hearts, and Pride of ev'ry Grove.
With Her I liv'd, no Turtles e'er so fond.
Our Houses met, but more our Souls were join'd.
Together Nets for Fish, and Fowl we laid;
Together through the spacious Forest stray'd;
Pursu'd with equal Speed the flying Deer,
And of the Spoils there no Divisions were.
But whilst I from the Beasts their Freedom won,
Alas! I know not how, my Own was gone.
By unperceiv'd Degrees the Fire encreas'd,
Which fill'd, at last, each corner of my Breast;
As from a Root, tho' scarce discern'd so small,
A Plant may rise, that grows amazing tall.
From Sylvia's Presence now I could not move,
And from her Eyes took in full Draughts of Love,
Which sweetly thro' my ravish'd Mind distill'd;
Yet in the end such Bitterness wou'd yield,
That oft I sigh'd, ere yet I knew the cause,
And was a Lover, ere I dream'd I was.
But Oh! at last, too well my State I knew;
And now, will shew thee how this Passion grew.
Then listen, while the pleasing Tale I tell.

THIRSIS persuades AMINTOR not to despair upon the
                      redictions of Mopsus discov'ring him to be an Impostor.

Thirsis. Why dost thou still give way to such Despair!
 Amintor. Too just, alas! the weighty Causes are.
Mopsus, wise Mopsus, who in Art excels,
And of all Plants the secret Vertue tells,
Knows, with what


Scheme XAB CCDDEXFXBBGGEAXHIIAAXXJX KKLLMM ABX NNOOPPQQNRSSTTJJUUXXRRVVPPLFBXXXVVFWXXGHXXXBXXYYRRX XW LXZZX
Poetic Form
Metre 101011000101 10111100 1111011 1101010101 0101010111 0101011101 0101110101 1100111010 010101101 1101010101 1101011101 0101010111 0111010101 1101000101 0111110111 0101111010 0101010111 11011101001 01011110011 1111010101 1101110111 1101111111 0111010101 11111111 0111100101 0101110101 111111111 1111011101 1111010111 11110010101 0111010111 11111010101 1111011101 110111 11010111 1110 1111111111 11011010101 1111110111 11010111101 11001111101 111101111 0111010101 1111111111 10111010111 0011010101 1101110111 0111111101 1111111111 1111111101 11111101101 0101010101 111101 11111111101 01110111111 110101110111 1111010111 1101010101 1101010101 111110111 0101111101 1111010101 110011 110111101 0110011111 111101111 10111101011 101011110101 0101110111 0101010101 0111010101 0101110100 1111011101 0111111111 11010101 1111110111 1101110111 0111110101 11001011111 0101101111 110111101 1001110011 1111111101 0101011111 1111111111 0111111101 1101010111 10111101010 11111111010 11111111101 11101010101 11110101 011101011 111
Closest metre Iambic pentameter
Characters 4,384
Words 749
Sentences 43
Stanzas 7
Stanza Lengths 3, 24, 6, 3, 51, 2, 5
Lines Amount 94
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 455
Words per stanza (avg) 107
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Submitted on May 13, 2011

Modified on March 05, 2023

3:56 min read
103

Anne Kingsmill Finch

Anne Finch, Countess of Winchilsea (née Kingsmill), was an English poet and courtier. Finch's works often express a desire for respect as a female poet, lamenting her difficult position as a woman in the literary establishment and the court, while writing of "political ideology, religious orientation, and aesthetic sensibility". Her works also allude to other female authors of the time, such as Aphra Behn and Katherine Phillips. Through her commentary on the mental and spiritual equality of the genders and the importance of women fulfilling their potential as a moral duty to themselves and to society, she is regarded as one of the integral female poets of the Restoration Era. Finch died in Westminster in 1720 and was buried at her home at Eastwell, Kent.  more…

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