Analysis of Two Portraits

Henry Timrod 1828 (Charleston) – 1867 (Columbia)



You say, as one who shapes a life,
That you will never be a wife,

And, laughing lightly, ask my aid
To paint your future as a maid.

This is the portrait; and I take
The softest colors for your sake:

The springtime of your soul is dead,
And forty years have bent your head;

The lines are firmer round your mouth,
But still its smile is like the South.

Your eyes, grown deeper, are not sad,
Yet never more than gravely glad;

And the old charm still lurks within
The cloven dimple of your chin.

Some share, perhaps, of youthful gloss
Your cheek hath shed; but still across

The delicate ear are folded down
Those silken locks of chestnut brown;

Though here and there a thread of gray
Steals through them like a lunar ray.

One might suppose your life had passed
Unvexed by any troubling blast;

And such -- for all that I foreknow --
May be the truth!  The deeper woe!

A loveless heart is seldom stirred;
And sorrow shuns the mateless bird;

But ah! through cares alone we reach
The happiness which mocketh speech;

In the white courts beyond the stars
The noblest brow is seamed with scars;

And they on earth who've wept the most
Sit highest of the heavenly host.

Grant that your maiden life hath sped
In music o'er a golden bed,

With rocks, and winds, and storms at truce,
And not without a noble use;

Yet are you happy?  In your air
I see a nameless want appear,

And a faint shadow on your cheek
Tells what the lips refuse to speak.

You have had all a maid could hope
In the most cloudless horoscope:

The strength that cometh from above;
A Christian mother's holy love;

And always at your soul's demand
A brother's, sister's heart and hand.

Small need your heart hath had to roam
Beyond the circle of your home;

And yet upon your wish attends
A loving throng of genial friends.

What, in a lot so sweet as this,
Is wanting to complete your bliss?

And to what secret shall I trace
The clouds that sometimes cross your face,

And that sad look which now and then
Comes, disappears, and comes again,

And dies reluctantly away
In those clear eyes of azure gray?

At best, and after all, the place
You fill with such a serious grace,

Hath much to try a woman's heart,
And you but play a painful part.

The world around, with little ruth,
Still laughs at maids who have not youth,

And, right or wrong, the old maid rests
The victim of its paltry jests,

And still is doomed to meet and bear
Its pitying smile or furtive sneer.

These are indeed but petty things,
And yet they touch some hearts like stings.

But I acquit you of the shame
Of being unresisting game;

For you are of such tempered clay
As turns far stronger shafts away,

And all that foes or fools could guide
Would only curl that lip of pride.

How then, O weary one! explain
The sources of that hidden pain?

Alas! you have divined at length
How little you have used your strength,

Which, with who knows what human good,
Lies buried in that maidenhood,

Where, as amid a field of flowers,
You have but played with April showers.

Ah! we would wish the world less fair,
If Spring alone adorned the year,

And Autumn came not with its fruit,
And Autumn hymns were ever mute.

So I remark without surprise
That, as the unvarying season flies,

From day to night and night to day,
You sicken of your endless May.

In this poor life we may not cross
One virtuous instinct without loss,

And the soul grows not to its height
Till love calls forth its utmost might.

Not blind to all you might have been,
And with some consciousness of sin --

Because with love you sometimes played,
And choice, not fate, hath kept you maid --

You feel that you must pass from earth
But half-acquainted with its worth,

And that within your heart are deeps
In which a nobler woman sleeps;

That not the maiden, but the wife
Grasps the whole lesson of a life,

While such as you but sit and dream
Along the surface of its stream.

And doubtless sometimes, all unsought,
There comes upon your hour of thought,

Despite the struggles of your will,
A sense of something absent still;

And then you cannot help but yearn
To love and be beloved in turn,

As they are loved, and love, who


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Poetic Form
Metre 11111101 11110101 01010111 11110101 11010011 01010111 0111111 01011111 01110111 11111101 11110111 11011101 00111101 0110111 11011101 11111101 010011101 1101111 11010111 11110101 11011111 11101001 0111111 11010101 01011101 0101011 11110111 0100111 00110101 01011111 01110101 110101001 11110111 010100101 11010111 01010101 11110011 11010101 0011111 11010111 11110111 0011010 01110101 01010101 0111101 01010101 11111111 01010111 01011101 01011101 10011111 11010111 01110111 01101111 01111101 1010101 01010001 01111101 11010101 111101001 11110101 01110101 01011101 11111111 01110111 01011101 01111101 110011101 11011101 01111111 11011101 11011 11111101 11110101 01111111 11011111 11110101 01011101 0111111 11011111 11111101 110011 110101110 111111010 11110111 11010101 01011111 01010101 11010101 1101101 11110111 11011101 01111111 110010011 00111111 1111111 11111111 01110011 01111011 01111111 11111111 11010111 01011111 01010101 11010101 10110101 11111101 01010111 0100111 110111011 01010111 01110101 01110111 11010101 1111011
Closest metre Iambic tetrameter
Characters 3,974
Words 767
Sentences 28
Stanzas 58
Stanza Lengths 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 2, 1
Lines Amount 115
Letters per line (avg) 28
Words per line (avg) 7
Letters per stanza (avg) 55
Words per stanza (avg) 13
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Submitted on May 13, 2011

Modified on March 05, 2023

3:52 min read
88

Henry Timrod

Henry Timrod was an American poet, often called the poet laureate of the Confederacy. more…

All Henry Timrod poems | Henry Timrod Books

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