Analysis of The Eve Of Revolution



The trumpets of the four winds of the world
  From the ends of the earth blow battle; the night heaves,
With breasts palpitating and wings refurled,
  With passion of couched limbs, as one who grieves
Sleeping, and in her sleep she sees uncurled
  Dreams serpent-shapen, such as sickness weaves,
Down the wild wind of vision caught and whirled,
  Dead leaves of sleep, thicker than autumn leaves,
        Shadows of storm-shaped things,
        Flights of dim tribes of kings,
  The reaping men that reap men for their sheaves,
        And, without grain to yield,
        Their scythe-swept harvest-field
  Thronged thick with men pursuing and fugitives,
     Dead foliage of the tree of sleep,
Leaves blood-coloured and golden, blown from deep to deep.

I hear the midnight on the mountains cry
  With many tongues of thunders, and I hear
Sound and resound the hollow shield of sky
  With trumpet-throated winds that charge and cheer,
And through the roar of the hours that fighting fly,
  Through flight and fight and all the fluctuant fear,
A sound sublimer than the heavens are high,
  A voice more instant than the winds are clear,
        Say to my spirit, "Take
        Thy trumpet too, and make
  A rallying music in the void night's ear,
        Till the storm lose its track,
        And all the night go back;
  Till, as through sleep false life knows true life near,
     Thou know the morning through the night,
And through the thunder silence, and through darkness light."

I set the trumpet to my lips and blow.
  The height of night is shaken, the skies break,
The winds and stars and waters come and go
  By fits of breath and light and sound, that wake
As out of sleep, and perish as the show
  Built up of sleep, when all her strengths forsake
The sense-compelling spirit; the depths glow,
  The heights flash, and the roots and summits shake
        Of earth in all her mountains,
        And the inner foamless fountains
  And wellsprings of her fast-bound forces quake;
        Yea, the whole air of life
        Is set on fire of strife,
  Till change unmake things made and love remake;
     Reason and love, whose names are one,
Seeing reason is the sunlight shed from love the sun.

The night is broken eastward; is it day,
  Or but the watchfires trembling here and there,
Like hopes on memory's devastated way,
  In moonless wastes of planet-stricken air?
O many-childed mother great and grey,
  O multitudinous bosom, and breasts that bare
Our fathers' generations, whereat lay
  The weanling peoples and the tribes that were,
        Whose new-born mouths long dead
        Those ninefold nipples fed,
  Dim face with deathless eyes and withered hair,
        Fostress of obscure lands,
        Whose multiplying hands
  Wove the world's web with divers races fair
     And cast it waif-wise on the stream,
The waters of the centuries, where thou sat'st to dream;

O many-minded mother and visionary,
  Asia, that sawest their westering waters sweep
With all the ships and spoils of time to carry
  And all the fears and hopes of life to keep,
Thy vesture wrought of ages legendary
  Hides usward thine impenetrable sleep,
And thy veiled head, night's oldest tributary,
  We know not if it speak or smile or weep.
        But where for us began
        The first live light of man
  And first-born fire of deeds to burn and leap,
        The first war fair as peace
        To shine and lighten Greece,
  And the first freedom moved upon the deep,
     God's breath upon the face of time
Moving, a present spirit, seen of men sublime;

There where our east looks always to thy west,
  Our mornings to thine evenings, Greece to thee,
These lights that catch the mountains crest by crest,
  Are they of stars or beacons that we see?
Taygetus takes here the winds abreast,
  And there the sun resumes Thermopylae;
The light is Athens where those remnants rest,
  And Salamis the sea-wall of that sea.
        The grass men tread upon
        Is very Marathon,
  The leaves are of that time-unstricken tree
        That storm nor sun can fret
        Nor wind, since she that set
  Made it her sign to men whose shield was she;
     Here, as dead time his deathless things,
Eurotas and Cephisus keep their sleepless springs.

O hills of Crete, are these things dead?  O waves,
  O many-mouthed streams, are these springs dry?
Earth, dost thou feed and hide now none but s


Scheme ABABABABCCBDDXEE FGFHFHFHIIGJJHKK LILILILIMMINNIOO PQPQPQPXRRQSSQTT UEUEUEUEVVEWWEXX YUYUYLYUZZU1 1 UCC XFX
Poetic Form
Metre 0101011101 101101110011 111000011 1101111111 100001111 110111101 1011110101 1111101101 11111 111111 0101111111 001111 111101 11110100100 11010111 111001011111 110110101 1101110011 101010111 1101011101 010110101101 110101011 011101011 0111010111 111101 110101 01001000111 101111 010111 1111111111 11010101 010101001101 1101011101 0111110011 0101010101 1111010111 1111010101 1111110101 0101010011 0110010101 1101010 0010110 011011101 101111 1111011 111110111 10011111 101010111101 0111010111 1101100101 11111001 011110101 110110101 11100111 101001011 011000110 111111 11101 111110101 11011 11001 1011110101 01111101 01010100111111 11010100100 101111101 11010111110 0101011111 111110100 111010001 0111110100 1111111111 111101 011111 01110111101 011111 110101 0011010101 11010111 100101011101 1110111111 10101110111 1111010111 1111110111 1110101 0101011 0111011101 0010011111 011101 11010 01111111 111111 111111 1101111111 1111111 10111101 1111111111 110111111 1111011111
Closest metre Iambic pentameter
Characters 4,294
Words 722
Sentences 12
Stanzas 7
Stanza Lengths 16, 16, 16, 16, 16, 16, 3
Lines Amount 99
Letters per line (avg) 33
Words per line (avg) 7
Letters per stanza (avg) 464
Words per stanza (avg) 103
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Submitted on May 13, 2011

Modified on April 20, 2023

3:38 min read
151

Algernon Charles Swinburne

Algernon Charles Swinburne was an English poet, playwright, novelist, and critic. He wrote several novels and collections of poetry such as Poems and Ballads, and contributed to the famous Eleventh Edition of the Encyclopædia Britannica. Swinburne wrote about many taboo topics, such as lesbianism, cannibalism, sado-masochism, and anti-theism. His poems have many common motifs, such as the ocean, time, and death. Several historical people are featured in his poems, such as Sappho ("Sapphics"), Anactoria ("Anactoria"), Jesus ("Hymn to Proserpine": Galilaee, La. "Galilean") and Catullus ("To Catullus"). more…

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