Analysis of The Death of Cromwell

Andrew Marvell 1621 (Winestead) – 1678 (London)



A Poem upon the Death of His Late Highness the Lord Protector

That Providence which had so long the care
Of Cromwell's head, and numbered every hair,
Now in itself (the glass where all appears)
Had seen the period of his golden years:
And thenceforh only did attend to trace
What death might least so fair a life deface.

The people, which what most they fear esteem,
Death when more horrid, so more noble deem,
And blame the last act, like spectators vain,
Unless the prince whom they applaud be slain.
Nor fate indeed can well refuse that right
To those that lived in war, to die in fight.

But long his valour none had left that could
Endanger him, or clemency that would.
And he whom Nature all for peace had made,
But angry heaven unto war had swayed,
And so less useful where he most desired,
For what he least affected was admired,
Deservèd yet an end whose every part,
Should speak the wondrous softness of his heart.

To Love and Grief the fatal writ was 'signed;
(Those nobler weaknesses of human kind,
From which those powers that issued the decree,
Although immortal, found they were not free),
That they, to whom his breast still open lies,
In gentle passions should his death disguise:
And leave succeeding ages cause to mourn,
As long as Grief shall weep, or Love shall burn.

Straight does a slow and languishing disease
Eliza, Nature's and his darling, seize.
Her when an infant, taken with her charms,
He oft would flourish in his mighty arms,
And, lest their force the tender burden wrong,
Slacken the vigour of his muscles strong;
Then to the Mother's breast her softly move,
Which while she drained of milk, she filled with love.
But as with riper years her virtue grew,
And every minute adds a lustre new,
When with meridian height her beauty shined,
And thorough that sparkled her fairer mind,
When she with smiles serene in words discreet
His hidden soul at ever turn could meet;
Then might y'ha' daily his affection spied,
Doubling that knot which destiny had tied,
While they by sense, not knowing, comprehend
How on each other both their fates depend.
With her each day the pleasing hours he shares,
And at her aspect calms his growing cares;
Or with a grandsire's joy her children sees
Hanging about her neck or at his knees.
Hold fast, dear infants, hold them both or none;
This will not stay when once the other's gone.

A silent fire now wastes those limbs of wax,
And him within his tortured image racks.
So the flower withering which the garden crowned,
The sad root pines in secret under ground.
Each groan he doubled and each sigh he sighed,
Repeated over to the restless night.
No trembling string composed to numbers new,
Answers the touch in notes more sad, more true.
She, lest he grieve, hides what she can her pains,
And he to lessen hers his sorrow feigns:
Yet both perceived, yet both concealed their skills,
And so diminishing increased their ills:
That whether by each other's grief they fell,
Or on their own redoubled, none can tell.

And now Eliza's purple locks were shorn,
Where she so long her Father's fate had worn:
And frequent lightning to her soul that flies,
Divides the air, and opens all the skies:
And now his life, suspended by her breath,
Ran out impetuously to hasting death.
Like polished mirrors, so his steely breast
Had every figure of her woes expressed,
And with the damp of her last gasp obscured,
Had drawn such stains as were not to be cured.
Fate could not either reach with single stroke,
But the dear image fled, the mirror broke.

Who now shall tell us more of mournful swans,
Of halcyons kind, or bleeding pelicans?
No downy breast did e'er so gently beat,
Or fan with airy plumes so soft an heat.
For he no duty by his height excused,
Nor, though a prince, to be a man refused:
But rather than in his Eliza's pain
Not love, not grieve, would neither live nor reign:
And in himself so oft immortal tried,
Yet in compassion of another died.

So have I seen a vine, whose lasting age
Of many a winter hath survived the rage,
Under whose shady tent men every year
At its rich blood's expense their sorrow cheer,
If some dear branch where it extends its life
Chance to be pruned by an untimely knife,
The parent-tree unto the grief succeeds,
And through the wound its vital humour bleeds,
Trickling in watery drops, whose flowing shape
Weeps that it falls ere fixed into a grape.
So the d


Scheme Text too long
Poetic Form
Metre 01001011111001010 1100111101 11010101001 1001011101 11010011101 011010111 1111110101 0101111101 1111011101 0101111001 0101110111 1101110111 1111011101 111111111 0101110011 0111011111 1101010111 01110111010 11110101010 1111111001 1101010111 1101010111 1101001101 11110110001 101011011 1111111101 0101011101 0101010111 1111111111 1101010001 0101001101 0111010101 1111001101 0111010101 100111101 1101010101 1111111111 111110101 01001010101 11010010101 0101100101 1111010101 1101110111 11111010101 10011110011 111111001 1111011101 10110101011 010111101 110110101 1001011111 1111011111 1111110101 01010111111 0101110101 101010010101 0111010101 1111001111 0101010101 11001011101 1001011111 1111111101 0111001101 1101110111 0101000111 1101110111 1111010111 01110101 1111010111 0101010111 0101010101 0111010101 1111101 1101011101 11001010101 0101101101 1111101111 1111011101 1011010101 1111111101 111110100 11011101101 1111011111 1111011101 1101110101 11010111 1111110111 0001110101 1001010101 1111011101 11001010101 10110111001 1111011101 1111110111 1111110101 0101100101 010111011 10010011101 1111110101 101
Closest metre Iambic pentameter
Characters 4,353
Words 786
Sentences 24
Stanzas 10
Stanza Lengths 1, 6, 6, 8, 8, 24, 14, 12, 10, 11
Lines Amount 100
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 343
Words per stanza (avg) 79
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Submitted on May 13, 2011

Modified on March 12, 2023

3:59 min read
83

Andrew Marvell

Andrew Marvell was an English metaphysical poet, satirist and politician who sat in the House of Commons at various times between 1659 and 1678. During the Commonwealth period he was a colleague and friend of John Milton. more…

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