Analysis of Eurydice

Hilda Doolittle 1886 (Bethlehem, Pennsylvania) – 1961 (Zurich)



So you have swept me back,
I who could have walked with the live souls
above the earth,
I who could have slept among the live flowers
at last;

so for your arrogance
and your ruthlessness
I am swept back
where dead lichens drip
dead cinders upon moss of ash;

so for your arrogance
I am broken at last,
I who had lived unconscious,
who was almost forgot;

if you had let me wait
I had grown from listlessness
into peace,
if you had let me rest with the dead,
I had forgot you
and the past.

Here only flame upon flame
and black among the red sparks,
streaks of black and light
grown colourless;

why did you turn back,
that hell should be reinhabited
of myself thus
swept into nothingness?

why did you glance back?
why did you hesitate for that moment?
why did you bend your face
caught with the flame of the upper earth,
above my face?

what was it that crossed my face
with the light from yours
and your glance?
what was it you saw in my face?
the light of your own face,
the fire of your own presence?

What had my face to offer
but reflex of the earth,
hyacinth colour
caught from the raw fissure in the rock
where the light struck,
and the colour of azure crocuses
and the bright surface of gold crocuses
and of the wind-flower,
swift in its veins as lightning
and as white.

Saffron from the fringe of the earth,
wild saffron that has bent
over the sharp edge of earth,
all the flowers that cut through the earth,
all, all the flowers are lost;

everything is lost,
everything is crossed with black,
black upon black
and worse than black,
this colourless light.

Fringe upon fringe
of blue crocuses,
crocuses, walled against blue of themselves,
blue of that upper earth,
blue of the depth upon depth of flowers,
lost;

flowers,
if I could have taken once my breath of them,
enough of them,
more than earth,
even than of the upper earth,
had passed with me
beneath the earth;

if I could have caught up from the earth,
the whole of the flowers of the earth,
if once I could have breathed into myself
the very golden crocuses
and the red,
and the very golden hearts of the first saffron,
the whole of the golden mass,
the whole of the great fragrance,
I could have dared the loss.

So for your arrogance
and your ruthlessness
I have lost the earth   
and the flowers of the earth,
and the live souls above the earth,
and you who passed across the light
and reached
ruthless;

you who have your own light,
who are to yourself a presence,
who need no presence;

yet for all your arrogance
and your glance,
I tell you this:

such loss is no loss,
such terror, such coils and strands and pitfalls
of blackness,
such terror
is no loss;

hell is no worse than your earth
above the earth,
hell is no worse,
no, nor your flowers
nor your veins of light
nor your presence,
a loss;

my hell is no worse than yours
though you pass among the flowers and speak
with the spirits above earth.

Against the black
I have more fervour
than you in all the splendour of that place,
against the blackness
and the stark grey
I have more light;

and the flowers,
if I should tell you,
you would turn from your own fit paths
toward hell,
turn again and glance back
and I would sink into a place
even more terrible than this.

At least I have the flowers of myself,
and my thoughts, no god
can take that;
I have the fervour of myself for a presence
and my own spirit for light;

and my spirit with its loss
knows this;
though small against the black,
small against the formless rocks,
hell must break before I am lost;

before I am lost,
hell must open like a red rose
for the dead to pass.


Scheme abCde FGaxx Fegx xbxhie xxjb aegg axkck klMkkf ncnxxoonxj cxccp paaaj xoxcdp dqqccxc ccrohxsft FGcccjxg jff fMu txgnt cCxdjft lxc ankgxj dixxaku rxxfj tuaxp pxs
Poetic Form
Metre 111111 111111011 0101 11111010110 11 111100 01100 1111 11101 11001111 111100 111011 111110 11101 111111 11111 011 111111101 11011 001 1101011 0101011 11101 11 11111 11111 111 101100 11111 111101110 111111 110110101 0111 1111111 10111 011 11111011 011111 01011110 1111110 110101 101 110110001 1011 001110100 0011011100 010110 1011110 011 10101101 110111 1001111 101011101 1101011 1011 101111 1011 0111 111 1011 11100 1001011101 111101 1101011110 1 10 11111011111 0111 111 10110101 1111 0101 111111101 011010101 111111011 01010100 001 001010110110 0110101 0110110 111101 111100 01100 11101 0010101 00110101 01110101 01 10 111111 11101010 11110 1111100 011 1111 11111 110110101 110 110 111 1111111 0101 1111 11110 11111 1110 01 1111111 1110101001 1010011 0101 1111 110101111 01010 0011 1111 0010 11111 11111111 011 101011 01110101 10110011 111101011 01111 111 1101111010 0111011 0110111 11 110101 101011 11101111 01111 11101011 10111
Closest metre Iambic trimeter
Characters 3,617
Words 685
Sentences 15
Stanzas 25
Stanza Lengths 5, 5, 4, 6, 4, 4, 5, 6, 10, 5, 5, 6, 7, 9, 8, 3, 3, 5, 7, 3, 6, 7, 5, 5, 3
Lines Amount 136
Letters per line (avg) 20
Words per line (avg) 5
Letters per stanza (avg) 111
Words per stanza (avg) 27
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Submitted on May 13, 2011

Modified on April 23, 2023

3:25 min read
176

Hilda Doolittle

Hilda Doolittle was an American poet, novelist, and memoirist, associated with the early 20th century avant-garde Imagist group of poets, including Ezra Pound and Richard Aldington. She published under the pen name H. D. Hilda was born in Bethlehem, Pennsylvania, in 1886, and grew up just outside Philadelphia in Upper Darby, Pennsylvania, and attended Bryn Mawr College. She moved to London in 1911, where she played a central role within the then-emerging Imagist movement. Young and charismatic, she was championed by the modernist poet Ezra Pound, who was instrumental in building her career. From 1916–17, she acted as the literary editor of the Egoist journal, while her poetry appeared in the English Review and the Transatlantic Review.  more…

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