Analysis of To a Poet, Charles Bridges



THOU singest, thou, me seems,
Coming from high Parnassus; where thy head
Beside the silent streams,
Among fast-fading blooms, hath fashioned
A pillow of pale dreams;
While from thee, sleeping, gods, of heart and soul,
Have taken fullest toll.

Thou knowest at what cost
Thy sleep was taken on those awful hills--
What thou hast gained, and lost;
Thou knowest, too, if what thou art fulfils
The pledge of what thou wast;
And if all compensates the poet's wreath
That wounds the brow beneath.

Rememberest thou that night
Incomparable? Thou in dreams wast laid,
Where petals, rose and white,
Above thy head a pale pavilion made;
Where at unscalèd height
The moon lay anchored in the heaving sky,
And clouds went surging by.

Then came the gods unknown!--
The plundering gods--to take thee unawares,
While thou wast sleeping, thrown
Upon the sacred mountain that is theirs.
In vain sad flowers had blown
A gale of petals o'er thee, on they came
In a still sheet of flame!

They knew that those who dare
To sleep one night beside Parnassus' streams
The poet's crown must wear--
Must lip the chalice of immortal dreams,
And breathe the eternal air;
Who, even unto trembling Ossa's hill,
May walk the mount at will!

They killed thy happiness,
And strangled all thy youth, with hands profane,
They brake Love's rosaries,
Tossing thy ravaged soul amid the slain,
While thou wast weaponless;
And left thee gibbeted 'twixt pain and peace,
Forbidding thy release.

Then they augustly laid
Their crippled gifts beside thee, and withdrew
Into high Pelion's shade;
Their tireless feet made fall no bead of dew,
Their passing bent no blade,
Though thunder muttered round each mighty plume,
And crumbled into gloom.

They laid a fatal spell
Of beauty on thine eyes, that made most fair
The rose unpluckable;
They bade thee thirst, yet find no Cup to bear
Water from any well;
They mocked thee with a vision passionate,
And a soul celibate!

O friend, what thou hast known
Thou givest me; what thou hast suffered, thou
Wouldst calmly bear alone;
Forbidding thorns to gather on my brow,--
Accustomed on thine own;
Thou lingerest at my side, to show and spare
The pitfall and the snare.

For thou wouldst give to me
The poet's pillow, who has suffered not
The poet's penalty;
A goodly heritage, a happy lot
Wouldst have my portion be.
With honey from the rod art fain to feed,
Not from the galled reed.

Thou hast some rare reward!
The reed that gods have guided, in thine hand
Becomes a dreadful sword;
Their fingers on thy heartstrings still demand
A loud, triumphant chord:
They pass the ditch-delivered poets by,
With wide contemptuous eye.

Poet: I take thy cup:
But, from my coloured wreath of morning flowers
Where bees wild honey sup,
Upon thy sepulchre of buried hours
Am fain to offer up
Some bud, that spills upon thy brow anew
Its fragile shell of dew.

And if at last I choose
To make my pillow on some slope forlorn,
And, in that slumber, lose
My morning wreath, that must be tossed and torn
To feed the jealous Muse,
Remember the poor gifts that I resign . . .
I shall remember thine!


Scheme ABAXACC XXXABDD EFEFEGG HIHIHJJ KAKAKLL XMXMANN FOFOFPP QKCKQRR HSHSHKK TUTUTVV WXWXWGG YZYZYOO 1 2 1 2 1 3 3
Poetic Form
Metre 11111 101110111 010101 011101110 010111 1111011101 110101 11111 1111011101 111101 11111111 011111 011100101 110101 1111 0100010111 110101 0111010101 11111 0111000101 011101 110101 0100111101 111101 0101010111 0111011 01110101111 001111 111111 111101101 010111 1101010101 0100101 1101010011 110111 111100 0101111101 111100 1011010101 1111 01111101 010101 1111 1101011001 01111 11001111111 110111 1101011101 010011 110101 1101111111 011 1111111111 101101 1111010100 001100 111111 111111101 110101 0101110111 010111 111111101 01001 111111 0101011101 010100 0101000101 111101 1101011111 11011 111101 0111110011 010101 110111101 010101 1101010101 1101001 101111 11110111010 111101 011111010 111101 1111011101 110111 011111 1111011101 001101 1101111101 110101 0100111101 110101
Closest metre Iambic tetrameter
Characters 3,066
Words 542
Sentences 22
Stanzas 13
Stanza Lengths 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 7
Lines Amount 91
Letters per line (avg) 27
Words per line (avg) 6
Letters per stanza (avg) 186
Words per stanza (avg) 42
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Submitted on May 13, 2011

Modified on March 05, 2023

2:45 min read
46

Muriel Stuart

Muriel Stuart was The daughter of a Scottish barrister was a poet particularly concerned with the topic of sexual politics though she first wrote poems about World War I She later gave up poetry writing her last work was published in the 1930s She was born Muriel Stuart Irwin She was hailed by Hugh MacDiarmid as the best woman poet of the Scottish Renaissance although she was not Scottish but English Despite this his comment led to her inclusion in many Scottish anthologies Thomas Hardy described her poetry as Superlatively good Her most famous poem In the Orchard is entirely dialogs and in no kind of verse form which makes it innovative for its time She does use rhyme a mixture of half-rhyme and rhyming couplets abab form Other famous poems of hers are The Seed Shop The Fools and Man and his Makers Muriel also wrote a gardening book called Gardeners Nightcap 1938 which was later reprinted by Persephone Books more…

All Muriel Stuart poems | Muriel Stuart Books

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