Analysis of Unspeakable Loud Mirrors



with the gray sky, in a gray lane, listening
to gray wines; the green light, passing through, at
a cool temperature; laundry out, a
man has a dimension, a split atmosphere
—a demon of some angelic sorting;
a chuckle into a hallway, a vestibule
into a dream, a problem into a
capture—the inner fugitive, the
scoundrel inside, the repenting paradox
—to adore her powers, to let for
sinning, to dislike her essence—the face
yelling at me, the nightmare manufactured,
the situation made this way—to claim
it that way—with nothing based in
actuality. by the sin of the
waves, those seas inside, those memories laid
at the shore. so busy working against
us, trying to write the ultimate
commentary, with everything knowing
the roots of the false ghosts. maybe a dear
soul—to conjure in likeness—to nudge a
confessional. maybe a sexy temple,
a withering naivete, so
seductive in a second. so lost,
captivated, rummaging neurons,
caving in treasures, like unexpected
the last sentence. so much an ottoman,
an old settee, an armoire, a credenza
—a few pieces of furniture … spent half
a day fighting depression – a low, heavy,
pushy force, edging into consciousness,
made for a pledge, no negotiating;
with permission from islands, with
nepotism seeming real, or
nihilism on the brink of an uprising
—into consciousness, into a
galaxy, so cursed to see it a little
clearer; an afflatus, or metanoia,
some converging, a machine, a problem,
so much left to choosing our final
decisions. not all will say it. not all
will assert it. not all will miss what was
knitted. many loses. to just look at
it. it could drive a soul into knots.
more a problem, on with life, to endure
it, one knows, made smug. the viable
roses—time in shadows, content with rooks
and checkers and pieces—so real, it can’t
be refuted, we’re debating
interpretation. to speak with knowing
the cloud between the ether. celestial
vice, body to meme for, made fire in an
instance; so low, so high, making
interior contributions. the lake
sulfur, the boiling passion, using
each for a source of its power; or the
maddening violin, running into
his skull, so fierce, balled up, so close to
negotiating, in a space, where nothing
can be discussed, where everything is
transpiring. dearest members, saying
it was true, such drench in one felt
environment—to listen inside, so
clear, so deeply misleading.


Scheme ABCDAECCFGHIJKCLMNADCOPQRSTCUVWAXGACOKYOZ1 B2 3 O4 5 AAO6 A7 AC8 8 A9 A0 PA
Poetic Form
Metre 10110011100 1110111011 011001010 1100100110 010111010 0100101010 0101010010 100101000 1001001010 101010111 1010101001 101101010 001011111 11111010 01010110 1110111001 1011101001 110110100 10011010 0110111001 1110010110 01001001010 01000011 010001011 10010010 100101010 0110111100 1111100010 0110110011 01100100110 1011001100 110110100 10101101 1001011 10010111010 01100010 10011111010 101111 1010001010 1111101010 0101111111 1011111111 1010101111 111101011 1010111101 111110100 101011011 0100101111 10100010 001011110 0101010010 11011111001 10111110 010001001 100101010 1101111010 1000011001 111111111 0100001110 11011101 0100101010 11111011 0100110011 1110010
Closest metre Iambic pentameter
Characters 2,451
Words 458
Sentences 20
Stanzas 1
Stanza Lengths 64
Lines Amount 64
Letters per line (avg) 29
Words per line (avg) 6
Letters per stanza (avg) 1,851
Words per stanza (avg) 399
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Submitted by on February 25, 2022

Modified on March 05, 2023

2:17 min read
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    "Unspeakable Loud Mirrors" Poetry.com. STANDS4 LLC, 2024. Web. 27 Apr. 2024. <https://www.poetry.com/poem-analysis/120919/unspeakable-loud-mirrors>.

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