Analysis of A Ballad, Shewing How An Old Woman Rode Double, And Who Rode Before Her.



The Raven croak'd as she sate at her meal,
And the Old Woman knew what he said,
And she grew pale at the Raven's tale,
And sicken'd and went to her bed.

Now fetch me my children, and fetch them with speed,
The Old Woman of Berkeley said,
The monk my son, and my daughter the nun
Bid them hasten or I shall be dead.

The monk her son, and her daughter the nun,
Their way to Berkeley went,
And they have brought with pious thought
The holy sacrament.

The old Woman shriek'd as they entered her door,
'Twas fearful her shrieks to hear,
Now take the sacrament away
For mercy, my children dear!

Her lip it trembled with agony,
The sweat ran down her brow,
I have tortures in store for evermore,
Oh! spare me my children now!

Away they sent the sacrament,
The fit it left her weak,
She look'd at her children with ghastly eyes
And faintly struggled to speak.

All kind of sin I have rioted in
And the judgment now must be,
But I secured my childrens souls,
Oh! pray my children for me.

I have suck'd the breath of sleeping babes,
The fiends have been my slaves,
I have nointed myself with infants fat,
And feasted on rifled graves.

And the fiend will fetch me now in fire
My witchcrafts to atone,
And I who have rifled the dead man's grave
Shall never have rest in my own.

Bless I intreat my winding sheet
My children I beg of you!
And with holy water sprinkle my shroud
And sprinkle my coffin too.

And let me be chain'd in my coffin of stone
And fasten it strong I implore
With iron bars, and let it be chain'd
With three chains to the church floor.

And bless the chains and sprinkle them,
And let fifty priests stand round,
Who night and day the mass may say
Where I lie on the ground.

And let fifty choristers be there
The funeral dirge to sing,
Who day and night by the taper's light
Their aid to me may bring.

Let the church bells all both great and small
Be toll'd by night and day,
To drive from thence the fiends who come
To bear my corpse away.

And ever have the church door barr'd
After the even song,
And I beseech you children dear
Let the bars and bolts be strong.

And let this be three days and nights
My wretched corpse to save,
Preserve me so long from the fiendish throng
And then I may rest in my grave.

The Old Woman of Berkeley laid her down
And her eyes grew deadly dim,
Short came her breath and the struggle of death
Did loosen every limb.

They blest the old woman's winding sheet
With rites and prayers as due,
With holy water they sprinkled her shroud
And they sprinkled her coffin too.

And they chain'd her in her coffin of stone
And with iron barr'd it down,
And in the church with three strong chains
They chain'd it to the ground.

And they blest the chains and sprinkled them,
And fifty priests stood round,
By night and day the mass to say
Where she lay on the ground.

And fifty choristers were there
To sing the funeral song,
And a hallowed taper blazed in the hand
Of all the sacred throng.

To see the priests and choristers
It was a goodly sight,
Each holding, as it were a staff,
A taper burning bright.

And the church bells all both great and small
Did toll so loud and long,
And they have barr'd the church door hard
After the even song.

And the first night the taper's light
Burnt steadily and clear.
But they without a hideous rout
Of angry fiends could hear;

A hideous roar at the church door
Like a long thunder peal,
And the priests they pray'd and the choristers sung
Louder in fearful zeal.

Loud toll'd the bell, the priests pray'd well,
The tapers they burnt bright,
The monk her son, and her daughter the nun
They told their beads all night.

The cock he crew, away they flew
The fiends from the herald of day,
And undisturb'd the choristers sing
And the fifty priests they pray.

The second night the taper's light
Burnt dismally and blue,
And every one saw his neighbour's face
Like a dead man's face to view.

And yells and cries without arise
That the stoutest heart might shock,
And a deafening roaring like a cataract pouring
Over a mountain rock.

The monk and nun they told their beads
As fast as they could tell,
And aye as louder grew the noise
The faster went the bell.

Louder and louder the choristers sung
As they trembled more and more,
And the fifty priests prayed to heaven for aid,
They never had prayed so before.

The cock he crew, away they flew
The fiends from the herald of day,
And undisturb'd the choristers sing
And the fifty priests they pray.

The third night came and the tapers flame
A hideous stench did make,
And they burnt as though they had been dipt
In the burning brimstone lake.

And the loud commotion, like the rushing of ocean,
Grew momently more and more,
And strokes as of a battering ram
Did shake the strong church door.

