Analysis of The Virtuoso: In Imitation of Spenser's Style And Stanza

Mark Akenside 1721 (Newcastle upon Tyne) – 1770



“--- Videmus
Nugari solitos.”
-Persius

Whilom by silver Thames's gentle stream,
In London town there dwelt a subtile wight;
A wight of mickle wealth, and mickle fame,
Book-learn'd and quaint: a Virtuoso hight.
Uncommon things, and rare, were his delight;
From musings deep his brain ne'er gotten ease,
Nor ceased he from study, day or night;
Until (advancing onward by degrees)
He knew whatever breeds on earth, or air, or seas.
He many a creature did anatomize,
Almost unpeopling water, air, and land;
Beasts, fishes, birds, snails, caterpillars, flies,
Were laid full low by his relentless hand,
That oft with gory crimson was distain'd:
He many a dog destroy'd, and many a cat;
Of fleas his bed, of frogs the marshes drain'd,
Could tellen if a mite were lean or fat,
And read a lecture o'er the entrails of a gnat.
He knew the various modes of ancient times,
Their arts and fashions of each different guise,
Their weddings, funerals, punishments for crimes,
Their strength, their learning eke, and rarities;
Of old habiliments, each sort and size,
Male, female, high and low, to him were known;
Each gladiator-dress, and stage disguise;
With learned, clerkly phrase he could have shown
How the Greek tunic differ'd from the Roman gown.
A curious medallist, I wot, he was,
And boasted many a course of ancient coin;
Well as his wife's he knewen every face,
From Julius Cæsar down to Constantine:
For some rare sculpture he would oft ypine,
(As green-sick damosels for husbands do
And when obtained, with enraptur'd eyne,
He'd run it o'er and o'er with greedy view,
And look, and look again, as he would look it thro'.
His rich museum, of dimensions fair,
With goods that spoke the owner's mind was fraught:
Things ancient, curious, value-worth, and rare,
From sea and land, from Greece and Rome were brought
Which he with mighty sums of gold had bought:
On these all tides with joyous eyes he por'd;
And, sooth to say, himself he greater thought,
When he beheld his cabinets thus stor'd,
Than if he'd been of Albion's wealthy cities lord.
Here in a corner stood a rich 'scrutoire,
With many a curiosity replete;
In seemly order furnished every drawer,
Products of art or nature as was meet;
Air-pumps and prisms were plac'd beneath his feet,
A Memphian mummy-king hung o'er his head;
Here phials with live insects small and great,
There stood a tripod of the Pythian maid;
Above, a crocodile diffus'd a grateful shade.

Fast by the window did a table stand,
Where hodiern and antique rarities,
From Egypt, Greece, and Rome, from sea and land,
Were thick-besprent of every sort and size:
Here a Bahaman-spider's carcass lies,
There a dire serpent's golden skin doth shine:
Here Indian feathers, fruits, and glittering flies;
There gums and amber found beneath the line,
The beak of Ibis here, and there an Antonine.
Close at his back, or whispering in his ear,
There stood a spright ycleped Phantasy;
Which, wheresoe'er he went, was always near:
Her look was wild, and roving was her eye;
Her hair was clad with flowers of every dye;
Her glistering robes were of more various hue,
Than the fair bow that paints the clouded sky,
Or all the spangled drops of morning dew;
Their colour changing still at every different view.
Yet in this shape all tydes she did not stay,
Various as the chameleon that she bore:
Now a grand monarch with a crown of hay,
Now mendicant in silks and golden ore:
A statesman now, equipp'd to chase the boar,
Or cowled monk, lean, feeble, and unfed;
A clown-like lord, or swain of courtly lore;
Now scribbling dunce in sacred laurel clad,
Or papal father now, in homely weeds array'd.
The wight whose brain this phantom's power doth fill,
On whom she doth with constant care attend,
Will for a dreadful giant take a mill,
Or a grand palace in a hogsty find:
(From her dire influence me may Heaven defend!)
All things with vitiated sight he spies:
Neglects his family, forgets his friend,
Seeks painted trifles and fantastic toys,
And eagerly pursues imaginary joys.


Scheme AAA XBXBBABAAACACBDXDDAAAAAEAEXAXAXEFEFGGHGHXIHIIGJGJJXXKK CACAALALEGAGMMFMFFNGNGGBGXKOPOXPAPAA
Poetic Form
Metre 1 11 1 11101101 010111011 0111010101 1101000101 0101010101 1101111101 111110111 0101010101 11101111111 11001011 1110101 110111001 0111110101 111101011 110010101001 1111110101 111010111 0101010010101 11010011101 11010111001 11010010011 1111010100 1111101 111011101 110010101 11111111 101101010101 010011111 01010011101 1111111001 110111110 111101111 11111101 010110101 111100101101 010101111111 1101010101 1111010111 11010010101 1101110101 1111011111 1111110111 0111011101 111110011 11111110101 100101011 1100010001 0110101001 1011110111 11010010111 0110111011 11111101 11011011 01010010101 1101010101 11001100 1101011101 0111100101 1011101 1011010111 110010101001 1101010101 0111010111 11111100011 110111 1111111 0111010101 011111011001 0110111001 1011110101 1101011101 1110111001001 1011111111 100100100111 101110111 11010101 0101011101 11111001 0111111101 11001010101 110101010101 0111111011 1111110101 1101010101 101100011 101100111001 1111111 0111000111 1101000101 01000101001
Closest metre Iambic pentameter
Characters 3,913
Words 694
Sentences 14
Stanzas 3
Stanza Lengths 3, 54, 36
Lines Amount 93
Letters per line (avg) 33
Words per line (avg) 7
Letters per stanza (avg) 1,036
Words per stanza (avg) 230
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Submitted on May 13, 2011

Modified on March 05, 2023

3:36 min read
37

Mark Akenside

Mark Akenside was an English poet and physician. more…

All Mark Akenside poems | Mark Akenside Books

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