Analysis of A Silent Wood

Elizabeth Eleanor Siddal 1829 (London) – 1862 (London)



O silent wood, I enter thee
With a heart so full of misery
For all the voices from the trees
And the ferns that cling about my knees.

In thy darkest shadow let me sit
When the grey owls about thee flit;
There will I ask of thee a boon,
That I may not faint or die or swoon.

Gazing through the gloom like one
Whose life and hopes are also done,
Frozen like a thing of stone
I sit in thy shadow – but not alone.

Can God bring back the day when we two stood
Beneath the clinging trees in that dark wood?


Scheme AABB CCDD EEFF GG
Poetic Form
Metre 11011101 101111100 11010101 001110111 01101111 10110111 11111101 111111111 1010111 11011101 1010111 110111101 1111011111 0101010111
Closest metre Iambic tetrameter
Characters 497
Words 107
Sentences 5
Stanzas 4
Stanza Lengths 4, 4, 4, 2
Lines Amount 14
Letters per line (avg) 28
Words per line (avg) 8
Letters per stanza (avg) 97
Words per stanza (avg) 26
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Submitted on May 13, 2011

Modified on March 23, 2023

32 sec read
65

Elizabeth Eleanor Siddal

Elizabeth Eleanor Siddall, styled and commonly known as "Lizzie", was an English artist, poet, and artists' model. Siddall was an important and influential artist and poet. Significant collections of her artworks can be found at Wightwick Manor and the Ashmolean. Siddall was painted and drawn extensively by artists of the Pre-Raphaelite Brotherhood, including Walter Deverell, William Holman Hunt, John Everett Millais (including his notable 1852 painting Ophelia), and her husband, Dante Gabriel Rossetti. more…

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