The bellmen they for very fear
Could toll the bell no longer,
And still as louder grew the strokes
Their fear it grew the stronger.

The monk and nun forgot their beads,
They fell on the ground dismay'd,
There was not a single saint in heaven
Whom they did not call to aid.

And the choristers song that late was so strong
Grew a quaver of consternation,
For the church did rock as an earthquake shock
Uplifted its foundation.

And a sound was heard like the trumpet's blast
That shall one day wake the dead,
The strong church door could bear no more
And the bolts and the bars they fled.

And the taper's light was extinguish'd quite,
And the choristers faintly sung,
And the priests dismay'd, panted and prayed
Till fear froze every tongue.

And in He came with eyes of flame
The Fiend to fetch the dead,
And all the church with his presence glowed
Like a fiery furnace red.

He laid his hand on the iron chains
And like flax they moulder'd asunder,
And the coffin lid that was barr'd so firm
He burst with his voice of thunder.

And he bade the Old Woman of Berkeley rise
And come with her master away,
And the cold sweat stood on the cold cold corpse,
At the voice she was forced to obey.

She rose on her feet in her winding sheet,
Her dead flesh quivered with fear,
And a groan like that which the Old Woman gave
Never did mortal hear.

She followed the fiend to the church door,
There stood a black horse there,
His breath was red like furnace smoke,
His eyes like a meteor's glare.

The fiendish force flung her on the horse
And he leapt up before,
And away like the lightning's speed they went
And she was seen no more.

They saw her no more, but her cries and shrieks
For four miles round they could hear,
And children at rest at their mother's breast,
Started and screamed with fear.


Scheme Text too long
Poetic Form
Metre 0101111101 001101111 01111011 01001101 11111001111 01101101 0111011001 111011111 0101001001 111101 01111101 010100 01101111001 1100111 11010001 1101101 011101100 011101 111001110 1111101 01110100 011101 1110101101 0101011 1111111000 0010111 11011101 1111011 111011101 011111 11111101 0101101 0011111010 11101 0111100111 11011011 1111101 1101111 0110101011 0101101 01111011011 01011101 110101111 1111011 01010101 0110111 11010111 111101 0110111 0100111 11011011 111111 101111101 111101 11110111 111101 01010111 100101 01011101 1010111 01111101 110111 0111110101 01111011 0110110101 0011101 1101001011 1101001 110110101 110111 1101011001 01100101 0110001011 0110111 00011111 111101 011010101 010111 11010111 111101 010101 1101001 0010101001 110101 110101 110101 11011001 010101 001111101 111101 01110111 100101 0011011 110001 110101001 110111 010011011 101101 001110011 100101 11010111 010111 0101001001 111111 01110111 01101011 001011 0010111 0101011 110001 010011111 1011111 01010101 101111 00100101010010 100101 01011111 111111 01110101 010101 10010011 1110101 00101111011 11011101 01110111 01101011 001011 0010111 011100101 0100111 011111111 0010101 0010101010110 11101 011101001 110111 0111101 1101110 01110101 1111010 01010111 1110101 1110101010 1111111 001111111 10101010 101111111 1001010 001111011 1111101 01111111 00100111 001110101 001101 001011001 1111001 00111111 011101 010111101 10100101 111110101 01111010 0010111111 11111110 01101101101 01101001 0011110111 101111101 1110100101 011111 00111101101 101101 110011011 110111 11111101 111011 010110101 011101 001101111 011111 1101110101 1111111 0101111101 100111
Closest metre Iambic tetrameter
Characters 6,429
Words 1,276
Sentences 49
Stanzas 46
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4
Lines Amount 184
Letters per line (avg) 28
Words per line (avg) 7
Letters per stanza (avg) 110
Words per stanza (avg) 27
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Submitted on August 03, 2020

Modified on April 03, 2023

6:33 min read
13

Robert Southey

Robert Southey was an English poet of the Romantic school, one of the so-called "Lake Poets", and Poet Laureate for 30 years from 1813 to his death in 1843. more…

All Robert Southey poems | Robert Southey Books

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    "A Ballad, Shewing How An Old Woman Rode Double, And Who Rode Before Her." Poetry.com. STANDS4 LLC, 2024. Web. 3 May 2024. <https://www.poetry.com/poem-analysis/56537/a-ballad%2C-shewing-how-an-old-woman-rode-double%2C-and-who-rode-before-her.>.

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    The repetition of similar sounds at the ends of words or within words is known as _______.
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