Analysis of The Race



On the hill they are crowding together,
In the stand they are crushing for room,
Like midge-flies they swarm on the heather,
They gather like bees on the broom;
They flutter like moths round a candle,
Stale similes, granted, what then?
I've got a stale subject to handle,
A very stale stump of a pen.

Hark! the shuffle of feet that are many,
Of voices the many-tongued clang,
"Has he had a bad night?" "Has he any
Friends left?"    How I hate your turf slang;
'Tis stale to begin with, not witty,
But dull, and inclined to be coarse,
But bad men can't use (more's the pity)
Good words when they slate a good horse.

Heu! heu! quantus equis (that's Latin
For "bellows to mend" with the weeds),
They're off! lights and shades! silk and satin!
A rainbow of riders and steeds!
And one shows in front, and another
Goes up and is seen in his place,
Sic transit (more Latin), Oh! bother,
Let's get to the end of the race.

See, they come round the last turn careering,
Already Tait's colours are struck,
And the green in the vanguard is steering,
And the red's in the rear of the ruck!
Are the stripes in the shade doom'd to lie long?
Do the blue stars on white skies wax dim?
Is it Tamworth or Smuggler? 'Tis Bylong
That wins, either Bylong or Tim.

As the shell through the breach that is riven
And sapp'd by the springing of mines,
As the bolt from the thunder-cloud driven,
That levels the larches and pines,
Through yon mass parti-colour'd that dashes
Goal-turn'd, clad in many-hued garb,
From rear to van, surges and flashes
The yellow and black of The Barb.

Past The Fly, falling back on the right, and
The Gull, giving way on the left,
Past Tamworth, who feels the whip smite, and
Whose sides by the rowels are cleft;
Where Tim and the chestnut together
Still bear of the battle the brunt,
As if eight stone twelve were a feather,
He comes with a rush to the front.

Tim Whiffler may yet prove a Tartar,
And Bylong's the horse that can stay,
But Kean is in trouble, and Carter
Is hard on the satin-skinn'd bay;
And The Barb comes away unextended,
Hard held, like a second Eclipse,
While behind the hoof-thunder is blended
With the whistling and crackling of whips.

He wins; yes, he wins upon paper,
He hasn't yet won upon turf,
And these rhymes are but moonshine and vapour,
Air-bubbles and spume from the surf.
So be it, at least they are given
Free, gratis, for just what they're worth,
And (whatever there may be in heaven)
There's little worth much upon earth.

When, with satellites round them the centre,
Of all eyes, hard press'd by the crowd,
The pair, horse and rider, re-enter
The gate, 'mid a shout long and loud,
You may feel, as you might feel, just landed
Full length on the grass from the clip
Of a vicious cross-counter, right-handed,
Or upper-cut whizzing from hip.

And that's not so bad if you're pick'd up
Discreetly, and carefully nursed;
Loose teeth by the sponge are soon lick'd up,
And next time you MAY get home first.
Still I'm not sure you'd like it exactly
(Such tastes as a rule are acquired),
And you'll find in a nutshell this fact lie,
Bruised optics are not much admired.

Do I bore you with vulgar allusions?
Forgive me, I speak as I feel,
I've pondered and made my conclusions,
As the mill grinds the corn to the meal;
So man striving boldly but blindly,
Ground piecemeal in Destiny's mill,
At his best, taking punishment kindly,
Is only a chopping-block still.

Are we wise? Our abstruse calculations
Are based on experience long;
Are we sanguine? Our high expectations
Are founded on hope that is strong;
Thus we build an air-castle that crumbles
And drifts till no traces remain,
And the fool builds again while he grumbles,
And the wise one laughs, building again.

"How came they to pass, these rash blunders,
These false steps so hard to defend?"
Our friend puts the question and wonders,
We laugh and reply, "Ah! my friend,
Could you trace the first stride falsely taken,
The distance misjudged, where or how,
When you pick'd yourself up, stunn'd and shaken,
At the fence 'twixt the turf and the plough?"

In the jar of the panel rebounding!
In the crash of the splintering wood!
In the ears to the earth shock resounding!
In the eyes flashing fire and blood!
In the quarters above you revolving!
In the sods underneath heaving high!
There was little to aid you in solving
Such questions, the how or the why.

And destiny, steadfast in trifles,
Is steadfast for better or worse
In great things, it crushes and stifles,
And swallows the hopes that we nurse.
Men wiser than we are may wonder,
When the future they cling to so fast,
To the roll of that destiny's thunder,
Goes down with the wrecks of the past.

