Analysis of The Truant Dove, From Pilpay

Charlotte Smith 1749 (London) – 1806 (Tilford, Surrey)



A MOUNTAIN stream, its channel deep
Beneath a rock's rough base had torn;
The cliff, like a vast castle wall, was steep
By fretting rains in many a crevice worn;
But the fern wav'd there, and the mosses crept,
And o'er the summit, where the wind
Peel'd from their stems the silver rind,
Depending birches wept­­
There, tufts of broom a footing used to find,

And heath and straggling grass to grow,
And half-way down from roots enwreathing, broke
The branches of a scathed oak,
And seem'd to guard the cave below,
Where each revolving year,
Their twins, two faithful doves were wont to rear;
Choice never join'd a fonder pair;
To each their simple home was dear,
No discord ever enter'd there;
But there the soft affections dwell'd,
And three returning springs beheld
Secure within their fortress high
The little happy family.
'Toujours perdrix, messieurs, ne valent rien'­
So did a Gallic monarch once harangue,
And evil was the day whereon our bird

This saying heard,
From certain new acquaintance he had found,
Who at their perfect ease,
Amid a field of peas
Boasted to him, that all the country round,
The wheat, and oats, and barley, rye and tares,
Quite to the neighbouring sea, were theirs;
And theirs the oak, and beech-woods, far and near,
For their right noble owner was a peer,
And they themselves, luxuriantly were stored
In a great dove-cote­to amuse my lord !
'Toujours perdrix ne valent rien.' That's strange !
When people once are happy, wherefore change ?
So thought our stock-dove, but communication,
With birds in his new friend's exalted station,
Whose means of information,

And knowledge of all sorts, must be so ample;
Who saw great folks, and follow'd their example,
Made on the dweller of the cave, impression;
And soon, whatever was his best possession,
His sanctuary within the rock's deep breast,
His soft-eyed partner, and her nest,
He thought of with indifference, then with loathing;
So much insipid love was good for nothing.­
But sometimes tenderness return'd; his dame
So long belov'd, so mild, so free from blame,
How should he tell her, he had learn'd to cavil
At happiness itself, and longed to travel ?
His heart still smote him, so much wrong to do her,
He knew not how to break the matter to her.
But love, tho' blind himself, makes some discerning;
His frequent absence, and his late returning,

With ruffled plumage, and with alter'd eyes,
His careless short replies,
And to their couplets, coldness or neglect
Had made his gentle wife suspect,
All was not right; but she forbore to teaze him,
Which would but give him an excuse to rove:
She therefore tried by every art to please him,
Endur'd his peevish starts with patient love,
And when (like other husbands from a tavern)
Of his new notions full, he sought his cavern
She with dissembled cheerfulness, 'beguiled
'The thing she was,' and gaily coo-ed and smiled.
'Tis not in this most motley sphere uncommon,
For man, (and so of course more feeble woman)
Most strongly to suspect, what they're pursuing
Will lead them to inevitable ruin,

Yet rush with open eyes to their undoing;
Thus felt the dove; but in the cant of fashion
He talk'd of fate, and of predestination,
And in a grave oration,
He to his much affrighted mate related,
How he, yet slumbering in the egg, was fated,
To gather knowledge, to instruct his kind,
By observation elevate his mind,
And give new impulse to Columbian life;
'If it be so,' exclaim'd his hapless wife,
'It is my fate, to pass my days in pain,
'To mourn your love estrang'd, and mourn in vain;
'Here in our once dear hut, to wake and weep,
'When thy unkindness shall have ‘murder'd sleep;’
'And never that dear hut shall I prepare,
'And wait with fondness your arrival there,

'While me, and mine forgetting, you will go
'To some new love.' 'Why, no, I tell you no,­
'What shall I say such foolish fears to cure ?
'I only mean to make a little tour,
'Just­just to see the world around me; then
'With new delight, I shall come home again;
'Such tours are quite the rage­at my return
'I shall have much to tell, and you to learn;
'Of fashions­some becoming, some grotesque
'Of change of empires, and ideas novel;
'Of buildings, Grecian, Gothic, Arabesque,
'And scenery sublime and picturesque;
'And all these things with pleasure we'll discuss­'
'Ah, me ! and what are all these things to us ?'
'So then, you'd have a bir


Scheme ABABCDDCD EFFEGGHGHXCXIBXJ JKLLKLXGGMMNNOOO PPOOQQRRSSIPTTRR UUVVWXWXXXYYOORO ROOOZZDD1 1 2 2 AAHH EE3 3 4 4 XXXPFX5 5 T
Poetic Form
Metre 01011101 01011111 0110110111 11010100101 1011100101 010010101 11110101 01011 1111010111 0101111 01111111 0101011 01110101 110101 1111010111 11010101 11110111 11010101 11010101 0101011 01011101 01010100 11011101 110101101 0101011101 1101 1101010111 111011 010111 1011110101 0101010101 1101101 0101011101 1111010101 0101101 0011110111 11110111 110111011 11101110010 11011101010 111010 01011111110 11110101010 11010101010 0110111010 1100010111 11110001 111101001110 111111110 1011000111 1101111111 1111011111 11000101110 11111111110 11111101010 11110111010 11010011010 1101001101 110101 011110101 11110101 1111111111 1111110111 11111001111 0111011101 01110101010 11110111110 111101 01110101101 11011101010 11011111010 11010111010 11110100010 11110111010 11011001110 111101010 0001010 111111010 111100001110 1101010111 10101011 0111011001 1111011101 1111111101 1111010101 10101111101 11111101 0101111101 0111010101 1101010111 1111111111 1111110111 1101110101 1111010111 1101111101 1111011101 1111110111 1101010101 111100001010 11010101 0100010100 0111110101 1101111111 111101
Closest metre Iambic pentameter
Characters 4,360
Words 766
Sentences 14
Stanzas 7
Stanza Lengths 9, 16, 16, 16, 16, 16, 15
Lines Amount 104
Letters per line (avg) 32
Words per line (avg) 7
Letters per stanza (avg) 479
Words per stanza (avg) 109
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Submitted on May 13, 2011

Modified on March 05, 2023

3:56 min read
55

Charlotte Smith

Charlotte Turner Smith was an English Romantic poet and novelist. She initiated a revival of the English sonnet, helped establish the conventions of Gothic fiction, and wrote political novels of sensibility. A successful writer, she published ten novels, three books of poetry, four children's books, and other assorted works over the course of her career. She saw herself as a poet first and foremost, poetry at that period being considered the most exalted form of literature. Scholars now credit her with transforming the sonnet into an expression of woeful sentiment. more…

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