Analysis of Vertumnus and Pomona : Ovid's Metamorphoses



The fair Pomona flourish'd in his reign;
Of all the Virgins of the sylvan train,
None taught the trees a nobler race to bear,
Or more improv'd the vegetable care.
To her the shady grove, the flow'ry field,
The streams and fountains, no delights could yield;
'Twas all her joy the ripening fruits to tend,
And see the boughs with happy burthens bend.
The hook she bore instead of Cynthia's spear,
To lop the growth of the luxuriant year,
To decent form the lawless shoots to bring,
And teach th' obedient branches where to spring.
Now the cleft rind inserted graffs receives,
And yields an offspring more than nature gives;
Now sliding streams the thirsty plants renew,
And feed their fibres with reviving dew.
These cares alone her virgin breast employ,
Averse from Venus and the nuptial joy.
Her private orchards, wall'd on ev'ry side,
To lawless sylvans all access deny'd.
How oft the Satyrs and the wanton Fawns,
Who haunt the forests, or frequent the lawns,
The God whose ensign scares the birds of prey,
And old Silenus, youthful in decay,
Employ'd their wiles, and unavailing care,
To pass the fences, and surprise the fair.
Like these, Vertumnus own'd his faithful flame,
Like these, rejected by the scornful dame.
To gain her sight a thousand forms he wears,
And first a reaper from the field appears,
Sweating he walks, while loads of golden grain
O'ercharge the shoulders of the seeming swain.
Oft o'er his back a crooked scythe is laid,
And wreathes of hay his sun-burnt temples shade:
Oft in his harden'd hand a goad he bears,
Like one who late unyok'd the sweating steers.
Sometimes his pruning-hook corrects the vines,
And the loose stragglers to their ranks confines.
Now gath'ring what the bounteous year allows,
He pulls ripe apples from the bending boughs.
A soldier now, he with his sword appears;
A fisher next, his trembling angle bears;
Each shape he varies, and each art he tries,
On her bright charms to feast his longing eyes.
A female form at last Vertumnus wears,
With all the marks of rev'rend age appears,
His temples thinly spread with silver hairs;
Propp'd on his staff, and stooping as he goes,
A painted mitre shades his furrow'd brows.
The God in this decrepit form array'd,
The gardens enter'd, and the fruit survey'd,
And 'Happy you!' (he thus address'd the maid)
'Whose charms as far all other nymphs out-shine,
'As other gardens are excell'd by thine!'
Then kiss'd the fair; (his kisses warmer grow
Than such as women on their sex bestow.)
Then plac'd beside her on the flow'ry ground,
Beheld the trees with autumn's bounty crown'd.
An Elm was near, to whose embraces led,
The curling vine her swelling clusters spread:
He view'd her twining branches with delight,
And prais'd the beauty of the pleasing sight.
'Yet this tall elm, but for his vine' (he said)
'Had stood neglected, and a barren shade;
And this fair vine, but that her arms surround
Her marry'd elm, had crept along the ground.
Ah beauteous maid, let this example move
Your mind, averse from all the joys of love.
Deign to be lov'd, and ev'ry heart subdue!
What nymph could e'er attract such crowds as you?
Not she whose beauty urg'd the Centaurs' arms,
Ulysses' Queen, nor Helen's fatal charms.
Ev'n now, when silent scorn is all they gain,
A thousand court you, tho' they court in vain,
A thousand sylvans, demigods, and gods,
That haunt our mountains and our Alban woods.
But if you'll prosper, mark what I advise,
Whom age, and long experience render wise,
And one whose tender care is far above
All that these lovers ever felt of love,
(Far more than e'er can by yourself be guess'd)
Fix on Vertumnus, and reject the rest.
For his firm faith I dare engage my own;
Scarce to himself, himself is better known.
To distant lands Vertumnus never roves;
Like you contented with his native groves;
Nor at first sight, like most, admires the fair;
For you he lives; and you alone shall share
His last affection, as his early care.
Besides, he's lovely far above the rest,
With youth immortal, and with beauty blest.
Add, that he varies ev'ry shape with ease,
And tries all forms that may Pomona please.
But what should most excite a mutual flame,
Your rural cares, and pleasures are the same:
To him your orchard's early fruits are due,
(A pleasing off'ring when 'tis made by you)
He values these; but yet (alas) complains,
That still the best and dearest gift remains.
Not the fair fruit that on yon' branches glows
With that ripe red th' autumnal sun bestows;
Nor tasteful herbs that in these


Scheme Text too long
Poetic Form
Metre 0101010011 1101010101 1101010111 110101001 100101011 0101010111 11010100111 010111011 01110111001 11011001001 1101010111 0111010010111 1011010101 011111101 1101010101 011110101 1101010101 0111000101 010101111 1101111 110100101 1101011001 0111010111 01110001 011100101 1101000101 11111101 1101010101 1101010111 0101010101 1011111101 101010101 11011010111 0111111101 1011010111 111110101 0111010101 001101111 111101101 1111010101 0101111101 01011100101 1111001111 1011111101 0111111 110111101 1101011101 1111010111 0101011101 0101010101 0101000101 0101110101 1111110111 1101010111 1101110101 1111011101 110101011 101110101 1111110101 0101010101 1101010101 0101010101 1111111111 1101000101 0111110101 011110101 111110101 1101110111 111101101 11110011111 111101011 0101110101 11111011111 0101111101 0101101 111010010101 1111011101 11010100101 0111011101 1111010111 11110110111 11100101 1111110111 1101011101 11011101 1101011101 1111110101 1111010111 1101011101 0111010101 1101001101 111101111 0111110101 11110101001 1101010101 111110111 0101111111 1101110101 1101010101 1011111101 111111010101 1101101
Closest metre Iambic pentameter
Characters 4,394
Words 791
Sentences 32
Stanzas 1
Stanza Lengths 102
Lines Amount 102
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 3,500
Words per stanza (avg) 788
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Submitted on May 13, 2011

Modified on April 21, 2023

4:09 min read
106

Alexander Pope

Alexander Pope (1688-1744) is regarded as one of the greatest English poets, and the foremost poet of the early eighteenth century. He is best known for his satirical and discursive poetry, including The Rape of the Lock, The Dunciad, and An Essay on Criticism, as well as for his translation of Homer. more…

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