The past! the dead past! that has swallow'd
All the honey of life and the milk,
Brighter dreams than mere pastimes we've follow'd,
Better things than our scarlet or silk;
Aye, and worse things, that past is it really
Dead to us who again and again
Feel sharply, hear plainly, see clearly,
Past days with their joy and their pain?

Like corpses embalm'd and unburied
They lie, and in spite of our will,
Our souls on the wings of thought carried,
Revisit their sepulchres still;
Down the channels of mystery gliding,
They conjure strange tales, rarely read,
Of the priests of dead Pharaohs presiding
At mystical feasts of the dead.

Weird pictures arise, quaint devices,
Rude emblems, baked funeral meats,
Strong incense, rare wines, and rich spices,
The ashes, the shrouds, and the sheets;
Does our thraldom fall short of completeness
For the magic of a charnel-house charm,
And the flavour of a poisonous sweetness,
And the odour of a poisonous balm?

And the links of the past, but, no matter,
For I'm getting beyond you, I guess,
And you'll call me "as mad as a hatter"
If my thoughts I too freely express;
I subjoin a quotation, pray learn it,
And with the aid of your lexicon tell us
The meaning thereof, "Res discernit
Sapiens, quas confundit asellus."

Already green hillocks are swelling,
And combing white locks on the bar,
Where a dull, droning murmur is telling
Of winds that have gather'd afar;
Thus we know not the day, nor the morrow,
Nor yet what the night may bring forth,
Nor the storm, nor the sleep, nor the sorrow,
Nor the strife, nor the rest, nor the wrath.

Yet the skies are still tranquil and starlit,
The sun 'twixt the wave and the west
Dies in purple, and crimson, and scarlet,
And gold; let us hope for the best,
Since again from the earth his effulgence
The darkness and damp-dews shall wipe.
Kind reader, extend your indulgence
To this the last lay of "The Pipe".


Scheme Text too long
Poetic Form
Metre 1011110010 001111011 111111010 11011101 110111010 111011 110101110 01011101 1010111110 11001011 1110111110 11111111 111011110 11001111 111111010 11111011 1111110 11011101 111011010 0111001 011010010 11011011 110110110 11101101 1111011010 0101111 001001110 001001101 1010011111 101111111 11111011 1110111 1011011110 01101011 1011010110 1100101 1111010110 11101011 111110010 01001101 1011011010 01101101 11110110 1110111 11001010 11101001 111110010 11101101 11111010 0101111 111010010 11101011 0011011 11101001 1010110110 101001011 111110110 11011011 01111101 11001101 111111110 11011111 010111010 11011011 111011010 11111101 011010110 01101101 1111111110 11101101 1010110110 11011011 011111111 01001001 111011111 01111111 1111111010 111011010 011001111 110111010 1111110010 01111111 110011010 101101101 111010110 11011 1111010010 11001011 1111001010 11101001 1110101010 11011111 1111110110 01111001 0011011110 001111001 111111110 11111101 1011010010 11001111 1110111010 01001111 1110111010 101101001 0011010010 001101001 0011011010 001101001 0010011010 00101101 1110111010 11001101 01001010 1111011 011110010 01001111 110111110 101011111 10111110 11101101 010111110 101011001 101111110 1011101011 1011111110 111101001 110110110 11111011 1100101 110011101 1011011110 010111 1010110010 11011101 1011110010 11001101 110011010 11011001 101110110 01001001 1101111010 101010111 0011010010 001101001 0011011110 111001111 0111111010 111111001 110010111 0101111011 010111 100111 01011110 01011101 1011010110 11111001 1111011010 11101111 1011011010 101101101 1011110010 01101001 1010010010 01111101 10110111 01001111 110011010 11011101
Closest metre Iambic pentameter
Characters 6,483
Words 1,224
Sentences 53
Stanzas 21
Stanza Lengths 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8
Lines Amount 168
Letters per line (avg) 30
Words per line (avg) 7
Letters per stanza (avg) 240
Words per stanza (avg) 56
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Submitted on August 03, 2020

Modified on March 05, 2023

6:17 min read
14

Adam Lindsay Gordon

Adam Lindsay Gordon was an Australian poet, jockey and politician. more…

All Adam Lindsay Gordon poems | Adam Lindsay Gordon Books

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