Analysis of Winter - The Fourth Pastoral, or Daphne

Alexander Pope 1688 (London) – 1744 (Twickenham)



Lycidas.
Thyrsis, the music of that murm'ring spring,
Is not so mournful as the strains you sing.
Nor rivers winding thro' the vales below,
So sweetly warble, or so smoothly flow.
Now sleeping flocks on their soft fleeces lie,
The moon, serene in glory, mounts the sky,
Wile silent birds forget their tuneful lays,
Oh sing of Daphne's fate, and Daphne's praise!

Thyrsis.
Behold the groves that shine with silver frost,
Their beauty wither'd, and their verdure lost.
Here shall I try the sweet Alexis' strain,
That call'd the list'ning Dryads to the plain?
Thames heard the numbers as he flow'd along,
And bade his willows learn the moving song.

Lycidas.
So may kind rains their vital moisture yield,
And swell the future harvest of the field.
Begin; this charge the dying Daphne gave,
And said; 'Ye shepherds, sing around my grave!
Sing, while beside the shaded tomb I mourn,
And with fresh bays her rural shrine adorn.'

Thyrsis.
Ye gentle Muses, leave your crystal spring,
Let Nymphs and Sylvans cypress garlands bring;
Ye weeping Loves, the stream with myrtles hide,
And break your vows, as when Adonis died;
And with your golden darts, now useless grown,
Inscribe a verse on this relenting stone:
'Let nature change, let heav'n and earth deplore,
Fair Daphne's dead, and love is now no more!'
'Tis done, and nature's various charms decay,
See gloomy clouds obscure the cheerful day!
Now hung with pearls the dropping trees appear,
Their faded honours scatter'd on her bier.
See, where on earth the flow'ry glories lie,
With her they flourish'd, and with her they die.
Ah what avail the beauties nature wore?
Fair Daphne's dead, and beauty is no more!
For her the flocks refuse their verdant food,
Nor thirsty heifers seek the gliding flood.
The silver swans her hapless fate bemoan,
In notes more sad than when they sing their own;
In hollow caves sweet Echo silent lies,
Silent, or only to her name replies;
Her name with pleasure once she taught the shore,
Now Daphne's dead, and pleasure is no more!
No grateful dews descend from ev'ning skies,
Nor morning odours from the flow'rs arise;
No rich perfumes refresh the fruitful field,
Nor fragrant herbs their native incense yield.
The balmy Zephyrs, silent since her death,
Lament the ceasing of a sweeter breath;
Th' industrious bees neglect their golden store;
Fair Daphne's dead, and sweetness is no more!
No more the mounting larks, while Daphne sings,
Shall list'ning in mid air suspend their wings;
No more the birds shall imitate her lays,
Or hush'd with wonder, hearken from the sprays;
No more the streams their murmur shall forbear,
A sweeter music than their own to hear,
But tell the reeds, and tell the vocal shore,
Fair Daphne's dead, and music is no more!
Her fate is whisper'd by the gentle breeze,
And told in sighs to all the trembling trees;
The trembling trees, in ev'ry plain and wood,
Her fate remurmur to the silver flood;
The silver flood, so lately calm, appears
Swell'd with new passion, and o'erflows with tears;
The winds and trees and floods her death deplore,
Daphne, our grief! our glory now no more!
But see! where Daphne wond'ring mounts on high
Above the clouds, above the starry sky!
Eternal beauties grace the shining scene,
Fields ever fresh, and groves for ever green!
There while you rest in Amaranthine bow'rs,
Or from those meads select unfading flow'rs,
Behold us kindly, who your name implore,
Daphne, our Goddess, and our grief no more!

Lycidas.
How all things listen, while thy Muse complains!
Such silence waits on Philomela's strains,
In some still ev'ning, when the whisp'ring breeze
Pants on the leaves, and dies upon the trees.
To thee, bright goddess, oft a lamb shall bleed,
If teeming ewes increase my fleecy breed.
While plants their shade, or flow'rs their odours give,
Thy name, thy honour, and thy praise shall live!

Thyrsis.
But see, Orion sheds unwholesome dews,
Arise, the pines a noxious shade diffuse;
Sharp Boreas blows, and Nature feels decay,
Time conquers all, and we must Time obey.
Adieu, ye vales, ye mountains, streams and groves,
Adieu, ye shepherd's rural lays and loves;
Adieu, my flocks, farewell ye sylvan crew,
Daphne, farewell, and all the world adieu!


Scheme Abbccddaa Aeeffgg Ahhiijj Abbkkllmmnnxoddmmxpllaammaahhqqmmaaaamommaaxpaammddrraamm Aaaaassxx Aaannaatt
Poetic Form
Metre 1 10101111 1111010111 1101010101 1101011101 1101111101 0101010101 1101011101 1111010101 1 0101111101 110100111 1111010101 110111101 1101011101 011110101 1 1111110101 0101010101 0111010101 0111010111 1101010111 0111010101 1 1101011101 11011011 1101011101 0111110101 0111011101 0101110101 1101110101 1101011111 11010100101 1101010101 1111010101 110110101 111101101 1011001011 1101010101 1101010111 1001011101 1101010101 0101010101 0111111111 0101110101 1011010101 0111011101 1101010111 1101011111 110110101 1101010101 1101110011 0101010101 0101010101 1101001011101 1101010111 1101011101 1110110111 110111001 111101101 110111011 0101011111 1101010101 1101010111 0111010101 01011101001 0100101101 01110101 0101110101 111100111 0101010101 101011010111 1111011111 0101010101 0101010101 1101011101 1111011 11110111 0111011101 101010010111 1 1111011101 1101111 011111011 1101010101 1111010111 1101011101 111111111 111101111 1 11010111 0101010101 111010101 1101011101 0111110101 0111010101 011111101 101010101
Closest metre Iambic pentameter
Characters 4,097
Words 717
Sentences 39
Stanzas 6
Stanza Lengths 9, 7, 7, 57, 9, 9
Lines Amount 98
Letters per line (avg) 33
Words per line (avg) 7
Letters per stanza (avg) 546
Words per stanza (avg) 119
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Submitted on May 13, 2011

Modified on April 25, 2023

3:44 min read
103

Alexander Pope

Alexander Pope (1688-1744) is regarded as one of the greatest English poets, and the foremost poet of the early eighteenth century. He is best known for his satirical and discursive poetry, including The Rape of the Lock, The Dunciad, and An Essay on Criticism, as well as for his translation of Homer. more…

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