Analysis of Elegies



All song is formal, and you
Maybe felt this and decided
You’d be formal too. (The eyeliner, the beehive: formal.)

When a desire to escape becomes formal,
It’s dangerous. Then escape requires
Nullity, rather than a walk in the park or a movie.
Eventually, nullity gets harder and
Harder to achieve. After surgery, I had
Opiates. I pushed the button as often as I could.
Understood by music was how I felt. An escape
So complete it became a song. After that,
Elegy’s the only necessary form.

Say you lost all your money, or turned against your ambition.
Then you would be at peace, or
Else why does the mind punish the body?
Vengeance is mind, says the body.
Ever after, you’re a mirror, “silver and exact.”

Just like the bug in a string of code, the body defies the mind
Or looks in the mirror of the mind and shudders.
Better instruments are better because they’re
Silverish but intact.

The clock is obdurate,
Random, and definite.
Obdurate the calendar.
You thump on the cot: another signature.

Did it didn’t do it would do it again.
And if a deferred dream dies? Please sign the petition.
Very good. Let’s hunt for a pen.
If you thump, there’s another signature and
Signatures are given freely by the signer’s hand.

Lingering over
Unlovely bodies,
Couldn’t help
Intuitively rendering
A whole
Nother angel.

Facts are
Relics — an
Effect worth
Undertaking: yes,
Dear daylight?

Discourse that night concerned the warm-blooded love we felt.
On the divan and in the ballroom and on the terrace, we felt it.
Now virtue meant liking the look of the face we lay next to.
Never mind the sting of the winter solstice.
All discourse that night concerned the warm-blooded love we felt.

Something lifted us higher. Her little finger told her so,
Untangling, with careless skill, the flora of the sexual grove.
Master physician with a masterly joy in wrapping up
Mud-spattered, coke-dusted wounds at midnight, when it’s too
Early to stop dancing and go home. Our lily-minds soothed by her
Royalty concealed in the synthesizers in the flora of the sexual grove.


Scheme AXB BCDEXXXXX FGDDH XCGH IIJJ KFKEX JXXXXB XXXXX LXAXL XMXAJM
Poetic Form
Metre 1111001 1011010 111010100110 100101010110 1100101010 1101010011010 0100011100 101011010011 10011010110111 011101111101 10110101101 10101001 111111011011010 1111111 1110110010 10111010 1010101010001 1101001110100101 110010101010 10100110011 1101 011100 100100 1000100 11101010100 1111111101 0100111110010 10111101 11110101000 1001101010101 10010 110 11 01000100 01 1010 11 101 011 1001 11 1011010110111 1001000101010111 110110011011111 10101101010 11011010110111 101011001010101 0101101010101001 100101010010101 110110111111 10111001110101110 10001001000010101001
Closest metre Iambic pentameter
Characters 2,216
Words 415
Sentences 36
Stanzas 10
Stanza Lengths 3, 9, 5, 4, 4, 5, 6, 5, 5, 6
Lines Amount 52
Letters per line (avg) 31
Words per line (avg) 7
Letters per stanza (avg) 161
Words per stanza (avg) 36
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Written on 2013

Submitted by Drone232 on May 17, 2022

Modified on March 05, 2023

2:04 min read
15

Kathleen Ossip

Kathleen Ossip’s most recent book is The Do-Over (Sarabande Books, 2015), a New York Times Editors’ Choice. She teaches at the New School in New York. more…

All Kathleen Ossip poems | Kathleen Ossip Books

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