Analysis of The Rape of the Lock

Alexander Pope 1688 (London) – 1744 (Twickenham)



WHAT dire Offence from am'rous Causes springs,
What mighty Contests rise from trivial Things,
I sing -- This Verse to C---, Muse! is due;
This, ev'n Belinda may vouchfafe to view:
Slight is the Subject, but not so the Praise,
If She inspire, and He approve my Lays.
Say what strange Motive, Goddess! cou'd compel
A well-bred Lord t'assault a gentle Belle?
Oh say what stranger Cause, yet unexplor'd,
Cou'd make a gentle Belle reject a Lord?
And dwells such Rage in softest Bosoms then?
And lodge such daring Souls in Little Men?

Sol thro' white Curtains shot a tim'rous Ray,
And op'd those Eyes that must eclipse the Day;
Now Lapdogs give themselves the rowzing Shake,
And sleepless Lovers, just at Twelve, awake:
Thrice rung the Bell, the Slipper knock'd the Ground,
And the press'd Watch return'd a silver Sound.
Belinda still her downy Pillow prest,
Her Guardian Sylph prolong'd the balmy Rest.
'Twas he had summon'd to her silent Bed
The Morning-Dream that hover'd o'er her Head.
A Youth more glitt'ring than a Birth-night Beau,
(That ev'n in Slumber caus'd her Cheek to glow)
Seem'd to her Ear his winning Lips to lay,
And thus in Whispers said, or seem'd to say.

Fairest of Mortals, thou distinguish'd Care
Of thousand bright Inhabitants of Air!
If e'er one Vision touch'd thy infant Thought,
Of all the Nurse and all the Priest have taught,
Of airy Elves by Moonlight Shadows seen,
The silver Token, and the circled Green,
Or Virgins visited by Angel-Pow'rs,
With Golden Crowns and Wreaths of heav'nly Flowers,
Hear and believe! thy own Importance know,
Nor bound thy narrow Views to Things below.
Some secret Truths from Learned Pride conceal'd,
To Maids alone and Children are reveal'd:
What tho' no Credit doubting Wits may give?
The Fair and Innocent shall still believe.
Know then, unnumbered Spirits round thee fly,
The light Militia of the lower Sky;
These, tho' unseen, are ever on the Wing,
Hang o'er the Box, and hover round the Ring.
Think what an Equipage thou hast in Air,
And view with scorn Two Pages and a Chair.
As now your own, our Beings were of old,
And once inclos'd in Woman's beauteous Mold;
Thence, by a soft Transition, we repair
From earthly Vehicles to these of Air.
Think not, when Woman's transient Breath is fled,
That all her Vanities at once are dead:
Succeeding Vanities she still regards,
And tho' she plays no more, o'erlooks the Cards.
Her Joy in gilded Chariots, when alive,
And Love of Ombre, after Death survive.
For when the Fair in all their Pride expire,
To their first Elements the Souls retire:
The Sprights of fiery Termagants in Flame
Mount up, and take a Salamander's Name.
Soft yielding Minds to Water glide away,
And sip with Nymphs, their Elemental Tea.
The graver Prude sinks downward to a Gnome,
In search of Mischief still on Earth to roam.
The light Coquettes in Sylphs aloft repair,
And sport and flutter in the Fields of Air.

Know farther yet; Whoever fair and chaste
Rejects Mankind, is by some Sylph embrac'd:
For Spirits, freed from mortal Laws, with ease
Assume what Sexes and what Shapes they please.
What guards the Purity of melting Maids,
In Courtly Balls, and Midnight Masquerades,
Safe from the treach'rous Friend, and daring Spark,
The Glance by Day, the Whisper in the Dark;
When kind Occasion prompts their warm Desires,
When Musick softens, and when Dancing fires?
'Tis but their Sylph, the wise Celestials know,
Tho' Honour is the Word with Men below.

Some Nymphs there are, too conscious of their Face,
For Life predestin'd to the Gnomes Embrace.
These swell their Prospects and exalt their Pride,
When Offers are disdain'd, and Love deny'd.
Then gay Ideas crowd the vacant Brain;
While Peers and Dukes, and all their sweeping Train,
And Garters, Stars, and Coronets appear,
And in soft Sounds, Your Grace salutes their Ear.
'Tis these that early taint the Female Soul,
Instruct the Eyes of young Coquettes to roll,
Teach Infants Cheeks a bidden Blush to know,
And little Hearts to flutter at a Beau.

Oft when the World imagine Women stray,
The Sylphs thro' mystick Mazes guide their Way,
Thro' all the giddy Circle they pursue,
And old Impertinence expel by new.
What tender Maid but must a Victim fall
To one Man's Treat, but for another's Ball?
When Florio speaks, what Virgin could withstand,
If gentle Damon did not squeeze her Hand?
With varying Vanities, from ev'ry Part,
They shift the moving Toyshop of their Heart;
Where Wigs with Wigs, with Sword-knots


Scheme AABBCCDDEEFF GGHHIIJJKKLLGG MMNNOOAPLLQQXXRRSSMMTTMMKKUUVVWWXXGXYYMM ZZ1 1 XA2 2 PPLL 3 3 XB4 4 XX5 5 LL GGBB6 6 7 7 8 8 X
Poetic Form
Metre 11111101 11010111001 111111111 1110101111 1100111101 1101010111 1111010101 01111010101 111101101 1101010101 011101011 0111010101 111101011 0111110101 11101011 0101011101 1101010101 0011010101 0101010101 01001010101 1111010101 01011101001 011110111 11101010111 1101110111 0101011111 1011010101 1101010011 11011011101 1101010111 11011111 0101000101 1101001101 1101011110 1001110101 1111011101 110111101 1101010101 1111010111 0101001101 11110111 0101010101 1101110101 11001010101 11111101 0111110001 11111010011 01101011 1101010101 1101001111 1111010111 1101001111 0101001101 011111101 01010100101 011110101 1101011101 1111000101 011100101 1101011 1101110101 011110101 0101110101 0111011111 011010101 0101000111 1101010101 0111111101 1101110111 0111001111 1101001101 0101011 110110101 0111010001 11010111010 11010011010 11110111 111011101 1111110111 111010101 1111000111 110101011 1101010101 1101011101 0101010101 0011110111 111101011 010111111 1101010111 0101110101 1101010101 011110111 1101010101 0110111 1101110101 1111110101 11001110101 1101011101 1100100111 110101111 1111111
Closest metre Iambic pentameter
Characters 4,358
Words 769
Sentences 36
Stanzas 6
Stanza Lengths 12, 14, 40, 12, 12, 11
Lines Amount 101
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 579
Words per stanza (avg) 128
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Submitted on May 13, 2011

Modified on March 05, 2023

4:03 min read
104

Alexander Pope

Alexander Pope (1688-1744) is regarded as one of the greatest English poets, and the foremost poet of the early eighteenth century. He is best known for his satirical and discursive poetry, including The Rape of the Lock, The Dunciad, and An Essay on Criticism, as well as for his translation of Homer. more…

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