Analysis of The House Of Dust: Part 02: 06: Adele And Davis

Conrad Potter Aiken 1889 (Savannah, Georgia) – 1973 (Savannah, Georgia)



She turned her head on the pillow, and cried once more.
And drawing a shaken breath, and closing her eyes,
To shut out, if she could, this dingy room,
The wigs and costumes scattered around the floor,—
Yellows and greens in the dark,—she walked again
Those nightmare streets which she had walked so often . . .
Here, at a certain corner, under an arc-lamp,
Blown by a bitter wind, she stopped and looked
In through the brilliant windows of a drug-store,
And wondered if she dared to ask for poison:
But it was late, few customers were there,
The eyes of all the clerks would freeze upon her,
And she would wilt, and cry . . .  Here, by the river,
She listened to the water slapping the wall,
And felt queer fascination in its blackness:
But it was cold, the little waves looked cruel,
The stars were keen, and a windy dash of spray
Struck her cheek, and withered her veins . . . And so
She dragged herself once more to home, and bed.

Paul hadn't guessed it yet—though twice, already,
She'd fainted—once, the first time, on the stage.
So she must tell him soon—or else—get out . . .
How could she say it?  That was the hideous thing.
She'd rather die than say it! . . . and all the trouble,
Months when she couldn't earn a cent, and then,
If he refused to marry her . . . well, what?
She saw him laughing, making a foolish joke,
His grey eyes turning quickly; and the words
Fled from her tongue . . .  She saw him sitting silent,
Brooding over his morning coffee, maybe,
And tried again . . . she bit her lips, and trembled,
And looked away, and said . . . 'Say Paul, boy,—listen—
There's something I must tell you . . . '  There she stopped,
Wondering what he'd say . . .  What would he say?
'Spring it, kid!  Don't look so serious!'
'But what I've got to say—IS—serious!'
Then she could see how, suddenly, he would sober,
His eyes would darken, he'd look so terrifying—
He always did—and what could she do but cry?
Perhaps, then, he would guess—perhaps he wouldn't.
And if he didn't, but asked her 'What's the matter?'—
She knew she'd never tell—just say she was sick . . .
And after that, when would she dare again?
And what would he do—even suppose she told him?

If it were Felix!  If it were only Felix!—
She wouldn't mind so much.  But as it was,
Bitterness choked her, she had half a mind
To pay out Felix for never having liked her,
By making people think that it was he . . .
She'd write a letter to someone, before she died,—
Just saying 'Felix did it—and wouldn't marry.'
And then she'd die . . .  But that was hard on Paul . . .
Paul would never forgive her—he'd never forgive her!
Sometimes she almost thought Paul really loved her . . .
She saw him look reproachfully at her coffin.

And then she closed her eyes and walked again
Those nightmare streets that she had walked so often:
Under an arc-lamp swinging in the wind
She stood, and stared in through a drug-store window,
Watching a clerk wrap up a little pill-box.
But it was late.  No customers were there,—
Pitiless eyes would freeze her secret in her!
And then—what poison would she dare to ask for?
And if they asked her why, what would she say?


Scheme AXXABCXXACDEEFGHIJX KXXLHBXXXMKXCXIGGELXMEXBX XXNEKXKFEEX BCNJXDEAI
Poetic Form
Metre 110110100111 010010101001 1111111101 01001100101 10010011101 1111111110 110101010111 1101011101 01010101011 01011111110 1111110001 01110111010 01110111010 11010101001 0110100110 11110101110 01010010111 1010100101 1101111101 11011111010 1101011101 1111111111 111111101001 110111101010 1111010101 1101110011 11110100101 1111010001 11011111010 10101101010 01011101010 01010111110 1101111111 1001111111 111111100 1111111100 111111001110 11110111100 1110111111 01111101110 011101101010 11110111111 0101111101 011111001111 110101101010 1101111111 1001011101 111101101010 1101011111 11010110111 110101101010 0111111111 1110010110010 0111111010 111111010 0111010101 1111111110 1011110001 11010101110 10011101011 1111110001 10011101000 01110111111 0111011111
Closest metre Iambic pentameter
Characters 3,106
Words 558
Sentences 76
Stanzas 4
Stanza Lengths 19, 25, 11, 9
Lines Amount 64
Letters per line (avg) 36
Words per line (avg) 9
Letters per stanza (avg) 580
Words per stanza (avg) 151
Font size:
 

Submitted on May 13, 2011

Modified on March 05, 2023

2:51 min read
80

Conrad Potter Aiken

Conrad Potter Aiken was a Pulitzer Prize-winning American author born in Savannah Georgia whose work includes poetry short stories novels and an autobiography more…

All Conrad Potter Aiken poems | Conrad Potter Aiken Books

0 fans

Discuss this Conrad Potter Aiken poem analysis with the community:

0 Comments

    Citation

    Use the citation below to add this poem analysis to your bibliography:

    Style:MLAChicagoAPA

    "The House Of Dust: Part 02: 06: Adele And Davis" Poetry.com. STANDS4 LLC, 2024. Web. 1 May 2024. <https://www.poetry.com/poem-analysis/7060/the-house-of-dust%3A-part-02%3A-06%3A-adele-and-davis>.

    Become a member!

    Join our community of poets and poetry lovers to share your work and offer feedback and encouragement to writers all over the world!

    May 2024

    Poetry Contest

    Join our monthly contest for an opportunity to win cash prizes and attain global acclaim for your talent.
    30
    days
    13
    hours
    37
    minutes

    Special Program

    Earn Rewards!

    Unlock exciting rewards such as a free mug and free contest pass by commenting on fellow members' poems today!

    Browse Poetry.com

    Quiz

    Are you a poetry master?

    »
    Which of these famous poems is written in villanelle form?
    A Funeral Blues
    B The Owl And The Pussycat
    C Do Not Go Gentle Into That Good Night
    D Stopping By Woods On A Snowy Evening