Analysis of Kéramos

Henry Wadsworth Longfellow 1807 (Portland) – 1882 (Cambridge)



Turn, turn, my wheel? Turn round and round
Without a pause, without a sound:
So spins the flying world away!
This clay, well mixed with marl and sand,
Follows the motion of my hand;
Far some must follow, and some command,
Though all are made of clay!

Thus sang the Potter at his task
Beneath the blossoming hawthorn-tree,
While o'er his features, like a mask,
The quilted sunshine and leaf-shade
Moved, as the boughs above him swayed,
And clothed him, till he seemed to be
A figure woven in tapestry,
So sumptuously was he arrayed
In that magnificent attire
Of sable tissue flaked with fire.
Like a magician he appeared,
A conjurer without book or beard;
And while he plied his magic art--
For it was magical to me--
I stood in silence and apart,
And wondered more and more to see
That shapeless, lifeless mass of clay
Rise up to meet the master's hand,
And now contract and now expand,
And even his slightest touch obey;
While ever in a thoughtful mood
He sang his ditty, and at times
Whistled a tune between the rhymes,
As a melodious interlude.

Turn, turn, my wheel! All things must change
To something new, to something strange;
Nothing that is can pause or stay;
The moon will wax, the moon will wane,
The mist and cloud will turn to rain,
The rain to mist and cloud again,
To-morrow be to-day.

Thus still the Potter sang, and still,
By some unconscious act of will,
The melody and even the words
Were intermingled with my thought
As bits of colored thread are caught
And woven into nests of birds.
And thus to regions far remote,
Beyond the ocean's vast expanse,
This wizard in the motley coat
Transported me on wings of song,
And by the northern shores of France
Bore me with restless speed along.
What land is this that seems to be
A mingling of the land and sea?
This land of sluices, dikes, and dunes?
This water-net, that tessellates
The landscape? this unending maze
Of gardens, through whose latticed gates
The imprisoned pinks and tulips gaze;
Where in long summer afternoons
The sunshine, softened by the haze,
Comes streaming down as through a screen;
Where over fields and pastures green
The painted ships float high in air,
And over all and everywhere
The sails of windmills sink and soar
Like wings of sea-gulls on the shore?

What land is this? Yon pretty town
Is Delft, with all its wares displayed;
The pride, the market-place, the crown
And centre of the Potter's trade.
See! every house and room is bright
With glimmers of reflected light
From plates that on the dresser shine;
Flagons to foam with Flemish beer,
Or sparkle with the Rhenish wine,
And pilgrim flasks with fleurs-de-lis,
And ships upon a rolling sea,
And tankards pewter topped, and queer
With comic mask and musketeer!
Each hospitable chimney smiles
A welcome from its painted tiles;
The parlor walls, the chamber floors,
The stairways and the corridors,
The borders of the garden walks,
Are beautiful with fadeless flowers,
That never droop in winds or showers,
And never wither on their stalks.

Turn, turn, my wheel! All life is brief;
What now is bud wilt soon be leaf,
What now is leaf will soon decay;
The wind blows east, the wind blows west;
The blue eyes in the robin's nest
Will soon have wings and beak and breast,
And flutter and fly away.

Now southward through the air I glide,
The song my only pursuivant,
And see across the landscape wide
The blue Charente, upon whose tide
The belfries and the spires of Saintes
Ripple and rock from side to side,
As, when an earthquake rends its walls,
A crumbling city reels and falls.

Who is it in the suburbs here,
This Potter, working with such cheer,
In this mean house, this mean attire,
His manly features bronzed with fire,
Whose figulines and rustic wares
Scarce find him bread from day to day?
This madman, as the people say,
Who breaks his tables and his chairs
To feed his furnace fires, nor cares
Who goes unfed if they are fed,
Nor who may live if they are dead?
This alchemist with hollow cheeks
And sunken, searching eyes, who seeks,
By mingled earths and ores combined
With potency of fire, to find
Some new enamel, hard and bright,
His dream, his passion, his delight?

O Palissy! within thy breast
Burned the hot fever of unrest;
Thine was the proph


Scheme Text too long
Poetic Form
Metre 11111101 01010101 11010101 11111101 10010111 111100101 111111 11010111 01010011 110110101 0101011 11010111 01111111 010100100 111101 010100010 11011110 10010101 0101111 01111101 11110011 11010001 01010111 11010111 11110101 0110101 010110101 11000101 11110011 10010101 10010010 11111111 11011101 10111111 01110111 01011111 01110101 110111 11010101 1110111 010001001 0010111 11110111 01001111 01110101 01010101 11000101 01011111 01010111 11110101 11111111 010010101 1111101 110111 0110101 1101111 001010101 1011001 0110101 11011101 11010101 01011101 0101010 0111101 11111101 11111101 11111101 01010101 01010101 110010111 11010101 11110101 1111101 1101011 01011111 01010101 0110101 1101001 11100101 01011101 01010101 0100100 01010101 11001110 110101110 01010111 11111111 11111111 11111101 01110111 01100101 11110101 0100101 11010111 011101 0101011 0110111 0100111 10011111 1111111 010010101 11100101 11010111 011111010 110101110 110101 11111111 1110101 11110011 111101011 1111111 11111111 11001101 01010111 11010101 110011011 11010101 11110101 110111 10110101 1101
Closest metre Iambic tetrameter
Characters 4,202
Words 753
Sentences 26
Stanzas 9
Stanza Lengths 7, 24, 7, 27, 21, 7, 8, 17, 3
Lines Amount 121
Letters per line (avg) 27
Words per line (avg) 6
Letters per stanza (avg) 368
Words per stanza (avg) 84
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Submitted on May 13, 2011

Modified on March 30, 2023

3:47 min read
178

Henry Wadsworth Longfellow

Henry Wadsworth Longfellow was an American poet and educator whose works include "Paul Revere's Ride", The Song of Hiawatha, and Evangeline. more…

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