Analysis of The Shadow

Ada Cambridge 1844 (St Germans, Norfolk) – 1926 (Melbourne)



A vision haunts me, love, when thou art near,
Chilling my heart as frost nips April flowers;
A covering cloud, when all is fair and clear,
That takes the sweetness from our happiest hours.

It steals the colour from our brightest sky;
It mars my soul's content when all seems well;
It quenches laughter in a shuddering sigh —
In thoughts that thrill me like a tolling bell.

It numbs my passion when I love thee most;
It dims my eyes — it veils thy face; it slips,
An unseen shadow, like a creeping ghost,
Betwixt thy kisses and my hungering lips.

What, amid richest plenty, starves me thus?
What is it draws my trustful hand from thine?
That sits a guest at marriage feast with us,
And mixes poison with the food and wine?

In broad noonday — in dark hours long and lone —
A small green mound, a lettered name, I see.
There love is symboled in a graven stone —
There I lie dead, worth nothing more to thee.

There weep the dews, and winds of winter blow;
The soft breeze rustles in the bending grass;
The cold rain falls there, and the drifting snow —
But tears fall not, nor lovers' footsteps pass.

Bees hum all day amid the young spring leaves;
The rooks caw loud from every elm- tree bough;
The sparrows twitter in the old church eaves —
But no voice cries for me or calls me now.

Bright beams of morn encompass me about;
The stars shine o'er me, and the pale moonlight;
But I, that lit and warmed thee, am gone out,
Like a burnt candle, in eternal night.

Earth to the earth upon this churchyard slope.
We made no tryst for happier time and place;
And in thy sky gleams no immortal hope,
No distant radiance from my vanished face.

And still the sands between thy fingers run —
Desires, delights, ambitions — days and years,
Rich hours of life for thee, though mine are done —
Too full for vain regrets, too brief for tears.

I have lost all, but thou dost hold and save,
Adding new treasure to thy rifled store,
While weeds grow long on the neglected grave

Where sleeps thy mate who may be thine no more.

This is the fate I feel, the ghost I see,
The dream I dream at night, the thought I dread —
That thus 'twill be some day with thee and me,
Thou fain to live while I am doubly dead.

Thou still defiant of our common foe;
I vanquished quite — the once- resplendent crown
Of all thy joys become a dragging woe,
To be lopped off, lest it should weigh thee down.

I, once thy sap of life, a wasteful drain
On thy green vigour, like a rotten branch;
I, once thy health, a paralyzing pain,
A bleeding wound that thou must haste to stanch.

Because the dead are dead — the past is gone;
Because dear life is sweet and time is brief,
And some must fall, and some must still press on,
Nor waste scant strength in unavailing grief.

I blame thee not. I know what must be must.
Nor shall I suffer when apart from thee.
I shall not care, when I am mouldering dust,
That once quick love is in the grave with me.

17.
Cast me away — thou knowest I shall not fret;
Take thy due joys — I shall not bear the cost.
I, that am thus forgotten, shall forget,
Nor shed one tear for all that I have lost.

Not then, not then shall sting of death and dole,
The penal curse of life and love, befall;
'Tis now I wear the sackcloth on my soul,
Bereaved and lonely, while possessed of all.

0, wert thou dead, should I, beloved, turn
Deaf heart to memory when of thee she spake?
Should I, when this pure fire had ceased to burn,
Seek other hearths, for sordid comfort's sake?

No — no! Yet I am mortal — I am weak —
In need of warmth when wintry winds are cold;
And fateful years and circumstance will wreak
Their own stern will on mine, when all is told.

How can I keep thee? Day and night I grope
In Nature's book, and in all books beside,
For but one touch of a substantial hope.
But all is vague and void on every side.

Whence did we come? And is it there we go?
We look behind — night hides our place of birth;
The


Scheme ABAB CDCD EFEF GHGH IJIJ KLKL MNMN OPOP QRQR SXSX TUT U JVJV KWKW XYXY XZXZ 1 J1 J X2 X2 X 3 4 3 4 5 6 5 6 7 8 7 8 Q9 Q9 KXX
Poetic Form
Metre 0101111111 10111111010 01001111101 1101011010010 1101110101 1111101111 11010001001 0111110101 1111011111 1111111111 101110101 01110011001 1011010111 111111111 1101110111 0101010101 0110110101 0111010111 111100101 1111110111 1101011101 011100101 0111100101 111111011 1111010111 01111100111 0101000111 1111111111 1111010101 0111010011 1111011111 1011000101 110101111 11111100101 0011110101 11010011101 0101011101 01001010101 11011111111 1111011111 1111111101 1011011101 1111100101 1111111111 1101110111 0111110111 1111111101 1111111101 11010110101 1101010101 1111010101 1111111111 1111110101 111110101 111101001 0101111111 0101110111 0111110111 0111011111 111100101 1111111111 1111010111 111111111 1111100111 1 1101111111 1111111101 1111010101 1111111111 1111111101 0101110101 111101111 0101010111 11111011 11110011111 11111101111 110111011 1111110111 0111110111 010101011 1111111111 1111110111 0101001101 1111100101 11110111001 1111011111 11011110111 0
Closest metre Iambic pentameter
Characters 3,892
Words 782
Sentences 58
Stanzas 23
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 3, 1, 4, 4, 4, 4, 4, 5, 4, 4, 4, 4, 3
Lines Amount 88
Letters per line (avg) 34
Words per line (avg) 9
Letters per stanza (avg) 129
Words per stanza (avg) 33
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Submitted on May 13, 2011

Modified on April 25, 2023

3:56 min read
88

Ada Cambridge

Ada Cambridge, later known as Ada Cross, was an English-born Australian writer. She wrote more than 25 works of fiction, three volumes of poetry and two autobiographical works. Many of her novels were serialised in Australian newspapers but never published in book form. While she was known to friends and family by her married name, Ada Cross, her newspaper readers knew her as A. C.. She later reverted to her maiden name, Ada Cambridge, and that is how she is known today.  more…

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