Analysis of Bereavement of the Fields

William Wilfred Campbell 1860 (Newmarket) – 1918 (Ottawa)



1     Soft fall the February snows, and soft
2     Falls on my heart the snow of wintry pain;
3     For never more, by wood or field or croft,
4     Will he we knew walk with his loved again;
5     No more, with eyes adream and soul aloft,
6     In those high moods where love and beauty reign,
7     Greet his familiar fields, his skies without a stain.

8     Soft fall the February snows, and deep,
9     Like downy pinions from the moulting breast
10   Of all the mothering sky, round his hushed sleep,
11   Flutter a million loves upon his rest,
12   Where once his well-loved flowers were fain to peep,
13   With adder-tongue and waxen petals prest,
14   In young spring evenings reddening down the west.

15   Soft fall the February snows, and hushed
16   Seems life's loud action, all its strife removed,
17   Afar, remote, where grief itself seems crushed,
18   And even hope and sorrow are reproved;
19   For he whose cheek erstwhile with hope was flushed,
20   And by the gentle haunts of being moved,
21   Hath gone the way of all he dreamed and loved.

22   Soft fall the February snows, and lost,
23   This tender spirit gone with scarce a tear,
24   Ere, loosened from the dungeons of the frost,
25   Wakens with yearnings new the enfranchised year,
26   Late winter-wizened, gloomed, and tempest-tost;
27   And Hesper's gentle, delicate veils appear,
28   When dream anew the days of hope and fear.

29   And Mother Nature, she whose heart is fain,
30   Yea, she who grieves not, neither faints nor fails,
31   Building the seasons, she will bring again
32   March with rudening madness of wild gales,
33   April and her wraiths of tender rain,
34   And all he loved,—this soul whom memory veils,
35   Beyond the burden of our strife and pain.

36   Not his to wake the strident note of song,
37   Nor pierce the deep recesses of the heart,
38   Those tragic wells, remote, of might and wrong;
39   But rather, with those gentler souls apart,
40   He dreamed like his own summer days along,
41   Filled with the beauty born of his own heart,
42   Sufficient in the sweetness of his song.

43   Outside this prison-house of all our tears,
44   Enfranchised from our sorrow and our wrong,
45   Beyond the failure of our days and years,
46   Beyond the burden of our saddest song,
47   He moves with those whose music filled his ears,
48   And claimed his gentle spirit from the throng,—
49   Wordsworth, Arnold, Keats, high masters of his song.

50   Like some rare Pan of those old Grecian days,
51   Here in our hours of deeper stress reborn,
52   Unfortunate thrown upon life's evil ways,
53   His inward ear heard ever that satyr horn
54   From Nature's lips reverberate night and morn,
55   And fled from men and all their troubled maze,
56   Standing apart, with sad, incurious gaze.

57   And now, untimely cut, like some sweet flower
58   Plucked in the early summer of its prime,
59   Before it reached the fulness of its dower,
60   He withers in the morning of our time;
61   Leaving behind him, like a summer shower,
62   A fragrance of earth's beauty, and the chime
63   Of gentle and imperishable rhyme.

64   Songs in our ears of winds and flowers and buds
65   And gentle loves and tender memories
66   Of Nature's sweetest aspects, her pure moods,
67   Wrought from the inward truth of intimate eyes
68   And delicate ears of him who harks and broods,
69   And, nightly pondering, daily grows more wise,
70   And dreams and sees in mighty solitudes.

71   Soft fall the February snows, and soft
72   He sleeps in peace upon the breast of her
73   He loved the truest; where, by wood and croft,
74   The wintry silence folds in fleecy blur
75   About his silence, while in glooms aloft
76   The mighty forest fathers, without stir,
77   Guard well the rest of him, their rare sweet worshipper.


Scheme ABCDCBB EFEFEFF GHGAGHX IJIKAKK BLDLBLB MNMNMNM XMOMOMM PQPQQPP RSXSRSS XXXTLTL ARCRCRJ
Poetic Form
Metre 110100101 1111011101 1101111111 1111111101 111110101 0111110101 110101110101 110100101 11011011 11010011111 1001010111 11111100111 110101101 011101101 110100101 1111011101 0101110111 010101011 111111111 0101011101 1101111101 110100101 1101011101 1101010101 111010011 1101010101 0110100101 1101011101 0101011111 1111110111 1001011101 11110111 100011101 01111111001 01010110101 1111010111 1101100101 1101011101 1101110101 1111110101 1101011111 0100010111 11110111101 01110100101 01010110101 01010110101 1111110111 0111010101 10101110111 1111111101 101010110111 01001011101 1101110111 11010100101 0111011101 10011111 01010111110 1001010111 011101111 11000101101 10011101010 0101110001 110011 101011101001 0101010100 110101011 11010111001 01001111101 01010010111 01010101 110100101 1101010110 1101011101 0101010101 0111010101 0101010011 1101111111
Closest metre Iambic pentameter
Characters 3,750
Words 678
Sentences 12
Stanzas 11
Stanza Lengths 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 7
Lines Amount 77
Letters per line (avg) 37
Words per line (avg) 11
Letters per stanza (avg) 259
Words per stanza (avg) 77
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Submitted on May 13, 2011

Modified on March 05, 2023

3:25 min read
154

William Wilfred Campbell

William Wilfred Campbell (1 June ca. 1860 – 1 January 1918) was a Canadian poet. He is often classed as one of the country's Confederation Poets, a group that included fellow Canadians Charles G. D. Roberts, Bliss Carman, Archibald Lampman, and Duncan Campbell Scott; he was a colleague of Lampman and Scott. By the end of the 19th century, he was considered the "unofficial poet laureate of Canada." Although not as well known as the other Confederation poets today, Campbell was a "versatile, interesting writer" who was influenced by Robert Burns, the English Romantics, Edgar Allan Poe, Ralph Waldo Emerson, Henry Wadsworth Longfellow, Thomas Carlyle, and Alfred Tennyson. Inspired by these writers, Campbell expressed his own religious idealism in traditional forms and genres.  more…

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