Analysis of King Billy's Skull.



THE scene is the Southern Hemisphere;
The time — oh, any time of the year
Will do as well as another; say June,
Put it down likewise as the full of the moon,
And midnight to boot, when churchyards, they say,
Yawn in a most unmannerly way;
And restless ghosts in winding-sheets
Go forth and gibber about the streets,
And rehearse old crimes that were better hid
In the darkness beneath the coffin-lid.
Observe, that I merely say, on dit;
But though it never happened to me
To encounter, either in-doors or out,
A posthumous gentleman walking about,
In regulation sepulchral guise,
Or in shirt, Crimean or otherwise,
Or in hat and boots and usual wear,
Or, save for a cloud, unbecomingly bare,
Or in gaseous form, with the stars shining through him,
Beckoning me to interview him —
On mission of solemnest import bound,
Or merely a constitutional round,
Beginning at twelve as books declare,
And ending at first sniff of morning air; —
Though all such things, you will understand,
Have reached me only at second-hand,
Or third, or fourth, as the case may be,
Yet there really did occur to me
Something which I perforce must call
Ultra-super-natural; —
In fact trans-ultra-super-preter-
Natural suits both truth and metre.
There is an Island, I won't say where,
For some yet live who mightn't care
To have the address too widely known;
Suffice it to say: South Temperate Zone.
In that same Isle, thus precisely set down,
There's a certain township, and also a town —
(For, to ears colonial, I need not state
That the two do not always homologate). —
And in that same town there's a certain street;
And in that same street, the locals to complete,
There's a certain Surgery, trim and neat,
Kept by —— well, perhaps it were rash
To call him other than Doctor Dash.
At midnight, then, in the month of June
(And don't forget the full of the moon),
I sat in that Surgery, writhing with pain,
Having waited fully two hours in vain
For Doctor Dash, who, I understood,
Was engaged in the questionable good
Of adding one to the sum of woe
That includes all creatures here below, —
Especially those whose particular dolour,
As mine was then, is a rotten molar!
Have you noted that midnight's final stroke
Has a way of solemnizing folk?
Though, goodness knows, in my special case,
With a cheek that was quite a three-quarter face,
There needed no solemnizing power,
No eerie vibration of midnight hour,
Chilling through heart, and thrilling through limb,
To put me en rapport with all things grim,
With all things dreary and dismal and dim,
The whole Night side of Nature (see Crow — not Jim).
Hardly was tolled the day's decease
From the ormolu clock on the mantelpiece,
When a running fire of perplexing knocks
Seemed to proceed from a rosewood box,
That stood on a table whereon were laid
The horrible tools of the surgical trade.
Somewhat slowly the notes began
With minims, and then into crotchets ran, —
From crotchets to quavers, then faster they grew,
Galloping, galloping, thirty-two
Beats to the semibreve — doubling once more
To a semibreve split into sixty-four,
Till failing to follow so rapid a rate,
I gave in at a hundred and twenty-eight.
I was scared, I confess, but the wish to know
Was stronger than terror of ghostly foe;
And stealthily, stealthily nearing the knocks,
I pressed my ear on the rosewood box,
And fancied I could discern beneath
The peculiar rattle of chattering teeth;
Which, as need hardly be said or penned,
Set each particular hair on end,
Froze all my young blood in a moment of time,
And curdled my bile, and my chyle, and my chyme!
But though terror undoubtedly gained the day,
Yet curiosity too had its way,
And the first had no sooner sung out Avaunt!
When the second cried Stay! what the deuce do you want?
Often as I have told the tale,
This particular part is so 'like a whale,'
That I always feel an apology due
For insisting upon it as perfectly true,
This is what followed, — a grinding noise,
A friction of bones that grew to a voice;
And I heard these words (on my honour, I did),
'Hi! . . . Cooey! . . . You fella . . . Open 'm lid!'
Trembling all over from foot to head,
'How shall I open it, Spirit?' I said;
'Lies there, oh lies there no key about?
For how can I open the coffer without?'
A kind of an audible ossified grin,
A gnashing of laughter, came from within,
And little by little I understood,
'You fella. . . . new chum. . . . You no good;
White fella. . . . crawler. . . . you no go,
Key in 'm lock


Scheme Text too long
Poetic Form
Metre 01101010 011101101 1111101011 1111101101 01111111 100111 01010101 11010101 0011110101 0010010101 011110111 111101011 1010100111 01001001001 001011 10101110 1010101001 1110111 1010011011011 10011101 11011011 110001001 010111101 0101111101 11111101 111101101 111110111 111010111 10110111 1010100 01110101 100111010 111101111 11111101 11011101 011111101 0111101011 10101001001 11101001111 1011111 0011110101 00111010101 1010100101 11101101 111101101 11100111 010101101 11011001011 10101011001 11011101 1010010001 110110111 101110101 0101101001 111110101 111011101 101111 110101101 10111101101 1101110 1100101110 101101011 1111011111 1111001001 01111101111 10110101 1011101 10101010101 11011011 111010101 01001101001 11100101 11010111 1111011011 100100101 110110011 101101101 11011011001 11010100101 11110110111 1101101101 0111001 11111011 010110101 00101011001 111101111 110100111 11111001011 0111011011 11100100101 101001111 0011110111 101011101111 10111101 10100111101 1111101001 101001111001 111100101 0101111101 0111111111 111101011 1001101111 1111011011 111111101 11111001001 0111100101 0101101101 010110101 11011111 1101111 1011
Closest metre Iambic pentameter
Characters 4,366
Words 800
Sentences 46
Stanzas 1
Stanza Lengths 111
Lines Amount 111
Letters per line (avg) 31
Words per line (avg) 7
Letters per stanza (avg) 3,420
Words per stanza (avg) 817
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Submitted on May 13, 2011

Modified on March 05, 2023

4:01 min read
62

James Brunton Stephens

James Brunton Stephens was a Scottish-born Australian poet, author of Convict Once. more…

All James Brunton Stephens poems | James Brunton Stephens Books

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