Analysis of Elegy XVIII: Love's Progress

John Donne 1572 (London) – 1631 (London)



Who ever loves, if he do not propose
The right true end of love, he's one that goes
To sea for nothing but to make him sick.
Love is a bear-whelp born: if we o'erlick
Our love, and force it new strange shapes to take,
We err, and of a lump a monster make.
Were not a calf a monster that were grown
Faced like a man, though better than his own?
Perfection is in unity: prefer
One woman first, and then one thing in her.
I, when I value gold, may think upon
The ductileness, the application,
The wholsomeness, the ingenuity,
From rust, from soil, from fire ever free;
But if I love it, 'tis because 'tis made
By our new nature (Use) the soul of trade.
All these in women we might think upon
(If women had them) and yet love but one.
Can men more injure women than to say
They love them for that by which they're not they?
Makes virtue woman? Must I cool my blood
Till I both be, and find one, wise and good?
May barren angels love so! But if we
Make love to woman, virtue is not she,
As beauty's not, nor wealth. He that strays thus
From her to hers is more adulterous
Than if he took her maid. Search every sphere
And firmament, our Cupid is not there;
He's an infernal god, and under ground
With Pluto dwells, where gold and fire abound:
Men to such gods their sacrificing coals
Did not in altars lay, but pits and holes.
Although we see celestial bodies move
Above the earth, the earth we till and love:
So we her airs contemplate, words and heart
And virtues, but we love the centric part.
Nor is the soul more worthy, or more fit,
For love than this, as infinite is it.
But in attaining this desired place
How much they err that set out at the face.
The hair a forest is of ambushes,
Of springs, snares, fetters and manacles;
The brow becalms us when 'tis smooth and plain,
And when 'tis wrinkled shipwrecks us again—
Smooth, 'tis a paradise where we would have
Immortal stay, and wrinkled 'tis our grave.
The nose (like to the first meridian) runs
Not 'twixt an East and West, but 'twixt two suns;
It leaves a cheek, a rosy hemisphere,
On either side, and then directs us where
Upon the Islands Fortunate we fall,
(Not faint Canaries, but Ambrosial)
Her swelling lips; to which when we are come,
We anchor there, and think ourselves at home,
For they seem all: there Sirens' songs, and there
Wise Delphic oracles do fill the ear;
There in a creek where chosen pearls do swell,
The remora, her cleaving tongue doth dwell.
These, and the glorious promontory, her chin,
O'erpassed, and the straight Hellespont between
The Sestos and Abydos of her breasts,
(Not of two lovers, but two loves the nests)
Succeeds a boundless sea, but yet thine eye
Some island moles may scattered there descry;
And sailing towards her India, in that way
Shall at her fair Atlantic navel stay;
Though thence the current be thy pilot made,
Yet ere thou be where thou wouldst be embayed
Thou shalt upon another forest set,
Where many shipwreck and no further get.
When thou art there, consider what this chase
Misspent by thy beginning at the face.
Rather set out below; practise my art.
Some symetry the foot hath with that part
Which thou dost seek, and is thy map for that,
Lovely enough to stop, but not stay at;
Least subject to disguise and change it is—
Men say the devil never can change his.
It is the emblem that hath figured
Firmness; 'tis the first part that comes to bed.
Civility we see refined; the kiss
Which at the face began, transplanted is,
Since to the hand, since to the imperial knee,
Now at the papal foot delights to be:
If kings think that the nearer way, and do
Rise from the foot, lovers may do so too;
For as free spheres move faster far than can
Birds, whom the air resists, so may that man
Which goes this empty and ethereal way,
Than if at beauty's elements he stay.
Rich nature hath in women wisely made
Two purses, and their mouths aversely laid:
They then which to the lower tribute owe
That way which that exchequer looks must go:
He which doth not, his error is as great
As who by clyster gave the stomach meat.


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Poetic Form
Metre 1101111101 0111111111 1111011111 11011111110 10101111111 1101010101 0101010101 1101110111 0101010001 1101011100 1111011101 010010 01000100 1111110101 1111110111 11011010111 1101011101 1101101111 1111010111 1111111111 1101011111 1111011101 1101011111 1111010111 111111111 1010110100 11110111001 011010111 1101010101 11011101001 111111001 1101011101 111010101 0101011101 110110101 010111011 1101110111 1111110011 1001010101 1111111101 0101011100 1111001 011111101 011101101 110101111 01010101101 01110101001 1111011111 110101010 1101010111 0101010011 110101010 0101111111 11010100111 1111110101 1101001101 1001110111 0101111 100100101 1001101 0101101 1111011101 0101011111 110111011 010010100011 1101010101 1101011101 111111111 1101010101 1101001101 1111010111 0111010101 101101111 11011111 1111011111 1001111111 1011010111 1101010111 110101110 1010111111 0100110101 1101010101 110111001001 1101010111 1111010101 1101101111 1111110111 1101011111 11110001001 111110011 1101010101 11001111 1111010101 111110111 1111110111 111110101
Closest metre Iambic pentameter
Characters 3,945
Words 759
Sentences 26
Stanzas 1
Stanza Lengths 96
Lines Amount 96
Letters per line (avg) 33
Words per line (avg) 8
Letters per stanza (avg) 3,120
Words per stanza (avg) 757
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Submitted on May 13, 2011

Modified on April 28, 2023

3:50 min read
244

John Donne

John Donne was an English poet, satirist, lawyer and a cleric in the Church of England. more…

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