Analysis of The Case Of Conscience

La Fontaine 1621 (Château-Thierry, Champagne) – 1695 (Neuilly-sur-Seine, Île-de-France)



THOSE who in fables deal, bestow at ease
Both names and titles, freely as they please.
It costs them scarcely any thing, we find.
And each is nymph or shepherdess designed;
Some e'en are goddesses, that move below,
From whom celestial bliss of course must flow.

THIS Horace followed, with superior art:--
If, to the trav'ller's bed, with throbbing heart,
The chambermaid approached, 'twas Ilia found,
Or fair Egeria, or some nymph renowned.

GOD, in his goodness, made, one lovely day,
Apollo, who directs the lyrick lay,
And gave him pow'rs to call and name at will,
Like father Adam, with primordial skill.
Said he, go, names bestow that please the ear;
In ev'ry word let sweetest sound appear.
This ancient law then proves, by right divine,
WE oft are sponsors to the royal line.

WHEN pleasing tales and fables I endite,
I, who in humble verse presume to write,
May surely use this privilege of old,
And, to my fancy, appellations mould.
If I, instead of Anne, should Sylvia say,
And Master Thomas (when the case I weigh)
Should change to Adamas, the druid sage,
Must I a fine or punishment engage?
No, surely not:--at present I shall choose
Anne and the Parson for my tale to use.

WITHIN her village, Anne was thought the belle,
And ev'ry other charmer to excel.
As near a river once she chanced to stray,
She saw a youth in Nature's pure array,
Who bathed at ease within the gliding stream;
The girl was brisk, and worthy of esteem,
Her eyes were pleased; the object gave delight;
Not one defect could be produced in sight;
Already, by the shepherdess adored,
If with the belle to pleasing flights he'd soared,
The god of love had all they wished concealed
None better know what should not be revealed.
Anne nothing feared: the willows were her shade,
Which, like Venetian blinds, a cov'ring made;
Her eyes, howe'er, across had easy view,
And, o'er the youth, each beauty could pursue.

SHE back four paces drew, at first, through shame;
Then, led by LOVE, eight others forward came;
But scruples still arose that ardour foiled,
And nearly ey'ry thing had truly spoiled.
Anne had a conscience pure as holy fire;
But how could she abstain from soft desire?
If, in the bosom chance a flame should raise,
Is there a pow'r can then subdue the blaze?
At first these inclinations she withstood;
But doubting soon, how those of flesh and blood
Could sins commit by stepping in advance,
She took her seat upon the green expanse,
And there attentively the lad observed,
With eyes that scarcely from him ever swerved.

PERHAPS you've seen, from Nature, drawings made?
Some Eve, or Adam, artists then persuade,
In birth-attire to stand within their view,
While they with care and taste each trait pursue;
And, like our shepherdess, their stations take,
A perfect semblance ev'ry way to make.

ANNE in her mem'ry now his image placed;
Each line and feature thoroughly she traced,
And even now the fair would there remain,
If William (so was called this youthful swain)
Had not the water left; when she retired,
Though scarcely twenty steps from him admired,
Who, more alert than usual then appeared,
And, by the belle, in silence was revered.

WHEN such sensations once were in the breast,
Love there we may believe would hardly rest.

THE favours Anne reserved he thought his own,
Though expectations oft away have flown.
The more of this I think, the less I know;
Perhaps one half our bliss to chance we owe!

BE this as 'twill, the conscientious Anne
Would nothing venture to regale her man;
Howe'er, she stated what had raised her fear,
And ev'ry thing that made her persevere.

WHEN Easter came, new difficulties rose
Then, in confession, ALL she should disclose.
Anne, passing peccadillos in review,
This case aside, as an intruder threw;
But parson Thomas made her all relate;
And ev'ry circumstance most clearly state;
That he, by knowing fully each defect,
Might punishment accordingly direct,
In which no father-confessor should err,
Who absolution justly would confer.
The parson much his penitent abused;
Said he, with sensual views to be amused,
Is such a sin, 'tis scarcely worse to steal;
The sight is just the same as if you feel.

HOWE'ER, the punishment that he imposed
Was nothing great:--too slight to be disclosed;
Enough to say, that in the country round,
The father-confessors, who there abound,
As in our own, (perhaps in ev'ry part,)
Have devotees, who, when they ought to smart,
A tribute pay, according to t


Scheme Text too long
Poetic Form
Metre 1101010111 1101010111 1111010111 01111101 11111001101 1101011111 11010101001 110111101 0101111 11111101 1011011101 010101011 0111110111 11010101001 1111011101 011110101 1101111101 1111010101 110101011 1101010111 110111011 011100101 11011111001 0101010111 11110101 1101110001 1101110111 1001011111 0101011101 011010101 1101011111 1101010101 1111010101 0111010101 0101010101 1110110101 01010101 1101110111 0111111101 1101111101 110101001 110101011 0110011101 01001110101 1111011111 1111110101 110101111 010111101 11010111010 11110111010 1001010111 11011110101 111010101 1101111101 1101110001 1101010101 0101000101 1111011101 0111110101 1111010101 01010110111 1111011101 011011101 001101111 100111101 1101010011 0101011101 1101111101 1101011101 11010111010 11011100101 0101010101 1101010001 1111011101 011011111 101010111 0111110111 01111011111 111100101 110101101 1011011101 011110001 1101110001 1001011101 110101 1101110101 1101010101 01101101 1111010110 1100010001 01110111 101010101 0101110001 11110011101 1101110111 0111011111 1001001101 1101111101 0111100101 01011101 1010101011 1101111111 010101011
Closest metre Iambic pentameter
Characters 4,316
Words 770
Sentences 28
Stanzas 13
Stanza Lengths 6, 4, 8, 10, 16, 14, 6, 8, 2, 4, 4, 14, 7
Lines Amount 103
Letters per line (avg) 33
Words per line (avg) 7
Letters per stanza (avg) 265
Words per stanza (avg) 59
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Submitted on May 13, 2011

Modified on March 05, 2023

3:57 min read
39

La Fontaine

Jean de La Fontaine was a French fabulist and one of the most widely read French poets of the 17th century. more…

All La Fontaine poems | La Fontaine Books

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